The God of Magic, Serendipity and Coincidence

September 19

“Do you know how much God loves you?”

Spencer has asked me this question more than once. As it is rhetorical, he is not expecting an answer. But I reply anyway.

“I believe in a God of magic and serendipity. Of coincidence. The master quilter pulling together disparate pieces and weaving something gorgeous,” I explain. “I don’t believe in a God who can love me.”

Spencer suggests I try leading with my heart instead of my head.

A few days later, I mention this to my meditation teacher, Paul.

“Oh she does love you,” Paul replies … continuing on to tell me, in the most loving way imaginable, that I have a habit of “getting in my own way.”

This is not news.

When I ask him what I can do about it, his answer is simple. Consistent. The same answer he has given me for nearly 15 years — the amount of time I have known him.

Meditate. Twice a day.

For a long time, I have sat only in the mornings.

“Try twice,” he says, reminding me that meditation is “plugging in to the source.”

I offer up a few reasons why I cannot, but they fall flat.

“Just do it.”

So I do.

I sit. I close my eyes. And very gently, I begin to say the mantra. Pleasurable, physical sensations wash over me in waves — as they often do when I meditate.

Twenty minutes pass quickly and I open my eyes refreshed, recommitted and wondering why I haven’t been doing this all along.

Less than an hour later I receive a donation to my Go Fund Me campaign, “They Don’t Eat Alone in Spain.” It is more than generous. A game changer. The donor asks to remain anonymous, listing the funds as coming from “The Kind and Generous Universe.” Because really, they do …

Is this the God of magic and serendipity and coincidence? Perhaps. Regardless, I’ve been meditating twice daily ever since …

I’m still $307 away from my fundraising goal. My campaign ends in 16 days — when I leave for Girona, to attend a writers retreat with the intention of manifesting blog into book deal, “They Don’t Eat Alone in Spain.”

Want to know more about”They Don’t Eat Alone in Spain” — How 52 Artist Dates healed my heart and landed me smack in the center of my own life. A post-divorce narrative offering the option of a happy ending, no partner required — and how to support it? Click here: https://www.gofundme.com/awanderingjewess

You can also support my work by liking my Facebook page https://www.facebook.com/lesleypearl.awanderingjewess/ or sharing this message.

(Photo: With Spencer my last night in Madrid. It is magic and serendipity that we met!)

With Love, The Universe

More words of thanks for those who have supported my Go Fund Me campaign, “They Don’t Eat Alone in Spain” — a  happily-ever-after, after divorce story, sans romance –and my dream of manifesting blog into book deal.


20 July

Last night I had the privilege of reading my work at Nikki Nigl’s AboutWomen in Chicago.

“I began having experiences instead of talking about them.”

I never know what words will resonate with an audience. This time it was clear, as this quote was posted on Facebook later in the evening.

I’ve talked about publishing a book for a long time. Now I’m ready to have the experience of it. Many thanks to Dana Harmon for her generous contribution, which brings me one step closer … (to) my dream of turning my experiences — my weekly Artist Dates, chronicled at http://www.awanderingjewess.com — into a book about the possibilities of happily going it alone after divorce.

(With Nikki, at AboutWomen.)

me and nikki about women


23 July

I forget that the universe is busy working on my behalf, even when I’m not working. In fact, sometimes it does its best work when I am at rest …

I was reminded of this truth this afternoon when I (uncharacteristically) sprawled out on the couch, listening to an interview about creativity with writer Elizabeth Gilbert.

I dozed off for about 20 minutes. When I awoke, I was met by a notification of a donation from my dear friend, Nikki Nigl.

Nikki packed 90 percent of my life into two suitcases and two carry-ons nearly one year ago, thus preparing me for my move to Madrid. She picked me up at O’Hare when I returned home 15 days ago. In between, she sent packages with what I couldn’t easily buy in Spain (travel-size toothpaste, Weight Watchers journals) and notes of inspiration. I’m fond of saying “Everyone needs a Nikki Nigl in their life.”

Many thanks Nikki for all that you do … and for taking my “They Don’t Eat Alone in Spain” campaign past the $1,250 mark. The retreat — where I will meet with literary and film professionals to transform my blog into a book — is now half funded. My goal is to have it completely funded ($2,500) when I send the manuscript to my retreat mentor on September 1.

(Notes from Nikki. I “found” these in the pockets of my winter coat … which she sent to me in Madrid.)

notes from nikki


25 July

I learned to meditate more than 14 years ago . I brought flowers and fruit as an offering for receiving my mantra. And I remember asking my friend and teacher, Paul Brown, how it was he “made a living” as a meditation teacher.

“I don’t know, honey bunny,” he said. “I just do. Money comes to me.”

It sounded ridiculous at the time. It was a hard idea to wrap my head around. Sometimes it still is. And yet, I find it is true in my life too … as evidenced by the success of my “They Don’t Eat Alone in Spain” campaign and Paul’s recent contribution to it. Muchas, muchas gracias a mi amigo y mi profesor.

