Artist Date 59: Waiting. On The Journey To Becoming

February 1, 2014 LesleyPearlLeave a comment

I am waiting on some news. Both personal and professional. Nothing scary or life-threatening…as a loving friend of mine recently asked. But all in G-d’s time, or at the very least, not mine.

The chime on my phone notifies me of messages received and my response is purely Pavlovian. Hope rises. And when I check my phone and discover I still have no news, hope falls. I feel my heart literally sink just a little bit. Awful.

Radio silence. My friend Michael says it is normal. Winter. “‘Tis the season.” His words, literally.

I want to punch him.

He sends me photographs of the shore of Lake Michigan, taken from the Indiana Dunes. This is what quiet looks like. It is at once both sad and beautiful.

He is right though. It is in the silence that I find my center, that I soothe myself…even though it is the silence, the not knowing, that has me so uncomfortable.

I turn off my phone at dinner with friends. No ringing. No vibrating. No notifying. Silence.

I am completely present with the people about me. I am not thinking about what I do not know. I am happy and serene…until I turn it back on and watch hope rise and fall again. And watch myself respond with a level of emotion that does not feel at all congruent.

Next day, at work, I turn the phone off again. And when I power it back on later, I ignore the notifications alerting me to the messages waiting. Instead, I bring my attention to my friend Nora, who is sitting across from me. I am again happy and serene.

I feel empowered.

It feels a little bit like when I quit smoking, nearly 15 years ago. That first week, I was high on not smoking. That feeling of “I can’t believe I’m doing this…”

The weeks that followed, sans cigarettes, were not filled with that same awe and wonder. But that is a different story. And a different lesson. Fifteen years later I am grateful for a different identity – one of a non-smoker. And the absence of the yellow stain on my second finger that I could not scrub off – my personal breaking point, my bottom.

My bottom here is that I fundamentally understand I am powerless over people, places and things, and yet, I sometimes still find myself allowing the actions of others to determine my sense of happiness, security and well-being. I watch myself hand over my serenity. It is painful.

And it is in this painful awareness that I recognize I have a modicum of control over the anxiety I perpetuate. That I can dial down my discomfort by simply turning off my phone, or ignoring its messages until I am in time and space to better receive them.

That I can receive the same relief by staying busy, and by pointing my attention to what is right in front of me.

Like Nora. Like the Artist Date penciled in my calendar. Number 59. Chicago Cultural Center for the “Wright Before the Lloyd,” exhibit.

I am here just a short time – about 45 minutes. Just long enough to feel the fog in my brain clear, making way for new information, and for my whole body to exhale.

The show is small – photographs, sketches and placards covering either side of a long hallway. It is a journey of becoming. The transition from Frank L. Wright, to Frank Lloyd Wright. A seemingly subtle, but significant, metamorphosis.

I read about his mother, determined that her son should become an architect, placing engravings of cathedrals in his bedroom for inspiration. His uncle with wild long hair, unconventional fashion sense, and a memorable three-part name who served as role model. His work with Adler and Sullivan and the “mistakes” he made on the way to creating his signature style.

I notice that many of the buildings shown on this trajectory from Wright to Lloyd Wright are no longer standing. Either burned down or destroyed. Gone. Like the yellow stain on my second finger.

I think about my own trajectory, and the people and experiences that influenced my becoming the woman I always wanted to be.

The one who dances on red soil in Rwanda and glossed, wood floors in Chicago. Who has been invited in to the intimacy of rooms where life begins and life ends. The one who listens with her hands and her heart.

The one with her own signature style – cropped hair, second-hand clothes and super-fabulous shoes – the kind that strangers inquire about. Who takes herself to museums, operas and lectures – comfortably alone. And out for strong coffee and a really good piece of cake.

The one who has learned to soothe herself. To quiet her own crazy. To be responsible for her own wellbeing.

Post Script: I got a call on some of the news I’d been waiting on. It was positive and it made me smile. But it didn’t change anything. Not my thoughts. My mood. My beliefs. It didn’t make me feel “ok.” It couldn’t. Because in my heart I already was.

Artist Date 58: What It’s Not About

January 24, 2014 LesleyPearlLeave a comment

I keep waiting for it to happen. This movie. Inside Llewyn Davis. Artist Date 58.

I am sitting in the Davis Theatre in Lincoln Square. There are about six other people here besides me. It’s a Thursday night and the temperature is hovering around 5 degrees. The streets are noticeably, eerily quiet.

There is a single, double seat tucked into the aisles. Like a love seat. I am tempted to sit in it and sprawl out, but I don’t.

There is a preview for a movie about Jesus, one about an escaped convict – wrongly accused, of course – falling in love. And one for Dallas Buyers Club, which I saw a few months ago. Artist Date 47. I well up all over again.

And I am waiting. Not for the feature to actually begin, because it already has. But the story. I’m waiting for “it” to happen.

