Waiting For This Moment, With No Idea What Comes Next

I am on the kitchen floor.  My back slides down the refrigerator and I collapse in a heap, sobbing.  I have been waiting for this moment.

Hiking in the Badlands.
Hiking in the Badlands. The difference of a few days.

A friend of mine often called from the kitchen floor when she was going through her divorce.  I thought somehow I had evaded this.  I was wrong.

I tell my friend Lisa this.  She is in Chicago.  I am in Seattle.  It is a year ago today.

I cannot put together simple thoughts.  I do not know what to put in the car.  I am leaving tomorrow.  My books are boxed and ready to be shipped when I have an address.  I have done nothing else.  Lisa tells me to wake Michael, my friend who has offered to help bring me home.

I lie down next to him in his bed, turning in on myself – into fetal position— and weep.  I want him to comfort me.  To wrap his arms around me.  He does not.  He tells me to put on a pot of coffee.  That we have work to do.

I have given away most of my clothing.  It is too big.  What remains I lie in a large Ziploc bag.  Michael attaches the vacuum hose to it and turns it on.  We are giddy watching my Calvin Klein dresses and still-too-large, but-I-wear-them-anyway,Old Navy jeans get shrink wrapped into clear, plastic pancakes.

He loads my belongings into the 12-year-old Civic, making good use of every available inch of space.  I just watch, as if this is “happening” to me.  I feel disconnected and numb.

Me and my cousin, Lois.
Me and my cousin, Lois.

When he is finished we climb the cement stairs outside of my house to the top of Queen Anne Hill.  My cousin Lois has invited us to come eat apples from her tree.  It is sunny and warm.  We sit in the backyard and talk while her dog, Tsipi chases the tennis ball Michael tosses to her.  He is the dog whisperer, much like my ex-husband, and she knows it.

Later, we meet Ernie and his dog, Cordelia – a tea-cup pinscher – at Molly Moon’s for ice cream.  One last cone – half honey-lavender, half salted caramel.  One last goodbye.

That night, I meet my ex in the bedroom that used to be ours.  That is his now and has been for a few months.  I forgot what a nice view it has.  And that the walls are still painfully bare.  I look at the duvet cover from Ikea.  I don’t remember when we bought it, just that we did – together.  There is cat fur on it.  Like there always is.

I say goodbye.  I don’t remember the words.  Only that I ask for his blessing for a relationship I’m not yet having, but hoping for, with a man we both know.  A man I have grown close to in the months since he asked me for a divorce.  “If that is what you want,” he says, referring to this man.

Michael is watching television on the couch.  I sit next to him and link my arm in his.  I rest my head on his shoulder.  There is a slow-motion battle scene on the screen.  Native Americans in traditional dress and men in cowboy hats.  It is another time.  Music.  An arrow goes through someone’s chest and he falls, slowly, slowly, slowly into the water.  It is dreamy and surreal.  The show.  This moment.  I still feel like I am watching all of it.

Tomorrow we will begin our journey home.

I don’t remember going to sleep.  Just waking up.  Meeting some friends one last time and taking photographs.  My friend J gives me a card, sharing his feelings for me.  I have suspected them.  He has kept me at arm’s length my entire year here.  It was “the right thing to do,” he says.

I stop at Macrina Bakery on the way home to pick up coffee and morning buns.  I mention I am going on the road and the barista gives me the drinks for free.  Michael is pulling together his things when I get home.  My ex is gone.

And in about an hour, I will be too.

I don’t yet know what lies ahead.  Just that I am going.  That I have chosen to go.

Making camp along the Missouri River.
Making camp along the Missouri River.

I don’t know that I will camp under a blue moon along the Missouri River.  Hike in the Badlands.  Or shoot a gun for the first time in my life.

I don’t know that I will bury my birth mom.  Fall head-over-heels in a crush that does just that.  That I will reclaim my rightful name as writer.

I don’t know that I will once again fill my house and my closet with someone else’s treasures.  That I will still be single one year later.  That my dream of becoming a Rabbi will fall away from me like molting feathers.

I’m not sure that I could comprehend any of it if I did know.  But I didn’t have to.

Over the years, my ex frequently said it would be my turn next.  One year later, I know that it surely is.

Artist Date 36: The Happy Show

2013-08-22 17.12.37I am chewing on a piece of ginger candy and drawing a daisy – poorly – on a square of yellow paper, giggling to myself.  The enormous blow-up animal in the other room, the one with its ass cocked north, is dancing around in my head.  I am happy.  Not just in a general way.  But in this very-present, animal-ass-in-the-air, right-now moment.

I give it an 8.

2013-08-22 17.06.05I’m on the fourth floor of the Chicago Cultural Center, at The Happy Show – Artist Date 36.  Two people mentioned it to me within two days of one another.  I take it as a sign.

Walking in, I am asked to rate my happiness and to take a gumball from the large, plastic tube with its corresponding number.  I say 7.  Popular number.  This is the least filled cylinder, followed by 10.