I believe we attract abundance to us when we do our soul’s work. For me, that work is telling my story — of how I found a happy ending after divorce … even without “getting the guy.” I didn’t see many models for this when my marriage ended … so when romance eluded me I had to forge my own path. Little did I know it would be such a rich and satisfying one. One that would lead me back to myself. The self I had lost along the way without even knowing it.

(Paul and I in Golden Gate Park … post mediation glow.)

me and paul brown


Want to know more about “They Don’t Eat Alone in Spain” — how 52 Artist Dates saved my soul after divorce and landed me smack in the middle of my own life — or how to contribute to my Go Fund Me campaign? Click here.

 

Brooklyn Les

brooklynThere was already a Leslie when I arrived to work at The Jewish Bulletin of Northern California in 1995, so I quickly became Les – which was strange because up until that time, only my parents had ever called me Les.

However, not long after that “christening,” I earned the name Brooklyn Les – used exclusively when I would lead with my mouth.

Brooklyn Les swore like a sailor. Kept a pack of Newport Lights in the pocket of her leather jacket – a tan vintage number with a paisley silk lining which my friend T affectionately referred to as the Serpi-coat, an homage to Al Pacino in the movie of the same era. Brookly Les was feisty. A little bit angry. And funny as she let the expletives fly from her lips.

In those first few years in San Francisco, Brooklyn Les showed up a lot. But as time passed, her role became more of a cameo — the walk-on of a once beloved character that had moved on.

I quit smoking. I got older. I went to therapy.

I quit the job I hated and learned to curb my tongue at the one that I loved. I learned to meditate. I joined a spiritual business group.

There was less to be angry about.

“Remember when you used to be surly, Pearly?” my then-husband asked, only half in jest.

I did.

When I moved to Chicago in 2007, Brooklyn Les began appearing again. Sans cigarettes.

I was newly sober and leaking emotion. Joy. Gratitude. Pain. My friend D insisted I was angry but didn’t know how to express it.

And yet, every once in a while, I did. Usually with my friend M, over food or coffee. Always unexpected. What started as simple conversation quickly developing into full-fledged rant. About my husband. Or my parents. Or my birthparents. The weather. Weight Watchers. Chicago. Occasionally myself.

M would clap with glee. She loved Brooklyn Les. Probably because she only turned up occasionally and was so different than the woman I presented as. She was funny and crass and said things none of us dared say.

But I always felt apologetic. Like I shouldn’t behave this way. That I couldn’t afford the luxury of a good resentment.

It’s been a while since I’ve seen Brooklyn Les. Strangely, she didn’t show up during my divorce or my pained efforts at dating after. She didn’t show up during my move to Seattle or my unfruitful job search in Chicago.

I was angry. But it wasn’t funny or functional. Instead, it mostly got turned inward, on to me.

My friend S noticed and thought that breaking some rocks might help release it. Or at the very least, invite Brooklyn Les for a visit.

So a few weeks ago, we drove out to El Pardo – a park outside of Madrid where Franco used to shoot deer. (Rumor has it he was such a bad shot that his lackeys would literally have to place deer – I don’t know how – directly in front of his aim if he was to have even a minimum of success.)

Inside the park, at a quarry of sorts, S demonstrated.

He picked up a rock, said some choice words, threw it against another and watched it shatter into bits. Then he invited me to do the same.

I picked up a rock. Threw it. And watched it bounce off another and roll onto the ground.

“I can’t even get angry correctly.”

S invited me to name my anger – more specifically, the sources of my anger – but I couldn’t. I could only cry. So he named them for me. And I cried even harder.

I cried and muttered and prayed…threw some rocks. A few shattered. Many bounced.

It was a beginning.

I’m sure Brooklyn Les could have done better. But she was nowhere to be seen.

I thought I recognized her walking through Sol, the center of Madrid, the other day. As I was jostled and bumped by Spaniards just doing what they do – walking four or five across on the sidewalk, slowly, seemingly expecting everyone else to move. They all seem to navigate just fine around each other but I haven’t quite figured out their system.

But instead of Brooklyn Les, I felt more like William Shatner in an Everyready Battery commercial circa 1978. “I dare you to knock this battery off of my shoulder.”

My anger scared me. It still does.

I thought about my ex-boyfriend D. How I more than once told him, “I won’t fight with you.”

“People fight,” he insisted. But I wouldn’t.

I thought about my ex-husband. How he was one of less than a handful of people I would fight with – who I felt safe enough to fight with.

But mostly, I find myself just fighting with myself. It’s exhausting.

It seems clear I need to find a way to purge this anger from my body – without imposing it on others, or turning it on to myself. Although I’m still not exactly sure how.

Perhaps Brooklyn Les might have an idea…

 

Artist Date 83: On The Path All Along

Photo: Egyptian Streets
Photo: Egyptian Streets

I’m late.