I think maybe “it” is about the cat who runs out of Llewyn’s friend’s apartment. The one Llewyn carries with him, a guitar in his other hand, until he can return him. The one he feeds cream to out of a saucer at a café.

I am reminded of silly, sassy cat asses. And that I miss having a cat. That maybe I should get one.

“It” is not about cats. Or just that cat. Or about carrying around shit that doesn’t belong to you.

I think maybe “it” is about taking a journey. In this instance, with John Goodman – who looks suspiciously like one of my clients – and his driver. Like the one in Deconstructing Harry, where Woody Allen takes a road trip with a black prostitute, up to his kid’s college graduation. Like my many road trips from east to west and back again. The one where I took photographs of myself at the Mitchell Corn Palace and ate butter pecan ice cream at Wall Drug. And the one where I learned to shoot a gun in rural Montana.

“It” is not about journeys and road trips.

I think maybe “it” is about Llewyn getting Jean, his friend’s girlfriend, pregnant. About responsibility and taking what isn’t yours. That “it” is about Llewyn finally arriving in Chicago and meeting the man who might change this musical trajectory. About dreams and taking chances and storybook endings.

But “it” isn’t.

I keep waiting for “it” to happen. And “it” never does.

Because waiting for a movie to happen is like waiting for life to happen. I can spend so much time and energy sitting on expectations – how I think it should look – that I miss all the gorgeous, perfect moments along the way. The movie moments. The “it’s.”

Like playing your guitar for your father in an old folk’s home and for a brief moment seeing his eyes register recognition. That he knows you. Knows this song. And then shits himself.

Like when the woman who calls you an asshole like it’s your given name, discloses a single act of kindness and you reject it. You tell her you love her. And she doesn’t call you an asshole.

Like when you finally make it to Chicago to see “the man” and he says to show him what you’ve got. His eyes are soft and the lighting is perfect, streaming through dusty windows on to a dusty floor. And your pitch is right and you are singing from inside, just like he asked you to.

And he tells you that you’re not front-man material. That he might be able to make it work if you shave your beard into a goatee and stay out of the sun. But that your best shot is to get back together with your partner. Because he doesn’t know your partner is dead. That he jumped off the George Washington Bridge. And that someone, anyone, singing his harmony sends you into a PTSD-like rage.

Llewyn’s “it’s”

Like picking up the phone and your meditation teacher asking you to sing “Easy to Be Hard” while he rides his bike in Golden Gate Park.

Like connecting with an old acquaintance who has been living your marriage and is now living your divorce – except you didn’t know it, until now. Who speaks your heart and your story. Talking to one another and saying over and again, “me too.”

Like sitting in a movie theatre alone. Because you have chosen to be alone in this moment. Because you enjoy your own company.

My “it’s.”

Maybe that’s what “it’s” all about. These moments. That, and a couch you can sleep on no matter what you have said or done. A place to call home for a minute or two while you wander around in your boxer shorts eating scrambled eggs. Friends who love you. And a cat –something soft to hold onto, something to care about besides yourself.

The rest just fills in the blanks.

Artist Date 57: California, Coming Home

January 17, 2014 LesleyPearlLeave a comment

My friend Sherrod was the first artist I knew personally who made money at her craft. Which meant she covered her expenses and then some.

I remember seeing her painting on Liberty Street, where I lived in San Francisco. Victorian houses in oil. She was prolific. One night, as the sun began to go down, I invited her in for dinner. It was the first time she met my then-boyfriend/now ex-husband. Being somewhat filter-less, she named him “Pretty Boy” on the spot.

That year Pretty Boy bought me a copy of one of Sherrod’s pieces for my birthday.

It was a view of Dolores Park, from above it, and downtown San Francisco in the distance. Done in watercolors. Light. Almost cartoonish. Nothing like her other work which was darker and moody.

Pretty Boy put it in a white-wood frame he found in the alley and hung it over our bed. It followed us from San Francisco to Oakland, Chicago and Seattle – where I left it – a little piece of our first shared home.

I get emails from Sherrod now and again, telling me about her shows in the Bay Area. But I hadn’t really thought about her work much until now, standing at the Art Institute of Chicago. I am at the “Dreams & Echoes: Drawings and Sculpture in the David and Celia Hilliard Collection” exhibit – Artist Date 57.

My friend Jack suggested it.

I like the sketches in the process of becoming – Degas’ “Grand Arabesque,” Matisse’s “Still Life with Apples.” The ripe, sexy suggestiveness of Rodin’s “Leda and the Swan,” Povis de Chavannes’ “Sleeping Woman.” The eerie, ethereal quartet in Toorop’s “A Mysterious Hand Leads to Another Path.” But I don’t quite see how it all hangs together.

2014-01-16 15.35.01 — Francis Towne’s “Naples”

Francis Towne’s “Naples: A Group of Buildings Seen from an Adjacent Hillside.” An accurate, albeit not terribly inspired, title. It is from 1781, done in pen and black ink, with a brush, and black and gray wash over traces of graphite. Italy. But all I see is Dolores Park.