2013-08-22 15.57.37Ten.  No greater happiness.  Unless it goes up to 11 in a This Is Spinal Tap sort of logic.  I have been at 10…in moments.  And I think that’s sort of the point – recognizing pure-bliss, happy, 10 moments when they happen.  And thanking your lucky stars.

Noticing the runny yellow and crisp white of a fried egg.  The chills up your spine every time you ride a scooter on a beautiful, windy road.  No helmet.  Listening to music you love, but don’t know well enough to have stories associated with it.  These are Stefan Sagmeister’s – the show’s creator – happy moments.

Mine is on my bike.  A vintage, Raleigh three-speed with a basket and a bell.  Except I wear a helmet.  And I don’t listen to music.  I sing.  Usually Rosemary Clooney’s “Do You Miss New York,” or Talking Heads’ “Road to Nowhere.”

“There’s a city in my mind, come along and take that ride and it’s all right.  Baby, it’s all right.”

Sagmeister designed album covers for Talking Heads, as well as my hero, Lou Reed.  I wonder if he designed Little Creatures, the album this song is from.

I am photographing every inch of the exhibit – Sagmeister’s 10-year exploration of happiness – literally.  The language is so spot-on.  I don’t want to forget a single word – all of it printed on yellow walls, in fonts that look like handwriting.  Some words are cleverly crossed out.  Perfectly imperfect.

Rules to live by, culled from Sagmeister’s diary, manifested in print, sculpture, video, and dance.

“Uselessness is gorgeous.”

Thousands of cigarette papers are taped to the wall with fans blowing on them.  I step away from them to see the words embedded in the paper.  It is gorgeous.  I think about my friend Pam noting that I wear a $2 shirt from the Salvation Army with $85 underwear.

Not quite –$35 is my max.

2013-08-22 16.18.54“Make the first step.”

I watch a video of a group of Balinese girls performing a dance, unrolling strips of yellow fabric, displaying these words.  Sagmeister recalls his mother approaching people, rather than waiting to be approached.

“I do this,” I think.  Almost always.

“Over time I get used to everything and start taking it for granted.”  Sagmeister writes the words with his finger – in the dirt on a car, in soapy suds on a man’s hairy chest.  With playing cards and with hotdogs.

Yep.  It’s true.  And, Sagmeister explains, even the words “I love you,” said by the same person, become boring.  I think about my ex-husband.  In the year since our divorce, he has often told me that he misses our life together.  And that I look really good.

I want to tell him he should have thought about that before he opted out, but I don’t.  I know there are reasons our marriage stopped working.  Among them, I am certain, that somewhere along the line we took one another, and our life together, for granted.

“Actually Doing the Things I Set Out to Do Increases My Overall Level of Satisfaction.” Agreed.

2013-08-22 16.55.16“Everybody Always Thinks They Are Right.”  ‘Nuff said.

“Drugs Are Fun in the Beginning But Become a Drag Later On.”  Ditto.

On my way out, I am asked to draw my symbol of happiness on a square of yellow paper.  No smiley faces allowed.  It is the second time I am asked to do this – the first time, on the way in, I draw a heart on one side, two stick figures holding hands on the other.  This time I draw a daisy.  I don’t know why.  It just makes me smile.  Like the flowers I buy for myself most every week at Trader Joes.

Hans – my favorite, morning check-out guy – once gave me sunflowers.  Pulling them from my basket, he asked if the blooms were for me.  When I told him that they were, he responded, “They are on me.  And pick up a second bunch on the way out.”  I think it made us both happy.

I walk through the exit, which has been made into art.  The words, “every” precede “exit,” and “is also an entrance” follow it.  As instructed, I push a button and take the card which shoots out.  It reads, “Find a reflection of yourself and tell it what you really think.”

On the way out, I stop in the bathroom.  I look in the mirror and whisper to myself, “You are lovely.”  My lips curl into a big smile.  And I am.

……………………………………………………………………………………………………………………..

And you?  What do you say to your own reflection?

Pulling Myself Out Of The Pity Pot, “Just Like Starting Over”

double fantasyI’ve been sitting in the pity pot for a couple of days now.  Actually, I‘ve been stewing in it – my attention laser focused on what I don’t have, what isn’t working, and most of all, the ways in which I have not changed or grown.

It’s terrifying.  Mostly because I lived my life this way all the time, once upon a time.  It was only in “so-sad-rescue-me-from-myself-because-I-don’t-know-how-to” mode that I dared to believe I might get what I thought I needed.

Things changed.  I changed.  I’m not sure how – if it was learning to meditate, cognitive behavioral therapy, or a spiritual-business class.  Making gratitude lists, losing weight, or getting sober.  Just getting older.  Or perhaps a little bit of all of it – but I did.  And today, as a rule, people tend to see me (and I see myself) as pretty sunny, light.  A light – full of gratitude, a big believer in G-d, the universe, and possibilities.

