Artist Date 71: An Ice Cream Kind of Day

First Stop.
First Stop.

It is 70-something and breezy. The kind of day all of Chicago has been waiting for. The kind that should have me grinning ear to ear. But it doesn’t.

I am walking and I figure if I am out here long enough, I will end up somewhere I’ve never been before – which is the point of the Artist Date, Number 71. New input.

I point my feet towards Andersonville – an old Swedish neighborhood on the north side that became popular some 15-plus years ago, yet somehow still retains a whisper of its original feeling.

I have the overwhelming urge to call someone to meet me for ice cream. Because, it is an ice cream kind of day.

I consider my date from last Saturday. Or the man I ran into Friday night. The one who told me he had been feeling lonely.

I seem hell-bent on getting away from myself. I’m not sure why. I try to observe this but not over think it.

I walk into Pars – the Persian store I have passed so many times – instead.

There are hookahs and flavored tobacco. Stacks of soap made from laurel. Rows and rows of loose tea in jars.

Packages of frankincense and sumac. Pots for making Turkish coffee. Halavah. Mildly gritty. Somewhat sweet. Made from ground sesame seeds, it is an acquired taste. I’m pretty sure only Jews and Arabs eat it.

The store is sort of sad and sparse. I leave after 20 minutes of so, no more filled than when I arrived.

I land at Roost. Overpriced, salvaged items line the sidewalk out front.  The kind one gets for a song at estate sales in the country, out-of-the way places where those left behind have little to no idea of the value of what they hold.

Inside are candles with man-ish names and smells like “tobacco and oak.” There are mugs with the Lipton Cup-a-Soup logo on them. Cardboard produce boxes that read, “Glass Grown Brand Greenhouse Tomatoes” and “Michigan Zucchini.”

Stop Two.  Typewriter at Roost, the one that connected me back to people, and to myself.
Stop Two. Typewriter at Roost, the one that connected me back to people, and to myself.

A vintage typewriter.

Two older men giggle. “Where is the screen?”

I tell them I learned to write on an IBM Selectric in journalism school. One recalls saving his birthday money to buy his first typewriter – because his handwriting was so terrible. The other received his as a high-school graduation gift.

We press the keys. They are clunky and heavy. I show them my tattoos, “write” and “left,” in typewriter font. The “f” and “i” raised for effect.

I feel a smile curl on my lips and realize I no longer have a desire to call a boy and get ice cream.  At least right now. Even though it is still an ice cream kind of day.

Walking towards home, I cut down Balmoral – a street I never walk down. I am summoned by Greensky.

I hear the shopkeeper mention to customers that most everything is sourced from “Up North” – a term only Michiganders understand – referring to the northwest part of the Lower Peninsula.

I spent my childhood summers Up North. It is a magical place. When I returned to it some 30 years later, I found it was just as I had remembered.

I finger through the Positively Green cards and buy two to send to myself. One is yellow with sunflowers. It reads “Some people are so much sunshine to the square inch. – Walt Whitman.” The other, “As no love is the same, no loss is. – Alla Renee Bozarth.”

Stop Three.  Where I found compassion for myself.
Stop Three. Where I found compassion for myself.

I think about the man who walked out of my life without a word exactly one month ago. My friends pointed out all the red flags, but I still don’t really see them. All I know is he touched my heart deeply. And that I am still sad.

I think about what I will write. What I tell myself. What I will tell the child that resides inside of me, the one who once said out loud, “I thought he loved us.”

I respond to her with compassion I can never muster for myself.

“He did love us. As best as he knew how.”

She is filter-less, honest and wise.  A little bit younger than I those summers Up North.

I will tell her I am sorry she is hurting. That time takes time.  That I love her.  Then I will address it, stamp it, and pop it in the mailbox.

I know I will feel differently one day. I just don’t yet. Like I know that today is still an ice cream kind of day.

Universal truths.

And later I will have some. Brown butter and salted peanut. I will eat it with a boy, my friend. And together we will share our lonely.

Artist Date 70: I Am Not Thinking

The Grand Budapest Hotel
Photo: The Grand Budapest Hotel

I have just finished a blog about my friend Clover and the birth of her daughter, Juniper Maya.  She was born nearly 10 days ago, but only now am I at a point where I am able to give words to the experience and my role in it.

I’d been noodling on it for a couple of days and now it is done. I print it out. Set a timer. And read out loud.

Doors open for Story Club in a little more than an hour.  I’ve already penciled it in my book – Artist Date 70.

Story Club meets the first Thursday of the month at the Holiday Club – a bar on the north side of Chicago. Three featured writers read essays on a theme. And three audience members, called at random from a sign-up sheet, read their musings for up to eight minutes.

I’ve been called up just once before, a couple of months ago. My gut tells me I will make it onstage tonight…if I can get there.

My piece is too long. I cross out some sections and set the timer again. Still too long. Then I try again, just reading a portion of it. Up to the words, “The miracle emerges.” This could work.

And I hear it. “Slow the fuck down.” I don’t want to. But I do anyway.

I call Clover to tell her the blog is finished and to ask if she would like to read it before I hit “publish.” She says she would.

I do not usually do this. However, this is not just my story. It is her story too.

I have not given her a clever moniker like the Southern Svengali or Mr. 700 Miles. She is not anonymous. And so I offer my words to her first.

I mention I am on my way to Story Club and ask if she would prefer that I use her initials, as opposed to her real name, as she has not yet read the piece. She says “yes” again.

And it hits me – how much gyrating I am doing to “make this happen.”

To get out the door.   To get on stage. It feels like a push. An awful lot like “my will.” “If this, then that.”

grand budapest hotelI recognize that the words are still fresh to me. That, in some ways, I have just re-lived the birth. That I feel tired and vulnerable, and the idea of sitting in a bar, by myself, in hopes of reading onstage feels neither joyous nor fun. It feels like me trying to make good on my word – as if to make up for all the times when my word meant nothing.

I realize I have nothing to prove, and I give myself a pass.

I put down my papers. I pull on my coat, walk a handful of blocks to the Davis Theatre and purchase a ticket for The Grand Budapest Hotel.

I know nothing about this movie other than my friend Matt invited me to see it with him a few weeks ago. I declined, taking myself to the Art Institute for Artist Date 68 instead.

The theater is about a quarter full. I take comfort in seeing the number of people here alone – even though alone is my preferred way to watch movies.

The previews are dreadful. Even the one with Johnny Depp – who I love.

And especially the one for Transformers. Although it makes me giggle a little as I have a date this weekend with a man 12 years my junior, and he recently posted something about the movie on his Facebook page.

But the featured film is a story for storytellers, told by a storyteller. I am enchanted.

By the glory of the Grand Budapest Hotel in its heyday. And by the quirky outpost for eccentrics that it has become.

By the concierge, at once both straight and gay, tending to the elder, insecure, wealthy – and always blonde – female patrons.

trailer-for-wes-andersons-the-grand-budapest-hotel-4
Photo: The Grand Budapest Hotel

By the refugee hotel boy with a penciled-on moustache. By the love affair between him and the girl who decorates pastry and wears braids – whose birthmark covers half of her face.

It is eye candy. Swaths of bright orange and purple. Handsome stars in less-than-handsome roles. Ralph Fiennes. Adrien Brody. Jeff Goldblum.

I am grinning. I am not thinking about what I will write. Even though I am always thinking about what I will write. The world around me a blog waiting to happen.

I am not thinking that this is a story about family. About status. About love.

About corruption. Courage. Change.

I am not thinking about my own experiences – of family, status, and love. Courage and change.

I am caught up in someone else’s story. I am not thinking. It is a joy.