I am wistful and happy at the same time – remembering this place I used to call home, where the sun wasn’t a stranger in January and, rumor had it, Tracy Chapman lived on my street. This place where I met and married Pretty Boy.

It is the second time I’ve rubbed up against California today.

“Nevada Falls, Yosemite Valley, California,” painted in 1920 by Marguerite Thompson Zorach. The dreamy, translucent watercolors whisper to me of Sherrod’s Dolores Park.

2014-01-16 15.26.12 — Marguerite Thompson Zorach’s “Nevada Falls”

I know the view. I’ve seen it many time,s driving down from Badger Pass to the Yosemite Valley floor, coming through the tunnel carved into granite. Surprising and spectacular. I’ve hiked a part of it, along with Vernal Falls and the John Muir Trail, forming a loop. I was with Pretty Boy and our friend Tim –my first foray into camping.

We stayed in Curry Village in a canvas tent cabin with a wood platform and a single light bulb. Tim threw baby carrots to the squirrels, although the signs all around instructed him not to. Hilarious – until one scurried into our tent.

We bought water and painted wood disks strung on elastic at the adjacent store. “Camp beads,” I exclaimed, handing a strand to Pretty Boy. Not unlike the ones he had given me off his own neck on our first date.

I got boot bang on the trail descending and had to rip off my toenail. And once back at Curry Village, I jumped into the Merced River, and then sat on a rock, drying and shivering in the sun.

After that trip I graduated to a real tent, the lightweight kind I could use to backpack in for a few days.

2014-01-16 15.18.59 — Marc Chagall’s “Das Haus”

“Das Haus.” The Marc Chagall woodcut jumps from the wall. All four woodcuts, displayed in a row, do. But it is Chagall who paints my heart. Lead glasses my heart. Woodcuts my heart.

A house erupting from a man’s shoulders. According to the placard, it was produced following Chagall’s exile from Belarus. “…the work can be seen as an image of the artist metaphorically carrying his home with him.” Like the movie, Up. Like the painting in my living room, “You Can Take It With You,” that I bought from my friend Scotty before leaving Chicago in 2011.

I return to the placard at the exhibit’s entryway. It ends, “Even with its diversity of artists and time periods, the Hilliard collection possesses a remarkable consistency in sensibility: these works are unified by their ability to transport the viewer to other eras, other worlds.”

Chagall’s house. My stories. Towne’s Naples. My California.

Artist Date 55: Saving Myself. No Wand or Wings Required.

January 6, 2014 LesleyPearl4 Comments

I’ve been having a hard time getting myself out on weekly Artist Dates. Ever since I hit that “magic” one-year mark.

Carmel and I. Extras. Fans. And Friends.

Maybe it’s because, as suggested, I didn’t date for a year after my divorce became final. The passing of 52 Artist Dates meant that that year had passed. And perhaps on some subconscious level I thought it was time to date others instead of myself.

Even though nothing, absolutely nothing, has changed in my romantic life. Even though I don’t even have a crush. And for perhaps the first time in my life, the world still feels full of possibilities. That is a big change in my romantic life.

Or maybe it’s because maintenance is hard. Of anything. Eating well, moving my body and maintaining a healthy weight. Staying sober. Meditating. Artist Dates.

Each serves me, makes me feel better, be better in the world. It would seem I would only want to perpetuate these patterns. But somehow it doesn’t work that way.

My brain is a liar. It tells me “I’ve got this.” Which, when it does, is the exact moment I need to redouble my efforts. And I need other people to do that. To remind me that my brain is, in fact, a liar. And of what actions I can take anyway.

It’s why I work for Weight Watchers. Surround myself with sober individuals. And probably why I only meditate in the morning but not the evening, even though Vedic meditation is a twice-daily practice. I’ve been doing it alone ever since I left California in 2007.

The Artist Date is a solo process. No one would know, or probably care, if I did or did not engage in it. Except me. By stating my intention and blogging about it, I invite others in, and I stay in the action of it. Action that always makes me feel better.

So I was grateful when I saw a Facebook post from my friend Lori late Friday night, asking if anyone was available to be background talent for a music video she was filming the following day. Without thinking, I said “yes” – Artist Date 55.

“Who knows?” I thought. “Perhaps I will meet Mr. Right…”

By morning I wasn’t so sure about that. When I opened Lori’s email with details for the shoot, I found myself feeling incredibly resistant. So much so, I told her I may have spoken too soon.

I shared my “dilemma” with a friend who reflected back to me that I am a woman who does what she says. And so I did.

But when I arrived, the first words out of my mouth were, “Do you have enough people? Because if you do…” Yes, she said, adding, “If you have somewhere to be, go…”

But I didn’t.

Knowing that, something shifted. And I decided to stay.

I took a seat on an empty bench where the Windy City Rollers practice and watched the girls go around and around in circles, fading in and out of the fog of the smoke machine – the set for the music video, for a song written by one of the skaters, Xoe.