So it’s scary returning to that once familiar place of darkness, hopelessness, and self-pity.  A not-so-fun house of circular thinking.  Even if it’s brief.  I know it’s not reasonable to think I will never take a sojourn here.  And yet, it surprises me every time.

I forget that the way out is gratitude.  Not just once, but continuous and sustained.  Ever growing.

My nightly gratitude list, the one I exchange with a friend, the one I’ve been writing for double-digit years, isn’t enough right now.  I had to pull out the big guns.

Last night I wrote on Facebook, “The universe is conspiring with me.  At least in work.  I need to say this out loud because it is true, as opposed to the lies my brain likes to tell me.”

I immediately felt better.  Very quickly, I heard the Pavlovian “ping” of my cell phone, alerting me of Facebook activity.  Thumbs up, sunny responses, connection – like attracting like.

This morning I woke to a message from a friend that didn’t sit right with me.  Intellectually, I knew what he was asking of me was perfectly reasonable.  That it had nothing to do with me.  Nonetheless, I found myself wondering if I had done something wrong, along with the dreaded thought  – “Are we ok?”

It was quickly displaced with, “Think about all of the love in your life.”

It was reflexive.

I thought about my friend Jonathan calling me “brilliant,” reposting my Facebook status, because “it is so appropriate.”  About Amanda doing the same, writing, “(it is) My new mantra.”

I thought about the 30 people at the table jumping up and down to be with me, instead of the one who didn’t show – a lesson my friend Lisa tried to drill into my head for years.

It appeared I was no longer in the pity pot, ladling my fears over me – the old “I’m-not-loveable-I’m-doing-it-wrong-I’m-broken-God-is-fucking-with-me” refrain.  I am certain this is a direct result of my speaking my gratitude – again, again and again.  In larger and larger circles.  How else could I have broken the cycle?  I certainly wasn’t going to think my way out of it.

I thought about my drive home to Chicago, from Detroit, a few summers ago – right after my best girlfriend’s father died.  On the way in, I noticed my car sounded really loud.  Her husband took it to the shop for me.  The muffler had a hole in it, but his mechanic couldn’t fix it right then.  So I drove home “as is.”

Julie and I in happier times.
Julie and I in happier times.

My 4-cylinder Honda Civic is great on gas.  Great for parking.  But a powerhouse on the road, it is not.  And with the muffler shot, I had less power than usual.

Around Kalamazoo I found myself wedged into a single-lane gauntlet, construction barriers on either side.  As a rule, I do not like narrow spaces, but here I was – with an aggressive Michigan driver on my ass, with nowhere to go but forward.

I was terrified.  And then I wasn’t.  Something kicked in.  I began reciting a gratitude list out loud.  Quickly.  Without breath or punctuation.  Everything and anything that came to mind.

“I am grateful for this car.  For Julie.  For my flexible schedule that allows me to take trips like this.  I am grateful for the sun.  That I live close enough to drive to Detroit there easily.  For the CD in the car.  For John Lennon.  I am grateful for John Lennon singing to me, “It’s been too long since we took the time, no-one’s to blame, I know time flies so quickly.”  That shaky, kind of rockabilly quality to his voice.

And then the lanes opened up.  I glided over to the right and watched the aggressor behind me whisk by.  I was safe.  It was over.

It was been said that fear and faith cannot exist at the same time.  I don’t know.  I don’t know if I had faith in that moment that I was ok.  But I could name what was ok.  Just like I did last night.  And again this morning.  I stepped out of the pity pot and wrapped a plush, oversized Ralph Lauren towel of gratitude – of ok-ness, of ok-enough-ness – around me.  And I was ok.  Perhaps, even more than. It was “Just Like Starting Over.”

Artist Date 35: Disgusting, Filthy, Transcendent, Delicious Neruda

nerudaThe other day my friend Gene asked what poetry I was reading.   I wasn’t.  I wasn’t reading anything at all.  Nothing since the juicy Anne Sexton biography, the one that served as an introduction for us.

I asked him to make a suggestion.  He didn’t hesitate.

Pablo Neruda.

“Disgusting, filthy, transcendent, delicious.”  His words not mine.  I was immediately hooked.

A few days later, I am at the Harold Washington Public Library, looking for Neruda – Artist Date 35.

I saw this place for the first time just a few months ago, on the way to a party in the South Loop.   Driving down State Street, I asked my friend Liz what the building was with the great green gargoyles on top.  She told me it was the library.  I made a mental note and kept driving.

The gargoyles are calling me as I approach it.  I feel giddy and excited to be here, in this place I’ve never been before.

Disgusting, filthy, transcendent, delicious.  Seemingly homeless men are sitting on the low wall outside of the library.  I take a photograph of the El train sign and am hit by the stench of sewer.  I suddenly realize this is the Library stop.  The only time I pass it is on my way to Midway airport, when I have to travel the whole of the Loop before heading south.  I feel silly.  Like I should have known.

