Artist Date 57: California, Coming Home

My friend Sherrod was the first artist I knew personally who made money at her craft.  Which meant she covered her expenses and then some.

I remember seeing her painting on Liberty Street, where I lived in San Francisco.  Victorian houses in oil.  She was prolific.  One night, as the sun began to go down, I invited her in for dinner.  It was the first time she met my then-boyfriend/now ex-husband.  Being somewhat filter-less, she named him “Pretty Boy” on the spot.

That year Pretty Boy bought me a copy of one of Sherrod’s pieces for my birthday.

It was a view of Dolores Park, from above it, and downtown San Francisco in the distance.  Done in watercolors.  Light.  Almost cartoonish.  Nothing like her other work which was darker and moody.

Pretty Boy put it in a white-wood frame he found in the alley and hung it over our bed.  It followed us from San Francisco to Oakland, Chicago and Seattle – where I left it – a little piece of our first shared home.

I get emails from Sherrod now and again, telling me about her shows in the Bay Area.  But I hadn’t really thought about her work much until now, standing at the Art Institute of Chicago.  I am at the “Dreams & Echoes: Drawings and Sculpture in the David and Celia Hilliard Collection” exhibit – Artist Date 57.

My friend Jack suggested it.

I like the sketches in the process of becoming – Degas’ “Grand Arabesque,” Matisse’s “Still Life with Apples.”  The ripe, sexy suggestiveness of Rodin’s “Leda and the Swan,” Povis de Chavannes’ “Sleeping Woman.”  The eerie, ethereal quartet in Toorop’s “A Mysterious Hand Leads to Another Path.”  But I don’t quite see how it all hangs together.

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Francis Towne’s “Naples”

Francis Towne’s “Naples: A Group of Buildings Seen from an Adjacent Hillside.”  An accurate, albeit not terribly inspired, title.  It is from 1781, done in pen and black ink, with a brush, and black and gray wash over traces of graphite.  Italy.  But all I see is Dolores Park.

I am wistful and happy at the same time – remembering this place I used to call home, where the sun wasn’t a stranger in January and, rumor had it, Tracy Chapman lived on my street.  This place where I met and married Pretty Boy.

It is the second time I’ve rubbed up against California today.

“Nevada Falls, Yosemite Valley, California,” painted in 1920 by Marguerite Thompson Zorach.  The dreamy, translucent watercolors whisper to me of Sherrod’s Dolores Park.

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Marguerite Thompson Zorach’s “Nevada Falls”

I know the view.  I’ve seen it many time,s driving down from Badger Pass to the Yosemite Valley floor, coming through the tunnel carved into granite.  Surprising and spectacular.  I’ve hiked a part of it, along with Vernal Falls and the John Muir Trail, forming a loop.  I was with Pretty Boy and our friend Tim –my first foray into camping.

We stayed in Curry Village in a canvas tent cabin with a wood platform and a single light bulb.  Tim threw baby carrots to the squirrels, although the signs all around instructed him not to.  Hilarious – until one scurried into our tent.

We bought water and painted wood disks strung on elastic at the adjacent store.  “Camp beads,” I exclaimed, handing a strand to Pretty Boy.  Not unlike the ones he had given me off his own neck on our first date.

I got boot bang on the trail descending and had to rip off my toenail.  And once back at Curry Village, I jumped into the Merced River, and then sat on a rock, drying and shivering in the sun.

After that trip I graduated to a real tent, the lightweight kind I could use to backpack in for a few days.

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Marc Chagall’s “Das Haus”

“Das Haus.”  The Marc Chagall woodcut jumps from the wall.  All four woodcuts, displayed in a row, do.  But it is Chagall who paints my heart.  Lead glasses my heart.  Woodcuts my heart.

A house erupting from a man’s shoulders.  According to the placard, it was produced following Chagall’s exile from Belarus.  “…the work can be seen as an image of the artist metaphorically carrying his home with him.”  Like the movie, Up.  Like the painting in my living room, “You Can Take It With You,” that I bought from my friend Scotty before leaving Chicago in 2011.

I return to the placard at the exhibit’s entryway.  It ends, “Even with its diversity of artists and time periods, the Hilliard collection possesses a remarkable consistency in sensibility: these works are unified by their ability to transport the viewer to other eras, other worlds.”