I joined about a dozen extras as a Windy City Rollers fans. Our job was to rush the red team after winning the bout. To jump up and down and high-five the skaters, and each other. Simple enough…even for a non-sports fan like myself. But first, we waited.

I watched the big cameras zooming in and out. Xoe’s stunt double — dressed like a guardian angel with wings, a wand and a sequined dress — “saving her” from herself, and knocking out a couple of the Rollers in the process. I looked at the snack table and thought it could use a makeover. That I would replace some of the donuts, Oreos and chips with fresh fruit and vegetables, hummus and low-fat cheese. But nobody asked me.

A woman I know just a little, but like quite a bit, showed up and she and I talked like old friends for the better part of the afternoon – telling stories about boys, our bodies and travel.

I noticed the high concentration of men on the set – lots of tattoos and wool hats. But I didn’t “recognize” my mate.

The day ended with a whack upside the head. Literally. It was an accident.

During a “pretend” fight scene,I leaned into the fist of a wisp of a girl standing next to me. She apologized profusely. I laughed. It somehow seemed right. Like I had definitely “connected.”

This morning, I put my hand to my forehead. It was sore. A little tender spot reminding me of how much I fight myself. And of how I can save myself – no wand or wings required.

Artist Date 54: Sew, Here I Am Again

December 31, 2013 LesleyPearl1 Comment

I am afraid of fabric stores.

I am aware that this is a somewhat unusual fear. Sharks. Spiders. Speaking in front of large groups. Of course. But fabric stores…

And yet, I love them. Floor to ceiling bolts of brightly colored cloth, every pattern imaginable. Zebra skin. Tiny elephants. Frida Kahlo faces.

Shiny scissors of every size and price range. Silky ribbon and trim. Envelopes stuffed with patterns – what I imagine to be the Holy Grail of well-fitting clothing.

Trouble is, I can’t sew. And I am terrified that I wear this deficiency like a scarlet letter. An indelible ink tattoo on my forehead which reads, “She doesn’t know what she is doing.”

I’ve tried. In high school, when I had designs on a career in fashion design. I knew this skill was non-negotiable. My mother’s friend offered to teach me. Together, we made a skirt out of a blue-green burlap-y material. I was pretty delighted, and I wore it a lot. But I still couldn’t sew a button-hole, make pleats or even thread a bobbin on my own.

About 20 years later I took a sewing class in Berkeley, at the shop next to the cleaner who washed and folded my massage sheets each week. Up the hidden staircase at the back of the store to the loft above it, I sat with six other women on Tuesday afternoons for four weeks. And when it was over, I walked out with a very expensive kimono – which I wore for years, until it became greasy from the oil I slathered on my body every morning and no amount of cleaning could take it out. And no closer to knowing how to sew.

I visited a fabric store on Queen Anne Avenue in Seattle a couple of years ago. I was embarking on The Artist’s Way for the first time and took myself there on one of my tentative, first Artist Dates. I felt intimidated and scared, hoping, praying no one would ask me if I needed any help. No one said a word to me.

When I returned to Chicago, I stated my intention to make curtains using ironing tape on Facebook. My friend James was horrified. He sent me a private message saying “Please,don’t,” and offered to sew for me. He did. Mustard-colored with sprigs of white blossom hang in my living and dining rooms, one set tied back with bow ties, the other with scarves. Cartoonish leaves in grey, orange and green cover my bedroom window.

All of this comes rushing back to me as I walk into The Needle Shop, Artist Date 54 – a crazy mingling of curiosity, desire and fear.

Hanging in the windows are bolts of the happiest, most whimsical fabrics I’ve ever seen. I promised myself I would go in “one day.” Ever since it opened up across from the Trader Joes where I shop no less than twice a week. Today is “one day.”

It is small inside. There is nowhere to hide. I take photographs of the bolts. If anyone asks, I will say I am thinking of making pillows and want to see the fabric in my living environment.

This is not untrue. My friend Julia said she will show me how. And that she can help me shop for a starter machine so I can really learn – through practice and repetition.

No one asks. Instead, a sales clerks encourages me to take swatches, pre-cut and pinned to the bolts, along with tags of price per yard.

Brown cotton with turquoise doves and cream-colored plants. White with graphic grey and yellow flowers. Green with turquoise ginkgo.

I wander over to the bin of patterns. They are “high end.” Nothing like the McCalls and Simplicity patterns strewn around my ex-mother-in-law’s sewing room. (Although they have these too.) Sassy 1950’s style tap pants and bras. Messenger bags. Wrap dresses.

The fantasy returns. I will learn to sew. I will make my own clothes. I will have trousers that fit like they were made for me. Because they were made for me. I will make couture. I will make curtains and pillows. I will surround myself with gorgeous, happy, sumptuous fabrics.

I sit down in a stadium folding chair with a sewing book written by a cool-looking, hipster chick. I am immediately overwhelmed and quickly put the book back on the shelf.

I pick up a card listing sewing classes. Easy alterations. Roman shade. Ragland sleeve top. Sewing 101. “We show you how your machine works.”