2013-08-15 15.36.13I walk in a side door and follow the marble hallway to the main entrance.  I have never been in a library this grand.  The one at Michigan State University may have been larger, but it looked like post-Cold War “throw-up architecture.”  Like the kind I saw in Dresden.  Utilitarian.

I don’t recall visiting “the main library” in any city.  I have tended toward community branches in Oakland, Seattle, the suburbs of Detroit, and here in Chicago.  I am shocked and a little horrified.  In fact, I don’t want to admit it here.

I think of George Peppard slipping his book into the stacks at the New York Public Library, Audrey Hepburn at his side.  Genius.

Kids are playing ping-pong in the room to my left – some sort of summer program.  Ping-pong.  It feels almost quaint.

I climb the stairs to the third floor – circulation.  I look up Neruda on the research computer that has replaced the card catalog.  Seventh floor.  On my way up, I read the quotes painted on to the walls.

“My Alma Mater is the Chicago Public Library,” David Mamet.  “Wisdom begins in wonder,” Socrates.

I look at the sculptural art.   Twisted wood.  Women leaning against the wall.  They look so serene.  So comfortable.  I want to lean in like that.  Feel that safe.

I stop at the post highlighting today’s activities.  “Inside the Whale,” a dance performance.  The story of a woman swallowed by a whale, and how she learns to live in her own skin.  Too bad I missed it.  I could use a few tips.

I am looking for PQ8097.N428713.  I wander into the language section.  Books and magazines in Japanese, Russian, Arabic.  I like how the characters look, neatly lined up in rows.

Continuing on, I am face to spine with a slew of books on publishing.  How Fiction Works.  Writing Erotic Romance.  How to Grow a Novel.

2013-08-15 16.08.21I pull So You Want to Write: How to Master the Craft of Writing Fiction and Memoir by Marge Piercy and Ira Wood from the shelf.  It does not seem like a mistake.  I tuck in under my arm and keep walking until I find Neruda … waiting for me.

He is sloppy.  His books are not lined up neatly, orderly.  Some are lying on their sides.  Others are upside down.  I randomly pull a few and find a table.

Odes to Opposites.  “Ode to the present.”

“This/moment/as smooth/as a board,/and fresh,/this hour/this day/as clean/as an untouched glass/ – not a single/spiderweb/from the past:…

“This is our/creation,/it’s growing/this very/instant,/kicking up/sand or eating/out of our hand./Catch it,/don’t let it slip away!/Keep it from vanishing into dreams/or words!/Grab it,/pin it down,/make it/obey!/Make it a road/or a bell,/a machine,/a kiss, a book/ or a caress.”

Yes.  Make it into a kiss.  Or a caress.  Please do.

“…try a ladder!/Yes,/a ladder:/rise/out of the moment…Up and/up/but not too much – just high enough/to/patch the holes/in the roof./Not too far;/ you don’t want to reach heaven…You/are/your own moment,/your own apple:/pluck it/from your apple tree./Hold it up/in your/hand:/it shines/like a star./Stroke it,/sink your teeth into it – now off you go/whistling on your way.”

And I do.  With this.  With Twenty Love Poems and a Song of Despair.  With Marge Piercy and Ira Wood.

Later that evening I receive an email from Gene.  He wants to know if Neruda showed up for our date.  I tell him that he did.  That he was a total gentleman.  But that I kind of wish he wasn’t…being divorced for nearly a year and all.  I laugh at my own joke…and sink my teeth into this present.

Avoiding the Deliberate Manufacturing of Misery

2013-08-15 09.57.14Part of the “uniform” of my 20s was a black, suede backpack.  I was living in San Francisco, but bought it at St. Mark’s Place in New York.  Its contents varied depending on where I was going, but two things were a constant– condoms and a portable toothbrush.

These two items collectively served as a reminder that I was ready for anything.  And that the world was full of possibilities.  A sort of slutty message of hope.

I’m not in my 20s anymore.

And yet, I’ve been carrying around a handful of condoms in my bag – tucked into a zippered case, attached on a string – ever since my ex asked me for a divorce last May.

My friend Mary Kate noticed them last week when I was leaving her house, as I was pulling my keys out of the zippered case.  I saw her glance.  Not in a nosy way… just following my hands.

Busted.

I told her about the black backpack.  San Francisco.  The condoms and the toothbrush.  How I felt like anything was possible.

I also told her I felt like a 14-year-old boy who carries around a condom for so long that his wallet is now imprinted with a circle.  But that carrying them somehow reminded me that I’m ready.  Like a Boy Scout.  “Because you never know where you are going to meet someone…”

She laughed.  She always laughs – it is one of her more charming qualities – and teasingly said, “Right.  You’ll just meet some guy, bring him home and sleep with him?”

Hmmm…

She already knew the answer.  So did I.

Once upon a time, “Yes.”  But not anymore.