I peel myself away from the Lebanese pastries – empanada-like sweets filled with sweet cheese, the other with nuts, covered in rosewater – special for Ramadan.  From this conversation which is at once both playful and real.  That reminds me what it feels like to connect deeply. To be met spiritually.

I dash into my apartment and dial into the conference call – 7 Pathways to Freedom, Love and Abundance.  Artist Date 83.

Debbie is mid-meditation.  I sit down at the table, rest my feet on the bar that goes across the underside of it, close my eyes and let myself fall into her words.

She suggested the workshop following my most recent clairvoyant reading and healing.  It made sense to me.  I knew I needed a pathway.  Or more to the point, help continuing on the path I am on.  Lately, I’m having trouble seeing the road.

Nearly two years out of my divorce, I expected to be, to have been, in a relationship by now.  I expected to be financially fully self-supporting.

I’ve had men in my life.  Moments of romance and intimacy.

Months of late-night phone calls navigating the sloppy paths of our mutual divorces, followed by a road trip on the sloppy path cross-country that brought me home.  Hours-long make-out sessions lasting from steamy evening into near dawn.  Skype dates where I bared my soul, and my body, on the promise we’d “give it a go,” throwing caution to the 700 miles that lay between us.

I’ve had work.

A place to show up – more days than not.  Money.  Benefits that don’t fit neatly into an offer package.  No health insurance or paid-time off.  Instead, the opportunity to make an impact.  To work with others.  To stumble in a safe place.  And to shine brightly too.

Cobbled together with the cash and prizes of divorce, I’ve had enough to live on.  More than.

But I want more.  More than moments.  More than enough without spousal support.  (Which, sooner rather than later, I will no longer receive.)

My hope is that something will open up for me in this workshop.  Some chakra blockage will get knocked loose.

I close my eyes and listen to Debbie’s words.  I am overcome with shame.

Shame for the relationships in my life where feelings don’t match.

Shame for the sex I’m not having.

Shame that I was set free…and remain free.

(The words slip off of my fingertips now, in real-time, as I write.  Freedom.  One of the promises of the workshop.  It is not lost on me.  But in workshop time I only feel shame.)

“I am ashamed that my friend’s feelings don’t match my own.”  The words slip past my lips as we share our experiences of the meditation.

(And again, in real-time, I realize this is not exactly true.  I think of this particular relationship, where we share a deep connection – a love for one another that is acknowledged often and freely by us both.  What is not matched is where we are in our lives – what each of us is available for.)

I speak my embarrassing, humiliating truth and nothing bad happens.

A half hour later we disconnect.  I do not recall a thing I have heard.  I am grateful for the audio link which will arrive the next day.

I brush my teeth, wash my face, and write my nightly gratitude list.  I am grateful I do not feel like calling Mr. 700 Miles today.  For Lebanese pastry and time with a friend who loves me.   I am grateful for therapy tomorrow and the Cheryl Strayed book I am reading, Tiny, Beautiful Things. 

The list goes on.  Long.  Abundant.

Freedom.  Love.  Abundance.  The workshop promises.  All right here, right now, in my life.  I am on the path.  I always was.  Now I can once again see it.

Jai Guru Dev. Thank You, Beloved Teacher.

With my teacher, Paul Brown, on Guru Purinimah in 2012 -- when we both found ourselves in Chicago, although neither of us lived here at the time.
With my teacher, Paul Brown, on Guru Purnimah in 2012. In Chicago.

“Today is celebrated as Guru Purnimah, Full Moon of the Guru. One honors one’s spiritual lineage.”

My meditation teacher, Paul Brown AKA Paul Edward Blackburn, posted this on Facebook today along with a story from one of his associates upon meeting his teacher, the Maharishi Mahesh Yogi.

This is my story of meeting my teacher.

I am standing at the bar at a swanky anniversary party. I order a glass of champagne. Paul looks at me, smiles, and says, “We’re going to be friends.”

He says this as if nothing could be more obvious. And nothing can be more obvious.

He is tall, with a shock of white-blonde hair and blue eyes that I want to swim in – elementary backstroke, gentle, looking up at the sun. I don’t know if he is gay or if I am in love or both.

Both.

Over dinner he tells me about Transcendental Meditation. (Now commonly called Vedic Meditation.) He tells me about meeting the Maharishi Mahesh Yogi – John, Paul, George and Ringo’s teacher – in Spain. He tells me he would like to teach me to meditate.

On the ride home I inform my husband that I will be learning to meditate. It is one of our first and few disagreements about money. We don’t have much as I have recently left a job in public relations and am answering phones at a massage school for $12/hour while I build my budding bodywork practice.

Meditation seems an unnecessary extravagance, but he relents.

I arrive at Paul’s home – a bungalow that he shares with his roommate Mikey, who runs an old-school soda fountain in Berkeley, California – carrying pears and oranges and a mess of star-gazer lilies, offerings for my initiation.

We place the fruit and flowers on a silver tray, next to a photograph of the Maharishi Mahesh Yogi, on an altar Paul has created. And he lights a stick of incense.

The rest is a blur.