Yes. But first I need a machine.

Not today though.

Today, this “one day,” I leave with a fistful of fabric scraps and the notion that there may be something here for me – a reason I continue to find myself in fabric stores nearly 30 years after my first visit.

Perhaps I am bound for a fourth or fifth-act career, in fashion. Perhaps I will just learn to hem my own trousers. At not-quite 5’3”, petites are still too long.

Or maybe it is nothing more than my Libran birthright, which calls me to surround myself with beauty. The swatches in my bag, a talisman – guiding me.

Artist Date 53: You Don’t Say

December 21, 2013 LesleyPearlLeave a comment

I used to swear like a sailor. It was part of my tough-talking, cigarette-smoking, don’t-mess-with-this-Jew personae – affectionately known by my newspaper colleagues as “Brooklyn Les.”

Until I got hired by Weight Watchers. My friend, and mentor Stan told me I would need to watch my mouth. That I might think people thin-skinned, but that not everyone cottons to the liberal and casual use of the word fuck.

I trusted him, and learned to curb my four-letter tongue. I found the more I didn’t use those words in the workplace, the more they slipped away from my vocabulary entirely.

Don’t get me wrong. I still like a well-placed fuck. (Double entendre not intended, but appreciated.) Especially the unexpected sort that shocks.

Like in Tribes. Artist Date 53 at the Steppenwolf Theatre.

The word punctuates each breath of the play’s first lines, followed by cunt and a graphic, fairly vulgar description of the much-older object of Ruth’s affection.

Uproarious laughter covers a collective gasp. There is a shared sense of ok-ness. That we have chosen our mores. That we have agreed upon this use of language.

I am a part of this conscious collective too. But I don’t feel that way. I am self-consciously aware of feeling “not a part of.” Disconnected. The word rattling in my head since I lost Internet connectivity minutes before leaving the house.

It is exacerbated by the series of phone calls I make while driving that dump me into voicemail. And even more so by the conversation to my right, once in my seat. Flanked by two couples, I listen as they share highlights of their collective creative genius. She leads workshops teaching artists how to write grants. He is a photographer. The other she is an actress.

I am envious. Irritated. It does not occur to me that I am a writer. That I too have a creative genius. One that connects me to others every time I engage it. I am, as my friends like to say, looking for the differences. All of the places where I don’t measure up. At least in my mind. I have been all day.

This afternoon, interviewing with a recruiting firm — really more of a temp-to-permanent staffing agency.

I went in worried about not wearing a suit.

I haven’t owned one in more than 12 years. Ever since I traded prestige for peace of mind and left a nearly six-figure job to answer phones at a massage school for $12/hour and 50 percent off future classes – supplementing my new cobbled-together career as a massage therapist and Weight Watchers leader.

It had not occurred to me that my plaid, Pendlelton coat and patterned spectators might be the least of my concerns.

All around me – on both sides of employment table – are “kids.” They appear to be born the same year I graduated from high school.

I lose myself in self-conscious concern. About my age, my appearance, that I have not looked for work in 12 years. And when the questions come about desired salary, and ideal work environment, I stammer.

Like Daniel in Tribes, when his sense of security – false or not – is taken from him and he reverts to old patterns.

The old tendency to try to be what you need me rushes in. People pleasing. Like Billy, learning to read lips rather than pushing his family to learn to sign – which seems selfish, at the least inconvenient, and might make them uncomfortable.

It is an old behavior and yet it sneaks back in as effortlessly as the fucks that can still fly from my mouth. I feel tired and small. And sort of stupid. Even though I know that none of that is true.

But suddenly not so separate. I see myself in bits of the universal dysfunction unraveling on stage.

I am like Beth. A tentative, later-in-life writer. Like Christopher. Using bluster and swagger to cover up my own not knowing. Like Ruth. Looking for love. Except I no longer ask “What is wrong with me?” while sobbing in my mother’s arms.

Nor do I succumb to the urge to call a boy I know while driving home, when the separateness has returned to me. A boy fighting demons far greater than my own right now. A boy who could never give me what I want – which right now is nothing more than to be held. I know that this is beyond his capabilities – so I think better than to ask for it.

Age, experience – it is grace.

Once home, I write a note to my friend Melinda, as I do most nights – sharing an inventory of my day via email. I will receive hers in the morning.

Connectivity has been restored. To the Internet. To my friend. To my truth.

Arttist Date 51: Now I Know

December 13, 2013December 21, 2013 LesleyPearlLeave a comment

There are a couple of memories that permeate my childhood. Stories I asked to hear again and again until I knew them word-for-word, by heart.

My origins, my adoption and my first eight weeks on the planet – captured with typewriter ribbon on onion-skin paper and tucked into a red vinyl bag with my report cards and school pictures.

The loss of my mother’s biological child. One she didn’t know she was pregnant with until she lost it. The event which, to my mind, secured my role as my parent’s child.