Not because I’ve had an ideological shift.  It’s not a question of morals.  Never has been.  Just the painful awareness – which I’ve written about at length – that I am not capable of casual.   And the guidance I’ve been given to avoid the manufacture of my own misery.

I learned that with Mr. Thursday Night last spring.  And with the Southern Svengali in the fall.

It’s not about the sex.  (Because we didn’t have sex.)  It’s not about ridiculously-devilishly-handsome good looks.  (Although both of them possessed those.)

It’s the connection.  The energy.  The emotional intimacy.  That’s the turn on…and what ultimately brings me to a physical connection.  I thought it was always my body moving too fast.  But really it’s my mouth.  My ears.  My heart.

I mentioned this conversation to a friend the next day.  She asked if it had occurred to me that every time I open that zippered case – which is several times a day, as I keep my keys in there also – I remind myself of the sex I am not having.  Or, more to the point, of the intimacy – both physical and emotional – that I do not have in my life right now.

It had not.

The deliberate manufacturing of my own misery.

She continued speaking but I heard little of what she said as I was stuck on this new idea.  I unzipped the pouch, pulled out the sleeve of condoms, walked into my bedroom and put them in the drawer next to my bed.  All the while, she kept talking.

“I just took them out of my bag,” I interrupted.

I added that should I find myself in the position where I “just have to have sex, right here, right now,” I can go to a Walgreens – most of them are open 24/7.

“Perhaps that would serve as a pause,” she replied.

Genius.

It’s been a little over a week since I took the condoms out of my bag.  And the world still feels full of possibilities.

Epilogue: In taking photographs for this blog, I noticed that the condoms had expired.  I promptly tossed them in the trash.

Artist Date 34: In It’s Proper Place

2013-08-11 15.45.12I hired a professional organizer.

I have admitted that so many areas of my life had become unmanageable, and then asked for help.  So why not here?  I’m tired of the stacks and stacks of paper that have no home.

I am, as Maggie – the professional organizer – said, “the tidiest, unorganized person” she has ever met.

We met last week for a consultation.  My assignment prior to our first paid meeting, this coming Tuesday, was to go to The Container Store and “just browse.”  My only guidance was to think of “boxes” – four of them.  In.  Out.  To Be Dealt With.  Want to Keep – Just Because.

We agreed I would take photographs of items that interested me, but that I would buy nothing.  It seemed like an easy Artist Date – Number 34.

I was mistaken.

I rode my bike over to The Container Store this afternoon.  Tossed my basket in a cart and began my work.  Up and down every aisle.

Almost immediately, I was overcome with sadness.  All around me, groups of people.  Couples shopping together.   Roommates shopping together.  Moms and dads and bound-for-college kids shopping together.  Together.

I remembered shopping here with my ex – when we moved to Chicago for his residency.  I felt wistful stumbling over the collapsible mesh cubes – the kind we bought to store our record albums.  He didn’t think they would work well, but I knew better.  Three of them sat under the Parson’s table, holding our music collection – his and mine.  I left them in Seattle.

Albums I bought in high school at Sam’s Jams in Ferndale.  The Specials, debut album of the same name.  Elvis Costello, “Punch the Clock.”  Howard Jones, “Human’s Lib.”  My mother’s copy of the original Broadway production of “Hair.”  My brother’s copy of Queen, “A Night at the Opera.”  There is a piece of masking tape on the front cover with his name and our telephone number written in magic marker.  I’m not sure how I ended up with it.

hairI knew every word to every song, having spent hours on my blue-shag carpeting, in my bedroom, singing along with the words printed on the album sleeves.

I don’t have a record player, so I left them.  Plus, they were too cumbersome to pack.  Funny thing is, it’s not the lost records that choked me up.  It was the damn mesh cubes.

And the laundry aisle.  I remember spending hours trying to find just the right laundry bin to collect my massage sheets and take them back and forth from my office to home, to be washed and folded.  First I bought a cart with the idea that I would take the train to and from my office.  With sheets.  In the winter.  I quickly gave up this environmentally-conscious fantasy and started driving to work.

I found a lot where they cut me a deal because I was a local business owner – $14 a day.  A steal, considering I was right off of Michigan Avenue.

Tony, the Palestinian kid who hooked me up, got fired right before I moved away.  I always felt badly about it – even though I hadn’t done anything wrong.  I used a red, collapsible “laundry” backpack to haul my sheets the six blocks from the lot to my office.

I missed having someone to discuss options with today.  I suppose that is why I took photographs, to discuss them with Maggie.

I looked at fabric bins.  Metal bins.  Cardboard bins – some made of bright, solid colors, others printed with flowers and graphic designs.  Bins made of recycled paper.  I snapped photographs of each product and its accompanying card, describing the item and listing its price.

2013-08-11 15.38.34I got distracted by travel supplies.  Luggage tags.  Hanging dop kits.  (I need a new one.  Mine is torn.)  And Ziploc bags for creating more packing space – like the space bags I used when moving cross-country.  I stacked my dresses and trousers inside, while Michael used a vacuum cleaner to suck the air out.  We were giddy when the first was complete.  Shrink wrapped clothes.