I receive a mantra which Paul had chosen for me. He says it. I repeat it. He says it again. I repeat it again. And so we continue for 20 minutes. Saying the words to one another, and then eventually to ourselves.

I feel dizzy. And then like I am flying. I notice every sensation of my body. I feel like I have experienced this before, as a young girl…but I did not have words for it then. Or I did, but they sounded strange and silly. The feeling and the imagery is exactly the same – I am a cube of ice suspended from dental floss tied to a toothpick. Both heavy and light at the same time. And nothing more.

We finish the meditation with the words, “Jai Guru Dev. Thank you, Beloved Teacher.” And then count backwards from 100 to zero, allowing ourselves to settle back into this time and space.

When we are done, Paul makes me a martini – heavy on the vermouth, and we sit at the dining table with Mikey while he eats his dinner, sans shirt. And when he is done, he plays the guitar for us.

A few weeks later Paul teaches my husband to meditate – gratis. It is his gift to us. He thinks it is important that we be able to meditate together.

We meditate in the sun in our pajamas, camping in a field up in wine country. And on a rock face in Lake Tahoe, where we back-packed in for several days. My husband suggests we take off our watches while we are here. I agree but ask, “How will we know when we are done?” (This form of meditation is traditionally done for 20 minutes – once in the morning, once in the evening.) He laughs and replies, “We will be done when we are done.”

It seems like a radical notion.

We do this together for many years. And then we don’t. Our schedules change. He falls away from the practice. And then, we are no longer a we.

My practice changes and morphs too, and probably can no longer be classified as true Transcendental or Vedic Meditation. I add different prayers and “count” them towards my 20 minutes. At the request of a sick friend, I repeat a Durga (Hindu Goddess) mantra 108 times, at the time of her morning meditation. I let my evening practice fall away and lean exclusively into my morning sitting.

What remains true, 12 years since my initiation, is what Paul promised me early on – when I ask him how his life is different since learning to meditate. He thinks about it and replies, “I just think I have a really good and sweet and beautiful life, Honey Bunny.”

Yes. Me too.

Jai Guru Dev. Thank you Beloved Teacher.

With Room To Grow

2014-06-15 15.12.42My friend Clover is a ridiculous optimist.

She arrived at my home yesterday – plant in hand.  Even though I have killed every seedling and shoot that has crossed my threshold.  Easy ones – amaryllis and succulent.  Even the cacti she brought me when I moved back to Chicago.

They lived in a large glass bowl with sand, rocks and driftwood, as well as a golden deity.  When the first one died, I brought the terrarium to the shop it came from and watched the owner delicately place a new cactus in its place.  During our conversation, he convinced me to try my hand at a succulent – a hearty jade housed in an earthenware vessel, surrounded by wire.  Protected.  Safe.

I too was optimistic.

I saw the jade in my morning meditation, and took it to be a symbol of preparing soil.  Allowing the ground to lie fallow every seven years – as is mandated in the Book of Leviticus.  Without crop.  Resting.  Rejuvenating.

It was during this time – in the first months after my divorce – that several people suggested I not date for a full year, and I saw the soil as myself – getting ready.

I flourished.  But both the cactus and the jade withered.

My apartment gets precious little direct sunlight.  And yet…

I tossed the jade, but kept the container.  The shriveled, grey cactus still sits in the sand terrarium.  A reminder?  A warning?  An omen?

Perhaps it is time to throw away this remnant – what couldn’t survive – to make room for something new.  Not necessarily another cactus.  But something larger and leafier, like the plant Clover brought into my home.

She insists this one is “easy.”  It doesn’t require much sunlight.  Just water – twice each week.  And a new pot, sooner rather than later, as it is a little big for its orange, earthenware container, and will soon outgrow it.

Like me?

For the past several days, I haven’t been able to shake the feeling that something is about to change.  What?  I’m not certain.  But I feel the rumblings within.  I am both anxious and excited – eager to greet the shift.

Perhaps this one will be easy too.  Water.  A little sun.  A bigger container…with room to grow.

Welcoming Juniper Maya with the Hand of God

2014-03-25 01.42.32I keep my phone plugged in to an outlet near the floor so that its light does not interrupt my sleep. But also, because it brings me to my knees first thing in the morning – prayer becomes non-negotiable.

It is 1 a.m. and I am on my knees. I have only turned off the lights two hours ago.

“Is it time?” I ask, seeing it is Clover.

“It’s time,” she says,  her voice both dreamy and reassuring. “Take your time.”

We have plenty of it. Nearly 17 hours until Juniper Maya is born. Clover is her mother. And I am Clover’s doula – Greek for servant or birth support.

I brush my teeth and pop in a fresh pair of contact lenses. Pull on a pair of grey skinny corduroys, a purple and white checked blouse and the sweater I can’t bear to give away. The blue merino wool one with the tear under the armpit, and that is separating from its collar.