The day my parents packed up their bags and their bird and moved from Oak Park to Birmingham, Michigan to live with my father’s sister for a short time.

It was the summer of 1967. The city of Detroit was on fire — literally. Residents rioted and looted. Police unleashed with unrestrained force. Both the Army and the National Guard were called to quell the mayhem.

My uncle living in California called to say he was watching the news, and did my mother know that tanks were rolling down Woodward Avenue.

She did. Oak Park was just a few miles over the 8 Mile Road border that separated the city from the suburbs. It felt close. Too close. And the tony suburb of Birmingham seemed safely a world away. So they went.

I don’t recall any more of the story than that. How it ended. When it ended. When they came home. Only that the chasm – racially, culturally, financially – between Detroit and the suburbs appeared to be sealed that summer.

Over the years I asked my parents what started the riots. They hypothesized. But the truth was, they weren’t quite certain. Neither were other white people of their generation, and the one just behind them, that I asked.

I got my answers last Saturday night at the Northlight Theatre – Artist Date 51.

The first time I saw a poster for Detroit ’67, with its black upturned fist of Joe Louis, I knew I would see it. That I needed to see it. I didn’t consciously think I might get answers to the questions left hanging from my childhood. I merely felt the pull, a tug that took me to Skokie on a dark December evening — alone.

The audience is mostly older – boomers and above. Mostly African American or Jewish. I recognize the latter by the smattering of kippot (head coverings) and conversations about Israel. And, at risk of sounding politically incorrect, as a Jew raised among mostly other Jews, I “just know” my people. Many of them are dancing – some in the aisles, but mostly in their seats – to Motown.

Martha and the Vandellas. Smoky Robinson and the Miracles. Stevie Wonder, when he was still called “Little Stevie Wonder.”

It is the music of my childhood. The Big Chill soundtrack, and Big Chill-like gatherings at my cousin Wendy’s house.

The couple behind me is singing. They know every word. During the performance, they respond to the actors. More than a mutter but not quite “out loud,” either. I like it. I feel like we are all, “a part of,” and I am not so much alone.

Meanwhile, I tuck into the program and get schooled.

This is what I learn:

Detroit’s 12^th Street Riot began on July 23, 1967, with the police raid of a blind pig — a home illegally selling alcohol under the guise of “an attraction…with complimentary beverages.” (Not unlike memberships sold for experimental AIDS treatments in Dallas Buyers Club. Artist Date 47.)

The raid itself was not unusual. Detroit’s white police officers were known for harassing, and even brutalizing, the city’s black residents.

The aftermath. Detroit Free Press photograph. Public Domain.

But unlike other raids, this one did not resolve quickly or quietly. And what began as a conflict between police and patrons soon engulfed the whole city. To end the disturbance, Governor George Romney ordered the Michigan National Guard into Detroit. President Lyndon B. Johnson sent Army troops.

Five days later, 43 people were dead. More than 500 were injured, and 7,231 arrested. Half of those arrested had no criminal record. Sixty-four percent were accused of looting and 14 percent were charged with curfew violations.

Losses from arson and looting ranged from $40 to $80 million.

But I don’t see any of it.

Only the actions, and reactions, of five residents of Detroit, black and white, who want to feel safe. Who want something better for themselves. Not unlike my own family. In a basement in the city’s near west side, with an eight-track player, a phonograph that skips, and a dream.

Artist Date 50: When the Messenger is Hot

December 4, 2013 LesleyPearlLeave a comment

My friend Betsy gave me a book of hers a few days after I turned 40 – one that she wrote, as opposed to one that once upon a time made a difference in her life but is now collecting dust on the shelf. Just after I told her about my crush on a mutual friend of ours.

I told her that I was committed to the commitment of my marriage. That I loved my husband. That we had grown in wildly different directions, and were continuing to do so.

That I would see this other guy, our mutual friend, every Saturday morning in a church basement, where we would sit across the table from one another. That he was funny and smart, a writer. That he spoke my brand of crazy, which meant that when I talked, he would nod in that knowing way. The same way I nodded when he spoke.

That I was pretty sure he liked me after he brought me an entire smoked salmon for my 39^th birthday. And that I liked him. (Blog: I Think the Fish Guy Likes Me)

Or perhaps I just liked the way he made me feel. Seen. Heard. Understood.

Betsy made a happy-sad face and told me the story of When the Messenger is Hot.

I’m standing in The Brown Elephant thrift store in Andersonville – Artist Date 50. Her book of short stories by the same name stares back at me from the shelves of fiction.

I smile a big toothy grin. It’s some sort of message, I think. Which is really the crux of the When the Messenger is Hot.

That people, objects, and experiences come into our lives for a reason.

Sometimes their appearance, or disappearance, is painful. Sometimes it looks nothing like what we imagined.

And sometimes, according to Betsy, God provides a pretty attractive delivery vehicle to make certain we pay attention. In her case, a bad boy with the heart of a poet and a tattoo on the inside of each of his wrists, Chinese symbols for “child of God.”