I remembered that I needed hooks for hand-towels in my bathroom.  Milk crates for my prayer and meditation nook – to lift my deities and ritual items off of the floor,  and to be covered with a piece of fabric I bought in the market in Kigali.

I also remembered that Maggie and I discussed finding a solution that didn’t involve putting anything else on the dining table – which is also my writing desk, my art table, and where I spend about 80 percent of my time when I am home.

I looked at hanging solutions.  There weren’t many.  A few different kinds of folders that hang from the wall.  Some painted metal.  Some plastic.

Then I wandered into the Elfa department – custom solutions for the closet.  So complex there are employees specific to just this department.  I know people go wild for the yearly Elfa sale, as it is pricey.

And yet, open, wire drawers on casters seemed to make sense.  With a top to hold my printer.  I looked at other shelving units as well.  I remembered our conversation about rethinking how I consider my dining area.  That is it really more multi-purpose.  Think function rather than fois gras or fondue.  I serve neither.  But I do throw a hell of a dinner party.  And it needs to work for those occasions too – especially as Rosh Hashanah is right around the corner and for the past 19 years I have, more often than not, hosted a holiday meal for stray Jews and others.

I thought about my friend Tom who is going to string two lines of wire across the wall opposite the windows so I can hang photographs, cards and collages with metal clips – slightly reminiscent of the drying lines in the darkroom I once inhabited.

I picked up several catalogs, tucked them into my bike basket, and did a final sweep of the store.

I felt myself welling up the entire ride home.  I wanted to be excited but I wasn’t.  I was sad.  Acutely aware that this was yet another step in creating my home, my life, without my ex.  Acutely aware that we don’t talk much lately – my choice, to save both my heart and my sanity.  All of this necessary, but still painful – nearly a year after our divorce was final.  Time takes time.

I thought about something Maggie said.  That there is always something more under the disorganization – something else going on.  She believed the stacks of paper, the lack of “home” for my things, was me being afraid I couldn’t put my hands on something when I needed it.  A need to keep all of my things near.

My friend Kevin refers to this as my issue with object impermanence.  The notion that until a certain age, children do not believe in that which they cannot see.  Put a towel over your hand, et voila, you have no hand.  At least in their minds.

It’s like that with me and people sometimes.  If I can’t put my hands on them – see them, feel them, hear them – it is as if they were never there.  It’s better than it used to be.  At least to me.  I’m not sure what Kevin would say.

So this organizing business – finding a home for my things, learning to be ok with them in their proper place – maybe it will spill over into the other areas of my life.  That the people I can’t put my hands on anymore – for a variety of reasons –perhaps they too will find new homes.  Tucked away in my heart.  Never gone.  But in their proper place.

I Just Haven’t Met You Yet

walking in the worldI’ve been keeping a nightly gratitude list now for close to 10 years.  The practice was first suggested by my then spiritual-business teacher, Anne Sagendorph-Moon.

I would buy small, lovely journals and packages of 36 fine-point markers, and each night, in bed, write my list – a different color for each blessing in my life.

The practice has taken different shapes and forms over the years.  For the past few, I have done it on my computer, exchanging my list via e-mail with a friend in San Francisco.

So whenever a gratitude list is suggested as a part of any spiritual practice, in my head I tick it off as “Got it.”  “Done.”  Until yesterday.  When I had a *new* experience.

I am in week 2 of Walking in the World, Julia Cameron’s follow up to The Artist’s Way.  The book resonates deeply for me as walking and writing were the only things that made any sense during my divorce.  Either action had the power to ground me – almost immediately.  Still do.

My assignment yesterday was to take a 20-minute walk, with the intention of naming the blessings in my life with each foot fall.

Off I went, down Ainslie Street towards Winnemac Park – a few short blocks away from my home.  A place where I can duck into short paths, surrounded by tall, weedy plants, and feel like I am far away.  As I began walking, I began naming – to myself, my lips moving in the silence.

“I have a home.  I am in Chicago.  Japanese maples.”  It felt contrived, forced…but I kept muttering to myself anyway.  “My friend Julie.  Michigan blueberries.  I know how to be alone.”

I was flummoxed.  Was it really true?  Did I really know how to be alone?  Not just survive sans partner, all the while “wishin and hopin and dreamin,” but really know how to be alone and really be ok with it?  Even grateful for it?

Yes.  I think so.

This is not to say I wouldn’t like to meet a mate.  It’s a pretty universal desire, as my friend Mary Kate pointed out to me.  But it is how I live my life “in the in between” or “until that time” that determines my “ok-ness.”

I’ve been great with the action part, filling my life with dance, writing, friendship and family.  Travel.  Writing.  Recovery.  It’s the perception part that was kicking my ass.  Until it wasn’t.