Chagall’s house.  My stories.  Towne’s Naples.  My California.

Artist Date 55: Saving Myself. No Wand or Wings Required.

I’ve been having a hard time getting myself out on weekly Artist Dates.  Ever since I hit that “magic” one-year mark.

Carmel and I.  Extras.  Fans.  And Friends.
Carmel and I. Extras. Fans. And Friends.

Maybe it’s because, as suggested, I didn’t date for a year after my divorce became final.  The passing of 52 Artist Dates meant that that year had passed.  And perhaps on some subconscious level I thought it was time to date others instead of myself.

Even though nothing, absolutely nothing, has changed in my romantic life.  Even though I don’t even have a crush.  And for perhaps the first time in my life, the world still feels full of possibilities.  That is a big change in my romantic life.

Or maybe it’s because maintenance is hard.  Of anything.  Eating well, moving my body and maintaining a healthy weight.  Staying sober.  Meditating.  Artist Dates.

Each serves me, makes me feel better, be better in the world.  It would seem I would only want to perpetuate these patterns.  But somehow it doesn’t work that way.

My brain is a liar.  It tells me “I’ve got this.”  Which, when it does, is the exact moment I need to redouble my efforts.  And I need other people to do that.  To remind me that my brain is, in fact, a liar.  And of what actions I can take anyway.

It’s why I work for Weight Watchers.  Surround myself with sober individuals.  And probably why I only meditate in the morning but not the evening, even though Vedic meditation is a twice-daily practice.  I’ve been doing it alone ever since I left California in 2007.

The Artist Date is a solo process.  No one would know, or probably care, if I did or did not engage in it.  Except me.  By stating my intention and blogging about it, I invite others in, and I stay in the action of it.  Action that always makes me feel better.

So I was grateful when I saw a Facebook post from my friend Lori late Friday night, asking if anyone was available to be background talent for a music video she was filming the following day.  Without thinking, I said “yes” – Artist Date 55.

“Who knows?” I thought.  “Perhaps I will meet Mr. Right…”

skatersBy morning I wasn’t so sure about that.  When I opened Lori’s email with details for the shoot, I found myself feeling incredibly resistant.  So much so, I told her I may have spoken too soon.

I shared my “dilemma” with a friend who reflected back to me that I am a woman who does what she says.  And so I did.

But when I arrived, the first words out of my mouth were, “Do you have enough people?  Because if you do…”  Yes, she said, adding, “If you have somewhere to be, go…”

But I didn’t.

Knowing that, something shifted.  And I decided to stay.

I took a seat on an empty bench where the Windy City Rollers practice and watched the girls go around and around in circles, fading in and out of the fog of the smoke machine – the set for the music video, for a song written by one of the skaters, Xoe.

I joined about a dozen extras as a Windy City Rollers fans.  Our job was to rush the red team after winning the bout.  To jump up and down and high-five the skaters, and each other.  Simple enough…even for a non-sports fan like myself.  But first, we waited.

angelsI watched the big cameras zooming in and out.  Xoe’s stunt double — dressed like a guardian angel with wings, a wand and a sequined dress — “saving her” from herself, and knocking out a couple of the Rollers in the process.  I looked at the snack table and thought it could use a makeover.  That I would replace some of the donuts, Oreos and chips with fresh fruit and vegetables, hummus and low-fat cheese.  But nobody asked me.

A woman I know just a little, but like quite a bit, showed up and she and I talked like old friends for the better part of the afternoon – telling stories about boys, our bodies and travel.

I noticed the high concentration of men on the set – lots of tattoos and wool hats.  But I didn’t “recognize” my mate.

The day ended with a whack upside the head.  Literally.  It was an accident.

During a “pretend” fight scene,I leaned into the fist of a wisp of a girl standing next to me.   She apologized profusely.  I laughed.  It somehow seemed right.  Like I had definitely “connected.”

This morning, I put my hand to my forehead.  It was sore.  A little tender spot reminding me of how much I fight myself.  And of how I can save myself – no wand or wings required.

Further From The Flame Than I Knew

I sometimes have a one-plate rule.  Actually, it’s not even a rule, it’s just how I eat.  Except for when I don’t.  Today is one of those days.