I pack a bag with berries, yogurt and cereal. Baby carrots. Apples. Sweet potato. Clover and Andy have been cooking and freezing for weeks in preparation for the birth and the days and weeks after. But I pack this, along with a journal and a book – just in case – and jump in my car, leaving the bag with my glasses and toothbrush by the door.

It is quiet out and beginning to snow. I circle the block twice and find a spot nearby. Before getting out of the car, I pray. “Please join us in this sacred moment. May this be a safe and joyous birth for mom and baby.” Or something like that. I am surprised. I didn’t plan to pray. It just sort of spilled out of me, as my prayers often do.

Andy buzzes me in. There is a handmade sign on the door – birth in process. We greet one another in the hallway in whispers.

Inside, it is dimly lit. There are candles. Music is looping from a play list created just for this moment. It is all part of Clover’s birth plan. She greets me sleepily in a short, cotton nightgown. Soon she will be wearing nothing at all and it will seem like nothing could be more natural.

********************

Clover and Andy demonstrate the routine they have established. With each contraction they grasp one another’s upper arm. Andy leans back and they count through it – together. One.   Two.  Three.  Four.  Up into double digits, until it is over.

I trade places with Andy and begin counting and leaning and holding on. This will be our foundation for the next 17 hours. The ritual we return to.

It is warm inside. Clover gives me one of her t-shirts. It is grey and oversized with butterflies on it. My friend Julie’s mother Carole (now deceased) often visits both her and I as a butterfly. I know she is with us now.

********************

2014-03-25 01.49.41We eat. We walk. We count.

Clover bounces on the birthing ball. She does cat and camel poses on her hands and knees while I stand behind her, pressing her hips together to midline. Relief.

We doze in bed. Clover and Andy lying next to one another. Me lying perpendicular to them at the foot of the bed. Later I will lie between them, placing my fist in Clover’s low back, gently pushing her sacrum toward her feet. My arm stretched over her body. Her hand clenching mine, until I think my tarsal bones might break.

Clover reminds us of the images that ground her. A sparkly oak tree. The river that runs behind it. A nearby staircase made of fluffy, white feathers. Her spirit guide, Strident.

Andy takes apart the dining room table to make room for the tub. Inflates it and fills it with warm water. Clover climbs in and smiles. The water is holding her and everything she has been carrying.

Morning comes through the pulled shades. Andy calls the midwives around 7:30. Clover has been laboring for 12 hours now. Hilary, the midwife, tells her to keep her voice low, in her abdomen, as opposed to in her throat – which feels more natural. This will help move the baby lower into her pelvis.

Her grunts and noises sound remarkably sexual when she does this. It seems fitting the noises would be the same both conceiving a child and delivering it.

Clover and I are walking. Her hands on my arms. Mine upon hers. She looks directly into my eyes. Hers are big, round, open. Is it fear? Trust? Amazement? Fatigue? I’m not sure. I meet her gaze, as she has asked me to. And I tear up. I am trying to be solid but I feel like I will fall apart at any moment.

No one has ever trusted me this much. Trusted my heart. My body. My psyche. I am overwhelmed.

 ********************

 2014-03-25 02.28.27The first midwife assistant, Sarah, arrives around 8:30 a.m. She is extraordinarily perky. She has slept. We have not.

She watches Clover and I move through a contraction.

We have a new pattern. She squats and I squat with her. I tell her to see the oak tree. To see Strident in the oak tree. She softens and collapses into me and I hold her naked body against my clothed one. We will repeat this again and again.

Sarah puts a fetal heart-rate monitor on Clover’s belly. She will do this following each contraction to make certain everything is as it should be.

I leave Clover with Sarah and walk into the kitchen. I look at Andy, who is making me yet another cup of instant coffee. I tell him this is perhaps the most important thing I have ever done. “Me too,” he says.

A few hours later a second assistant arrives. And around noon, Hilary – the midwife – shows up.

They are all very matter-of-fact. Except about moving. When Clover moves, the baby moves, they explain. And so we keep her moving. In the tub. Out of the tub. In the bed. Out of the bed. Over the toilet. On all fours. On her side. Squatting.

I hold. I squat. I invoke the oak free and Strident until the images no longer produce the desired effect. “No more oak tree,” she says.

Clover’s temperature rises and falls. She steps out of the tub and we wrap her in towels. Moments later she throws them off.  She is like James Brown, hobbling off stage with a cape draped over him, then tossing it off and jumping into the splits. All except for the splits.

We laugh. All except Clover. She is somewhere else. Focused.

Not once does she say “I can’t.” Only, “this is taking so long.”

********************

clover and mayaIt is late afternoon and she begins to push. The midwives continue to keep her moving. Reminding her to keep her voice low in her body. She is in the tub. I am taking photographs, as she has asked me to do. The camera hides my tearing eyes.

I do not know if they are happy or sad tears. Perhaps both.

I put the camera down and kneel on the side of the tub so that Clover can grasp my hands as she has so many times now. She does, and then lets go, grabbing on to the handles on the side of the tub. It is her and her God alone in the tub. We are her chorus, surrounding her.