I’m not sure what happened.  I used to think being alone meant I was a loser.  Unloveable.  Undesirable.  I suddenly don’t feel that way anymore.  I see my aloneness, to quote a good-bad Michael Buble song, as “I just haven’t met you yet.”

I remember being in my 20s.  My friend Carlos set me up with his business partner – a Jewish doctor.  He owned a great, stone cottage on a lake.  Good art work.   But we had little in common.  Little to talk about.  I wasn’t excited.  About him.  About us.

But I liked the idea of him.  Of us.  And I thought, “I can make this work.”

Thankfully I didn’t have to.  I got a job offer in San Francisco not long after we met.  The universe at work.

I recently had that thought again.  I met a man.  Nice looking.  Easy to talk to – especially about our divorces.  But that was where it ended.  We didn’t have much else to say.

As I was having those “this could work” fantasies, it hit me – why would I bother?

I know what it is like to meet someone and feel literally swept off my feet, equilibrium disrupted.  To wonder how it is we ever didn’t know one another.  To have so much to say to one another that we both wonder how we will ever get it all out…but delight in trying anyway.

This wasn’t it.

So I added to my list: Grateful to know what excited feels like.  To have experienced it.  To remember it.  To have faith that I will experience it again.

Grateful to know when I’m not excited.  And to know I would rather be alone than to settle.  To know how to be alone so that I am never beholden to anyone again.

And then…

I am grateful to know what great sex is like.  I am grateful to know what it feels like for someone to be wild about me.  To not be able to keep their mitts off of me.  Touching my hair, my face, my hands, my ass.  Kissing me in the middle of a crowded room because he “just had to.”

Thank you Mr. Sexy Photographer from Detroit.  Thank you short, horny, Jewish artist.  It was a long time ago.  But I remember.  And I have got to believe these weren’t limited-one-time exclusive offers either.

That is a new idea.  To believe in abundance in ALL things.  Including love.

I am grateful for that too.  And for the women who promised me I would arrive here one day.  The ones who cry when I share this with them.  They are abundance.  They are love.  I am loved.  And grateful for it.

In The Weeds

2013-07-17 17.22.57I like to think I am aware of my surroundings.

I’m not.

Out on a morning walk, I wander into the native planting section of Winnemac Park.  There are wood chips on the ground, soft landing for my feet.  A low wooden fence.

I’ve been here before.  But it’s been a few weeks.  Months.  I’m not sure.  I lose track of time.

Today the planting is as tall as my head. Taller.  Green stalks, some with yellow flowers and brown centers.  Purple flowers and greenish centers.  What we used to call Queen Anne Lace when I was a child.  I have to push my way through it, clearing the way for my next step.  Jungle-like.

I am smiling.

I walk through it again on my way back home, as the morning grows hot and humid.  This time I pull out my ear buds.  Right after Labelle’s Lady Marmalade.

It is so quiet. Right here in the city.  I hear the birds.  The dogs.  The cars passing by on the perimeter merely a hushed vibration.  It immediately feels different.

I don’t know why I’m surprised.

My ex always had music playing.  And while I love it, I often found it overwhelming.  I craved the quiet.

And yet, now living on my own, music is very much a part of my background.  Perhaps the quiet frightens me now, alone with my thoughts.

But now it feels like a respite.  A great, big exhale.  As if I am on an entirely different walk.  As if the walk just moments before had never been.  The change is palpable.

I look to a weeping willow and think, “I need to come here every day.  Even just for 10 minutes.  To walk on the wood chips.  To get lost in this “forest” of native planting.”

Ah.  That still small voice.  I couldn’t hear it over the Donna Summer Pandora Channel (which, by the way, is excellent for walking…except when you are trying to hear that still small voice.)

I greet a big, black lab on the path.  He is off-leash.  I am afraid for a moment.  I peer around the corner looking for his owner.  “Is he friendly?”  I ask.  He is.

His owner had been lost in his own world –his nose tucked into one of the tall purple daisy-like flowers.

2013-07-17 17.23.53I feel a tinge of sadness leaving.   I always want more.

Walking home I admire the beautiful teak wood furniture on the porch of a brownstone.  Its pads noticeably missing.  The greenish brass elephants flanking it.

Wooden flower boxes hang off the window of a multi-unit brick building.  The only ones – obviously installed by the tenant.  His joy.  Her contribution to the neighborhood.

Tiny gardens are planted in the small open spaces outside of single-family homes and brown-stone three-flats.  Shady spaces, lush with green leaves and plantings, moist rocks and black earth.  A burgundy Japanese maple.

I smile, sort of wistfully, at the sad attempt at yarn bombing on the trees outside of the church across the street.

Arriving home, my mind is noticeably still.  I could hear Pandora playing in my bag, I had forgotten to turn it off – The Weather Girls, “It’s Raining Men.”  Miracle.  I hadn’t been thinking of them at all.