She thought he might be the love of her life. Or at least great sex. Instead, she came to see him, and their single date – which she rated among her top 5 – but never led to another, as a template of what a date should look like – “…love songs and flowers and candles and lollipops.” A reason to have faith. A harbinger of things to come.

I’m still not sure what message the Fish Guy came to deliver me. That there are attractive men all around who will bring me clever and intimate gifts that say, “I know you?” (Because really, I don’t know any women other than myself who would swoon over a piece of fish.) That my then-husband wasn’t the only one? My own harbinger of things to come?

That my brand of crazy really isn’t so crazy? That that “too much” that I fear being, really isn’t too much?

The Fish Guy moved away from Chicago – to Florida, so he could fish. Seriously. But the message of When the Messenger is Hot stuck with me.

The words became my shorthand for meeting someone seemingly special and not getting what I thought I wanted. And an opportunity to look for lessons where I thought there might be love.

The teacher who taught me about spiritual intimacy through shared prayer and meditation, and long conversations about God.

The Southern Svengali who taught me about creative companionship. What it was to be inspired by another, to have a muse. And to be a muse.

The divorce buddy who taught me about unconditional love and friendship. Who packed my car and drove me home from the West Coast to Chicago, even when things were awkward and clunky between us.

I think about buying Betsy’s book, just because it is here. Even though I already have a copy. Even though I have sent copies to several of my friends. But I leave it.

I pick up a collection of short stories titled Tongue Party, and a hardback copy of Like Water for Chocolate, both for $1.37, instead – curious what messages they will deliver.

Shaking The Coke Bottle and Other Sexy Little Gifts From the Universe

November 22, 2013 LesleyPearlLeave a comment

My friend Dina calls it “shaking the Coke bottle.”

That feeling when “nothing” is going on. When life doesn’t feel sexy. When I am going about my business doing what other people do. Grocery shopping. Paying bills. Taking out the trash. And, seemingly, not much else.

I don’t like it. Given my druthers, every day would be my birthday, New Years’ Eve and the 4^th of July all wrapped into one. (Actually, I don’t really care for either of these holidays, but they speak to the notion of fireworks and something shiny, new.)

I want to make “something happen.” Anything. Ergo, Dina’s Coke bottle. I imagine it as glass, and filled with soda made from sugar, not corn syrup – before it was retro. My thumb covering the opening. Fingers wrapped around the body. Shaking violently and knowing when I let up a spray of sticky sweetness will shower me, and anyone in my midst.

Sounds great, actually. The sweet spray, that is. Trouble is, the mess. And the dreaded clean-up. Sticky residue.

Julia Cameron, author of The Artist’s Way series, writes that “too much drama equals not enough work.”

There is no drama right now. Not enough work either. Correction, it is there. I just don’t seem to be doing it.

Entering billable time for the past month. A tedious and mundane task that will take me, at best, 45 minutes.

Submitting two pieces – already written – for publication. Their titles and the word “pitch,” scrawled on my white board months ago and never erased.

Tackling the looming job search.

What I am doing is writing. This is a good thing. (Consider that the word “write” is tattooed on my right, inner wrist. “Left” on the opposite.)

Except when it keeps me from taking small actions that chip away at what appear large and overwhelming tasks. When it keeps me from making those satisfying little check marks on my to-do list.

This morning, while journaling my morning pages, I gave words to the hidden fear that the Coke-bottle fantasy seeks to remedy, or at the least, cover up.

That I will run out of subject matter to write about. My blog will grow dry and fallow. My life will grow dry and fallow. I will grow dry and fallow.

There is no romance. No big, new job. No decadent travel in the works. There is “nothing” going on.

What I forget is, when I do what’s in front of me, the rest, somehow, seems to magically take care of itself. And often, sexy little gifts from the universe emerge – if I choose to see them that way.

Strangely, it is not a linear process. A plus B does not equal C.

It is like weight loss.

There are weeks when I do everything “right,” the scale registers a gain and I call it a liar. And weeks when I do everything “wrong.” It shows a loss. And I thank the weight-loss goddess and keep on moving. When this happens to my Weight Watchers members, I remind them that it is what they do most of the time that matters.

Or like marketing. My spiritual business teacher insisted that we students reach out to 20 people a day and speak our vision – what we do, what we offer, what we promise.

“I am a massage therapist and bodyworker. I help people fall in love with their bodies, take care of their bodies, and do things they never imagined possible.” Twenty times a day.

When I did this, clients came to me. Not a single one directly from the outreach. But from other places. The universe answering my call. Proof that energy begets energy.

Or, as my friend Teresa used to tell me, “Nature abhors a vacuum.” Or, eventually something is going to happen.

So today, I will do what is in front of me. I will lead two Weight Watchers meetings. Meet for another informational interview. Go to a friend’s gallery opening.

I might even drop an email to my friend Steven about a trip to Italy we’ve been considering.