And the miracle emerges – all head and a shock of dark hair. Her tiny body tethered by the umbilical cord. Hilary shouts, “Catch your baby! Catch your baby!” And she does.

The pool is red. Clover is radiant. Energized.

Hilary pulls a cap on to Juniper Maya’s tiny head and wraps a towel around her. She lies on Clover’s chest. Andy cuts the umbilical cord.

 ********************

I feel the tears rise up inside of me. I want to leave.

I am sleep deprived. My body is full with food I wouldn’t normally eat. Spoonfuls of crunchy peanut butter. A chocolate energy bar. Chicken stew. A cold sweet potato. And yet I still feel hungry.

I am acutely aware that my long-distance love, Mr. 700 Miles – the one who slipped away without a word several weeks ago – is shockingly, frighteningly present.  That he has been for the last 17 hours, during which time I have told him, again and again – quietly, internally – “You gotta go.”  He is never gone for long.

I feel sad that I cannot, will not, be able to share this experience with him.

I feel sad that he will never meet Clover, Andy and Juniper Maya.

I feel sad because I recently had the thought, “I would have a baby with this man.” A thought I had never had before.  Not even with my ex-husband.

I begin cleaning. Picking up towels strewn across the floor, determining which can be laundered and which go in the trash. Emptying trash bins and putting in fresh bags. Scrubbing the slow cooker. Loading the dishwasher.

I watch Sarah drain the tub with a hose – siphoning the water mixed with blood and other fluids into the toilet.

I gather my things and greet the family in the bedroom.

Hilary is stitching Clover. Juniper Maya is nursing. I help Andy send a text to waiting friends and family.

Clover tells me the small box with ribbon is for me.

We hug. We kiss. We exchange words of gratitude. None of them quite capturing what we have shared.

I tell her I love her and that we will talk about it – all of it – later.

********************

2014-04-06 22.16.11I am barely out the door and I begin sobbing – heaving, convulsing, cannot catch my breath tears.

I arrive home and see my bag at the door. The one with my toothbrush and eyeglasses. I scramble some egg whites and pick up the phone, calling Sarah, Lynn, and Chase. I call Anne. And Kristina. Anyone but Mr. 700 Miles. I leave messages for each of them. And one by one, each calls me back.

I open the box from Clover. Inside is a delicate gold chain with the smallest hamsa (palm-shaped amulet) I have ever seen.

I fall into bed.

Tomorrow Clover will tell me the hamsa is the hand of God. That my hand was the hand of God.

I will recall telling Andy this is perhaps the most important thing I have ever done.

And I will be certain of it.

Artist Date 68: Power Cords

I have given my power away.

Valley, by Nilima Sheikh
Valley, by Nilima Sheikh

I feel vulnerable.  Ashamed.  I am “that woman,” wringing her hands about “that man.”

Disgusting.

I gave my power away when I said, “I can’t do this.”  Telling him I needed more.  And that he didn’t seem capable of giving it to me.  And did it anyway, becoming more and more deeply entwined in our long-distance intimacy.

I did it when I told him I could not Skype with him.  That it was too hard to look into his green eyes.  To see him look back at me in a way I can’t ever recall being seen.  And did it anyway.

I did it when I promised myself I wouldn’t reach out to him for 30 days.  Not as a game or a test.  But to find out how he shows up.  And reached out anyway.

I did it every time he mentioned bad timing, money or miles between us, and chose not to listen.  Only paying attention to the part where he changed his mind, usually about 10 minutes later, saying he did want to “find out about us.”

I made the rules and I couldn’t keep them.  Just like when I used to drink.  And it left me feeling the exact same way – anxious, obsess-y, over-thinking.  Knowing in my heart that something isn’t right, and trying to make it work anyway.  Somehow believing “this time will be different.”  Powerless.

***************

I am standing in my bedroom in front of a batik wall hanging of Ganesh — Hindu boy with an elephant head, Remover of Obstacles – like I do every morning.

I kick my meditation cushion to the side, put my hands in prayer, in front of my third eye, and inhale deeply.

“Lord Ganesh, give me back my power.”

I feel a surge through my body, a response, and am flooded with words of direction.

Ganesh batik in my bedroom.
Ganesh batik in my bedroom.

Carry Ganesh with you.  Visit India.  See Nilima Sheikh’s “Each Night Put Kashmir in Your Dreams” at the Art Institute.  Artist Date 68.

***************

It is the Saturday before St. Patrick’s Day.  The train headed downtown is filled with drunk twenty-somethings in oversized green, foam hats, green socks and beads.  I put on my sunglasses and turn up Nina Simone and try to forget that he did not show up last night.

That he has not responded to my text.

That I am the one with the problem.

I get off several stops earlier than necessary and walk.  It is cool and sunny and I feel happy in my grey wool coat, knit hat and red ankle boots.  I make note of the galleries on Superior Street.  Future Artist Dates.  I feel my power growing.

