Artist Date 68: Power Cords

I have given my power away.

Valley, by Nilima Sheikh
Valley, by Nilima Sheikh

I feel vulnerable.  Ashamed.  I am “that woman,” wringing her hands about “that man.”

Disgusting.

I gave my power away when I said, “I can’t do this.”  Telling him I needed more.  And that he didn’t seem capable of giving it to me.  And did it anyway, becoming more and more deeply entwined in our long-distance intimacy.

I did it when I told him I could not Skype with him.  That it was too hard to look into his green eyes.  To see him look back at me in a way I can’t ever recall being seen.  And did it anyway.

I did it when I promised myself I wouldn’t reach out to him for 30 days.  Not as a game or a test.  But to find out how he shows up.  And reached out anyway.

I did it every time he mentioned bad timing, money or miles between us, and chose not to listen.  Only paying attention to the part where he changed his mind, usually about 10 minutes later, saying he did want to “find out about us.”

I made the rules and I couldn’t keep them.  Just like when I used to drink.  And it left me feeling the exact same way – anxious, obsess-y, over-thinking.  Knowing in my heart that something isn’t right, and trying to make it work anyway.  Somehow believing “this time will be different.”  Powerless.

***************

I am standing in my bedroom in front of a batik wall hanging of Ganesh — Hindu boy with an elephant head, Remover of Obstacles – like I do every morning.

I kick my meditation cushion to the side, put my hands in prayer, in front of my third eye, and inhale deeply.

“Lord Ganesh, give me back my power.”

I feel a surge through my body, a response, and am flooded with words of direction.

Ganesh batik in my bedroom.
Ganesh batik in my bedroom.

Carry Ganesh with you.  Visit India.  See Nilima Sheikh’s “Each Night Put Kashmir in Your Dreams” at the Art Institute.  Artist Date 68.

***************

It is the Saturday before St. Patrick’s Day.  The train headed downtown is filled with drunk twenty-somethings in oversized green, foam hats, green socks and beads.  I put on my sunglasses and turn up Nina Simone and try to forget that he did not show up last night.

That he has not responded to my text.

That I am the one with the problem.

I get off several stops earlier than necessary and walk.  It is cool and sunny and I feel happy in my grey wool coat, knit hat and red ankle boots.  I make note of the galleries on Superior Street.  Future Artist Dates.  I feel my power growing.

***************

I step inside the Special Exhibit Gallery.  It is quiet.  Still behind glass doors.  I stand in front of a painted scroll titled “Valley.”  The canvas is green.  Lush and gentle.  A verdant map.  I begin to cry.

“That really affected you, huh?”

It is the museum guard –a woman named Denise.  She wears long braids gathered together.  I nod.  She says a few more things but I cannot take them in.  I am lost.  I politely tell her I need to be alone in my quiet.  She nods.  I feel my power growing.

I approach the canvas, “Farewell.”  Red, with two entwined figures – one holding open his robe, displaying a map of Kashmir where his heart should be.

Farewell, by Nilima Sheikh
Farewell, by Nilima Sheikh

“If only somehow you could have been mine.  What would not have been possible in the world?”  The words stenciled in gold at the top of the canvas.  “We’re inside the fire, looking for the dark,” on the back.

I feel like I have been punched in the gut.

The tears return.  I am breathless.

I return to “Valley.”  “…And though the guards searched for him with the sun in one hand and the moon in the other the demon baffled them.”  Stenciled on the back.

He sought me.  I am baffled, wondering where he is now.  But knowing I must continue to seek myself.  I feel my power growing.

***************

I share a bench and a cup of tea with a couple in the member’s lounge.  We talk about shoes.  About art.  About recovery and vibrators and relationships.  They tell me I need a man who is here.  I know they are right.  I feel my power growing.

***************

In some ways I feel like I have been waiting all of my life for this man.  And I am “Dying Dreaming.” (The words, like all those in quotes, names of Sheikh’s canvases.)

But I also know that his life is still a “Construction Site,” while I am “Gathering Threads” — stringing together the people, places and pleasures that bring me joy, that make me whole.  Power cords.

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