As I commit to this not-so-sexy stuff, the footwork, I feel my grip loosen – fully aware that the sticky, sweet will go flat. But that my life has not. Even if it sometimes feels that way.

Post Script. I met a milliner at tonight’s art opening. She shared that she used to make hats full-time, but that she had to get a “real job” when she got divorced. She found one, with great benefits and vacation. And that leaves her time and energy enough to continue to make hats.

“We’re looking to hire,” she offered. I smiled at the synchronicity. I told her our situations are strikingly similar, handed her my card, and asked if we might talk further.

Sexy little gift from the universe. And no clean up.

Artist Date 48: I Think The Fish Guy Likes Me

November 15, 2013November 15, 2013 LesleyPearl1 Comment

There is something decidedly unappealing about gazing into the center of a slab of beef.

Perhaps pork is better.

William "For Sunday's Dinner." — William Michael Harnett. “For Sunday’s Dinner.”

It didn’t bother me to see hocks of pork bolted to a wooden bar, then sliced paper-thin, and served to me, when I was in Spain. Neither did the whole chickens and rabbits hanging from hooks in the market, which I took photographs of, then framed and hung in my kitchen.

I am at the Art Institute Chicago for the member lecture and preview of “Art & Appetite: American Painting, Culture and Cuisine.” Artist Date 48. It is dark and warm in the auditorium. A slide of a still life – fruit and meat – is projected on-screen. And then another, a fish.

They are not beautiful. They do, however, evoke a flood of food memories.

Like the time I received a whole, smoked salmon.

It was my 39^th birthday and I threw a big potluck soiree.

The man/boy I was crushing on – but could, and would, do nothing about as I was married – was the first to RSVP, saying he would bring Tang. I laughed. Knowing him, it might have been true.

Except it wasn’t.

The night of the party, he arrived with a box in his right hand – carrying it like a tray, high above his shoulder. His name was on the side in black magic marker. This was something he had ordered.

Inside was an entire smoked salmon. Head. Tail. Everything. Glistening. Beautiful. Although not Jewish himself, he seemed to intuitively know the way to a Jewish girl’s heart was through cured fish.

“He likes me,” I thought, beaming.

The next morning I made scrambled eggs with onions and the leftover smoked salmon. One of my girlfriends had come to town from Los Angeles to celebrate. Over coffee, I said the words out loud.

“I think he likes me.”

She disagreed, insisting the fish was about him and how he wanted to be perceived. That it meant nothing about me. I didn’t persist. It didn’t matter. I was married.

I hadn’t thought about the fish story in a while. Or the fish guy, which my friends and I affectionately called him from then on. He moved away while I was still married — to fish.

Memory wrapped in food. It seems nearly impossible to separate the two. I am reminded of this all week while leading Weight Watchers meetings and trying to encourage a conversation about what makes Thanksgiving memorable – besides food.

Norman Rockwell. "Freedom From Want." — Norman Rockwell. “Freedom From Want.”

For the most part, the members are having none of it. They want to talk about macaroni and cheese. Stuffing. Pumpkin pie and cranberries from a can. One woman mentions waking her daughters late in the evening, dressing them, and taking them shopping at midnight. I would have loved that, I think. She is creating tradition.

I think about living in California and riding my bike Thanksgiving morning – before the feast at Tim’s house. I think about the printed menus Tim placed at each seat, like Martha Stewart. About roasted root vegetables and pumpkin gnocchi.

I think about the year I got married and leaving for my honeymoon on Thanksgiving Day. Eating breakfast with Tim and his roommate, Steven at the International House of Pancakes near the airport.

I do not mention any of this. It is their meeting.

The exhibit moves from still life to real life. There are rationing cookbooks. Bright Spots For Wartime Meals – a Jello cookbook. The words, “Armed with a can opener, I become the artist-cook, the master, the creative chef,” from the Can Opener Cookbook, are stenciled on the wall.

They remind me of a story I once heard about the “original foodie,” M.F.K. Fisher. Suspicious that her celebrity kept those about her in silence, she once made a meal entirely from canned foods. When her guests swooned, confirming her intuitions, she informed them of the origins of their dinner.

There is a menu for a meal honoring Fisher, created by Alice Waters, owner of Chez Panisse. She is the Berkeley, California chef known for purple hats, and for bringing seasonal, local ingredients – cooked simply, cooked well – back into fashion, beginning in the early 1970s.

And there is a menu from Chez Panisse, celebrating Bastille Day in 1976, as well.

I ate there just once. On my birthday. I do not recall which year. I saved the menus – prix fixe, with gorgeous drawings of figs on the cover – for a long time, imagining I would frame them and hang them in my kitchen one day, along with my food photographs. I never did.

Strangely, I do not recall what I ate. I remember our server. And the cost of the meal for two – $300.

Driving home in the first snow of the season, I chew on Brazil nuts – 30 grams of them weighed out and tucked in a small plastic container. Just a snack. I am full on memory.

A Wandering Jewess

My Journey Back To Self

Tag: Julia Cameron