***************

I step inside the Special Exhibit Gallery.  It is quiet.  Still behind glass doors.  I stand in front of a painted scroll titled “Valley.”  The canvas is green.  Lush and gentle.  A verdant map.  I begin to cry.

“That really affected you, huh?”

It is the museum guard –a woman named Denise.  She wears long braids gathered together.  I nod.  She says a few more things but I cannot take them in.  I am lost.  I politely tell her I need to be alone in my quiet.  She nods.  I feel my power growing.

I approach the canvas, “Farewell.”  Red, with two entwined figures – one holding open his robe, displaying a map of Kashmir where his heart should be.

Farewell, by Nilima Sheikh
Farewell, by Nilima Sheikh

“If only somehow you could have been mine.  What would not have been possible in the world?”  The words stenciled in gold at the top of the canvas.  “We’re inside the fire, looking for the dark,” on the back.

I feel like I have been punched in the gut.

The tears return.  I am breathless.

I return to “Valley.”  “…And though the guards searched for him with the sun in one hand and the moon in the other the demon baffled them.”  Stenciled on the back.

He sought me.  I am baffled, wondering where he is now.  But knowing I must continue to seek myself.  I feel my power growing.

***************

I share a bench and a cup of tea with a couple in the member’s lounge.  We talk about shoes.  About art.  About recovery and vibrators and relationships.  They tell me I need a man who is here.  I know they are right.  I feel my power growing.

***************

In some ways I feel like I have been waiting all of my life for this man.  And I am “Dying Dreaming.” (The words, like all those in quotes, names of Sheikh’s canvases.)

But I also know that his life is still a “Construction Site,” while I am “Gathering Threads” — stringing together the people, places and pleasures that bring me joy, that make me whole.  Power cords.

Artist Date 64: Not Too Much

I do not do yoga.

As a massage therapist, I know it is kind of part of the gig.  But I can’t.

chakrasystem_282_It freaks me out.  Holding poses for an extended period makes me panic.  Whether I am in a big anonymous class or in a tiny studio with just three other students and the most gentle instructor imaginable, it is always the same.  Open heart.  Teary eyes.  And a small voice crying out in the silence, “Are we done yet?  Are we done yet?”  I ignore her and…panic.  More tears.

People tell me this is good.  That it means I should do more yoga.  That I am working something out.  I ignore them and make a mental note never to discuss this topic.

Until now.  In a yoga studio.  Artist Date 64.

My friend, and clairvoyant genius, Debbie Taitel, is conducting a post-Valentine’s exploration of the 4th Chakra, the energy center of the heart.

I think I am safe because it is a meditation workshop and not yoga.  And I meditate.  I have for 12 years.

But I am wrong.  The panic is there almost immediately.  Stifling.

Debbie first mentioned the workshop to me a couple of weeks ago, during one of our clairvoyant sessions.  As I watched my heart tentatively open to hope and the possibility of love for the first time in what seemed like a very long time – for an almost bachelor, a man from my childhood, living nearly 700 miles away. (Artist Date 62)

Last week I told him I “couldn’t do it.”  (Artist Date 63) Whatever “it” was.  Seemingly falling head over heels over head for one another.  He asked how realistic it was.  I didn’t care.  I wanted to find out about us.  He said he did too.  But when I sensed his wavering, come-here-go-away, and when the excitement in my stomach turned into a knot, I said “no.”  And we somewhat sadly settled on friendship.  At least for now.

I thought that with this grand gesture of self-love and adult decision-making, my feelings would go away.  I was mistaken.

He has been dancing in my head for a good portion of the day and I am surprised.

So it is a relief when Debbie asks us to invite anyone “grounding” through us to please leave for the duration of the workshop.  I ask, but he remains.  Or I keep him near.  I am not certain.  It is the pink elephant in the room I have been told to pay no attention to.

I am embarrassed.  Ashamed.  I assume the shift is easy for him.  But I do not know this.

I am consumed by the thought that I do not want to write about this.  Especially as he regularly reads my blog.  I feel vulnerable and uncomfortable.  I want to run.  Just like in yoga.

Debbie asks us to ground ourselves and I see a climber’s rope shoot out from my 1st Chakra into the earth, its metal claws digging into clay and dirt.  Debbie saw me do this once before – during one of our sessions.  She found it clever.  A good way to shake off the too many grounding through me.

But today it feels unstable.  I want an oak tree growing out of my ass, downward into the earth.   But this is what I have.

(c) 2004.  Andrew Hall, PortlandBridges.com
(c) 2004. Andrew Hall, PortlandBridges.com

She asks us to create roses in our mind.  To fill them with past hurts.  Unrequited loves.  Loves we either did not or could not return.  And to destroy them.

I see the International Rose Test Garden in Portland.  My ex and I visited here one winter when he was interviewing for jobs.  The bushes are clipped.  Dead.

My eyes get teary and my nose flares.  I feel like I am on the verge of big, heaving sobs.  I see my ex husband.  My mother.  My father.  The first boy I took my clothes off with.