Artist Date 33: Done. Saying Goodbye to Nin.

nin

I didn’t want to glaze tonight.  I was done.

Done.

With my day.

I’d already snagged decidedly gorgeous, flimsy, French panties and bras on sale.  Seen a Tina Turner impersonator on Michigan Avenue.  A pretty good one.  And connected in that profound way that strangers sometimes do with Yahkirha, a Red Cross worker fundraising across from Millenium Park.

Done.

With my pottery class.

It ended two weeks ago, but I still had two mugs and a woefully off-center bowl to glaze and finished pieces to pick up.

So I went, anyway.  My ex called while I was walking there.  As soon as I picked up, I knew something was off.  I could hear it in his voice.

“I have to put Nin down.”

nin 3Nin is our 19-year-old cat.   Correction.  She is now HIS 19-year-old cat.  She looks like she is wearing a tuxedo, with her black body, white chest and milk mustache.   Her sexy, sleepy eyes reminded me of Anais Nin – ergo, her name.

We adopted her in 1999.  Our friend, Tim, arrived home that day from a year’s sojourn in Chicago.  He called from Tahoe to say he was on his way, and drove his truck straight to Berkeley to meet us for brunch.

After, the three of us wandered into the pet store next door.  And I walked out carrying cat number two.

According to my ex she’s having trouble using her back legs.  She can no longer pull herself up on the bed to sleep with him.  Today he came home and found she had peed all over herself.  As we were talking, she went to the litter box and simply lied in it.

Uncontrollable tears streamed down my face. “Put her down. Put her down.” I repeated the words over and over like a mantra.

He thanked me.  Said he needed to hear me say those words.  To make it ok.

Another piece of our shared life together fell away.

I thought about changing my course, turning around and going home.  But something wiser in me told me to keep walking, up the ramp and into the Lill Street Clay Studio.

Robert, my teacher, was giving a demonstration to the new class.

I wandered back to the carts holding fired pieces.  Some complete, some bisqued – waiting for glaze and a second fire.  I began the tedious and time-consuming process of locating my work – picking up every stoneware cup, bowl and tray, looking for the etched LMP on the bottom.

Melanie was doing the same.  She traveled to Seattle during our five-week class.  I sent her to Flora for dinner and Molly Moon’s for ice cream – honey lavender.  I was happy to see her.

Sifting through the pieces, I admired other’s work.  A deeply tinted bud vase, kissed with a tear drop of shiny blue.  A sculpted hand.  Melanie’s star-shaped badge, stamped with the word “rock.”  She wasn’t thrilled with how the glaze turned out.  I thought it looked awesome.

Kevin was there too.  A principal dancer with Hubbard Street and a fine beginning potter.  I got to know him a little bit one Saturday evening when we both went in to the studio to practice.  I watched bowl after bowl come off of his wheel while I just tried to master centering.  I never did.

And Lori.  We met a couple of weeks ago.  She was glazing a lidded pot with a brush.  She had etched cherry blossoms on to the side.  It was elegant.  Lovely.  The kind of work I dreamed of making but felt years away from.

That same evening, she showed me some tea cups she made.  Delicate cone shapes with carved out handles that looked like wood. Porcelain – glazed yellow salt.

She’s been throwing for just 10 months.  It looks like 10 years.

2013-08-03 16.47.16Eventually I found my pieces.  The slab tray buckled.  It was too thin.  But the bowl that Lori helped me glaze looked pretty good – my best piece yet.  She said my mug looked really good.  I told her it wasn’t my work, that Robert made it and gave it to me to glaze.  We laughed.

I told her about Nin and not wanting to glaze.

She told me about her best friend unexpectedly dying and how she wanted to cocoon but knew he wouldn’t want that.  That he would want her out in the street calling his name.  So she did.

We talked about pottery and writing and relationships.  She helped me glaze one of the mugs, filling the inside with one of the variety of whites.  And when it was dry we lowered it into a vat of rutile blue, then turned it upside-down and “kissed” the glaze a final time around the rim.

I watched her glaze several more lidded pots, a large tea-cup like the smaller ones she had shown me, and a tall, thin bottle – lowering it into the vat with her finger tucked inside.

I watched the patience and care she devoted to each piece.  I do not have that patience.  I am not so exacting.  At least not in this moment.  Not about pottery.  I realized this is what anything “good” requires – attention, time, care.

The same attention, time and care I take with my writing, my food, my clothing.  The same attention, time and care my ex takes with the cats, Nin and Maude.  The very reason I left them with him.

I put my pieces on the cart to be glazed.  Wrapped my finished bowl and tray in newspaper and put them in my bag.  I thanked Lori for her help and said goodbye to Melanie and Kevin.

Seems I wasn’t quite done.

Turns out, neither is Nin.  I talked to my ex.  He couldn’t get an appointment with a vet until Sunday.  He said she seems comfortable.  Slow, but comfortable.  Purring.  I trust him.  I trust his attention, time and care.  I always did.