Artist Date 58: What It’s Not About

llewyn davisI keep waiting for it to happen.  This movie.  Inside Llewyn Davis.  Artist Date 58.

I am sitting in the Davis Theatre in Lincoln Square.  There are about six other people here besides me.  It’s a Thursday night and the temperature is hovering around 5 degrees.  The streets are noticeably, eerily quiet.

There is a single, double seat tucked into the aisles.  Like a love seat.  I am tempted to sit in it and sprawl out, but I don’t.

There is a preview for a movie about Jesus, one about an escaped convict – wrongly accused, of course – falling in love.  And one for Dallas Buyers Club, which I saw a few months ago.  Artist Date 47. I well up all over again.

And I am waiting.   Not for the feature to actually begin, because it already has.  But the story.  I’m waiting for “it” to happen.

I think maybe “it” is about the cat who runs out of Llewyn’s friend’s apartment.  The one Llewyn carries with him, a guitar in his other hand, until he can return him.  The one he feeds cream to out of a saucer at a café.

I am reminded of silly, sassy cat asses.  And that I miss having a cat.  That maybe I should get one.

“It” is not about cats.  Or just that cat.  Or about carrying around shit that doesn’t belong to you.

I think maybe “it” is about taking a journey.  In this instance, with John Goodman – who looks suspiciously like one of my clients – and his driver.  Like the one in Deconstructing Harry, where Woody Allen takes a road trip with a black prostitute, up to his kid’s college graduation.  Like my many road trips from east to west and back again.  The one where I took photographs of myself at the Mitchell Corn Palace and ate butter pecan ice cream at Wall Drug.  And the one where I learned to shoot a gun in rural Montana.

corn palace

“It” is not about journeys and road trips.

I think maybe “it” is about Llewyn getting Jean, his friend’s girlfriend, pregnant.   About responsibility and taking what isn’t yours.  That “it” is about Llewyn finally arriving in Chicago and meeting the man who might change this musical trajectory.  About dreams and taking chances and storybook endings.

But “it” isn’t.

I keep waiting for “it” to happen.  And “it” never does.

Because waiting for a movie to happen is like waiting for life to happen.  I can spend so much time and energy sitting on expectations – how I think it should look – that I miss all the gorgeous, perfect moments along the way.  The movie moments.  The “it’s.”

Like playing your guitar for your father in an old folk’s home and for a brief moment seeing his eyes register recognition.  That he knows you.   Knows this song.  And then shits himself.

Like when the woman who calls you an asshole like it’s your given name, discloses a single act of kindness and you reject it.  You tell her you love her.  And she doesn’t call you an asshole.

Like when you finally make it to Chicago to see “the man” and he says to show him what you’ve got.  His eyes are soft and the lighting is perfect, streaming through dusty windows on to a dusty floor.  And your pitch is right and you are singing from inside, just like he asked you to.

And he tells you that you’re not front-man material. That he might be able to make it work if you shave your beard into a goatee and stay out of the sun.  But that your best shot is to get back together with your partner.  Because he doesn’t know your partner is dead.  That he jumped off the George Washington Bridge.  And that someone, anyone, singing his harmony sends you into a PTSD-like rage.

Llewyn’s “it’s”

Like picking up the phone and your meditation teacher asking you to sing “Easy to Be Hard” while he rides his bike in Golden Gate Park.

Like connecting with an old acquaintance who has been living your marriage and is now living your divorce – except you didn’t know it, until now.  Who speaks your heart and your story.  Talking to one another and saying over and again, “me too.”

Like sitting in a movie theatre alone.  Because you have chosen to be alone in this moment.  Because you enjoy your own company.

My “it’s.”

Maybe that’s what “it’s” all about.  These moments.  That, and a couch you can sleep on no matter what you have said or done.  A place to call home for a minute or two while you wander around in your boxer shorts eating scrambled eggs.  Friends who love you.  And a cat –something soft to hold onto, something to care about besides yourself.

The rest just fills in the blanks.

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