I see my first real boyfriend.  And J – perhaps the love of my life, me with a dick.  Mr. 700 Miles.

I feel Debbie lay a box of tissues on my thigh.  I am afraid to move.  That I will come totally unglued if I do and land on the floor, a throbbing puddle.  I feel white energy leave through my heart and it is over.

I destroy the rose, stripping it naked, petal by petal, while those around me engage in more violent scenarios – skeet shooting or blowing them up.

In the final meditation, safely shrouded in golden light, I loop my own energy over and over through my 4th Chakra, my heart.  I feel nauseated.  A wave slams into my gut and through me.  If I were standing it would knock me over.

Debbie smiles.  This is the energy I put into the universe, she explains.  The kind that makes people “run for the hills.”  I nod, as do most of those around me.  It is the love energy, meant for me, mistakenly turned out and overwhelming others.

I think about the old idea I still carry around sometimes, that I am “too much.”   It is quickly displaced by the realization that I no longer feel like running.  Not from here.  This place or this pose.

Not from this love.  Not from myself.

Not too much.

Artist Date 58: What It’s Not About

llewyn davisI keep waiting for it to happen.  This movie.  Inside Llewyn Davis.  Artist Date 58.

I am sitting in the Davis Theatre in Lincoln Square.  There are about six other people here besides me.  It’s a Thursday night and the temperature is hovering around 5 degrees.  The streets are noticeably, eerily quiet.

There is a single, double seat tucked into the aisles.  Like a love seat.  I am tempted to sit in it and sprawl out, but I don’t.

There is a preview for a movie about Jesus, one about an escaped convict – wrongly accused, of course – falling in love.  And one for Dallas Buyers Club, which I saw a few months ago.  Artist Date 47. I well up all over again.

And I am waiting.   Not for the feature to actually begin, because it already has.  But the story.  I’m waiting for “it” to happen.

I think maybe “it” is about the cat who runs out of Llewyn’s friend’s apartment.  The one Llewyn carries with him, a guitar in his other hand, until he can return him.  The one he feeds cream to out of a saucer at a café.

I am reminded of silly, sassy cat asses.  And that I miss having a cat.  That maybe I should get one.

“It” is not about cats.  Or just that cat.  Or about carrying around shit that doesn’t belong to you.

I think maybe “it” is about taking a journey.  In this instance, with John Goodman – who looks suspiciously like one of my clients – and his driver.  Like the one in Deconstructing Harry, where Woody Allen takes a road trip with a black prostitute, up to his kid’s college graduation.  Like my many road trips from east to west and back again.  The one where I took photographs of myself at the Mitchell Corn Palace and ate butter pecan ice cream at Wall Drug.  And the one where I learned to shoot a gun in rural Montana.

corn palace

“It” is not about journeys and road trips.

I think maybe “it” is about Llewyn getting Jean, his friend’s girlfriend, pregnant.   About responsibility and taking what isn’t yours.  That “it” is about Llewyn finally arriving in Chicago and meeting the man who might change this musical trajectory.  About dreams and taking chances and storybook endings.

But “it” isn’t.

I keep waiting for “it” to happen.  And “it” never does.

Because waiting for a movie to happen is like waiting for life to happen.  I can spend so much time and energy sitting on expectations – how I think it should look – that I miss all the gorgeous, perfect moments along the way.  The movie moments.  The “it’s.”

Like playing your guitar for your father in an old folk’s home and for a brief moment seeing his eyes register recognition.  That he knows you.   Knows this song.  And then shits himself.

Like when the woman who calls you an asshole like it’s your given name, discloses a single act of kindness and you reject it.  You tell her you love her.  And she doesn’t call you an asshole.

Like when you finally make it to Chicago to see “the man” and he says to show him what you’ve got.  His eyes are soft and the lighting is perfect, streaming through dusty windows on to a dusty floor.  And your pitch is right and you are singing from inside, just like he asked you to.

And he tells you that you’re not front-man material. That he might be able to make it work if you shave your beard into a goatee and stay out of the sun.  But that your best shot is to get back together with your partner.  Because he doesn’t know your partner is dead.  That he jumped off the George Washington Bridge.  And that someone, anyone, singing his harmony sends you into a PTSD-like rage.

Llewyn’s “it’s”

Like picking up the phone and your meditation teacher asking you to sing “Easy to Be Hard” while he rides his bike in Golden Gate Park.

Like connecting with an old acquaintance who has been living your marriage and is now living your divorce – except you didn’t know it, until now.  Who speaks your heart and your story.  Talking to one another and saying over and again, “me too.”

Like sitting in a movie theatre alone.  Because you have chosen to be alone in this moment.  Because you enjoy your own company.

My “it’s.”

Maybe that’s what “it’s” all about.  These moments.  That, and a couch you can sleep on no matter what you have said or done.  A place to call home for a minute or two while you wander around in your boxer shorts eating scrambled eggs.  Friends who love you.  And a cat –something soft to hold onto, something to care about besides yourself.

The rest just fills in the blanks.