The table at Martha's, post meal.  The pies have been put away, but my copy of "Love, Sex and Astrology" has not.
The table at Martha’s, post meal. The pies have been put away, but my copy of “Love, Sex and Astrology” has not.

It is Christmas and I am at Martha’s house with her son Louie, his girlfriend Katie, Jack and Jonnie.  There is enough food in the kitchen for triple the size of our party.  I have reloaded my plate, even though I have not finished what is on it, adding a second piece of ham and a small spoonful of macaroni and cheese, which I did not try the first time around.  I pile it on top of my salad – greens with roasted root vegetables, gorgonzola cheese, walnuts and pear.

The macaroni is delicious.  Made with sour cream, cream cheese, and cheddar and parmesan cheeses.  I say it is perhaps too rich, and laugh, thinking about those people who say that foods are too rich or too sweet.  No such thing.

Except for when they are.  This is one of those times.

I put my fork down.  My brain wants more but my belly says no.  Or perhaps it is not my belly but some higher-self that is constructed of painful memories.  The higher self that says don’t put your hand on the hot stove.

Trouble is, I’m the type that likes to bring my hand really close to the burner, to see how close I can get, to feel the heat without getting burned.

It is this second plate.  It is the boy I spent the night with several months ago. And, knowing he could not possibly give me what I want, and that once I am physically involved my perception gets blurry, spent a second night with him anyway.

It is my years of vain efforts to try to drink like other people.

The higher self speaks to me.  Passover.  1990-something.  I still live in Detroit and my parents are still married, but they do not live in my childhood home.  Neither do I, which means I am somewhere between 21 and 24 years old.

I am thin for the first time in my life.  Really thin.  I am rigid about my eating and exercise.  The kind of rigid that makes me not all that much fun to eat with.  I feel like I have cracked the code.  That I will never be heavy again.  That I am fixed.  I am mistaken.

My mother has made some sort of gelatinous kosher-for-Passover dessert.  It is an experiment, as is every kosher-for-Passover dessert, where chemistry and good taste are at odds in the never-ending quest to make tasty sweets without flour.

I have one.  Then another.  And another.  They are not even good but I cannot seem to stop myself.  My mother clears the table and brings them into the kitchen and I follow, secretively, wolfing down a few more.  As if anyone is paying attention.

Next I know I am in the upstairs bathroom, on the floor, trying to make myself throw up. But I cannot.  My mother asks if I need to go to the hospital.  I say no because I cannot imagine what they will do to help me.  I lie on the cool tile with my pants unzipped and wait for this feeling to pass.

I tell Martha and Jonnie this story, and that eating too much feels scary.  Which is not to say that I don’t overeat, because I do.  And today is likely to be one of those days.  But I do not eat to sickness and have not in many, many years.  The desire has been taken from me.  It is a miracle.

As is my reaching out to that dear, sweet boy only one more time.  And when the response was tepid, not returning to him, trying to convince him, or myself, that it, that we, could be otherwise.

As is my not trying to drink like other people for more than six years.  Instead, putting down the drink entirely.

I finish my plate.  Slowly.  A bit later I have a sliver of pumpkin cheesecake and one of chocolate pecan pie.  I tell Martha to cut them as wide as her finger and she does.  I am breaking one of my holiday rules.  Kind of.  I do not eat anything not homemade.

The pies come from First Slice – a not-for-profit which sells “subscriptions” for homemade meals and uses the money from those subscriptions to feed the same meals to hungry families in Chicago.  Martha assures me the pies are more homemade than if she made them herself.

I have a second round of slivers.  Am I playing with fire?

Walking home, the streets are freakishly quiet.  I am carrying a bag of leftovers – salad, ham, roasted roots, sweet potatoes – leaving the pies, and the Lindt truffles at my place setting, on Martha’s table.

I feel the snow on my face.  I feel my gut.  Satiated, but not stuffed.  I have “broken” several of my “rules,” and, miraculously, feel further from the flame than ever.

Pajamas of One’s Own, With Apologies to Virginia Woolf

I threw away my ex-husband’s pajama bottoms.

I know…why did I have them in the first place?

The night before I left Seattle, I asked if I might take them with me.  The thin cotton ones, navy, with a drawstring.  Somewhere there is a matching top.  Somewhere.

I turned my ex on to men’s pajamas years ago, as I had been turned on by the man I dated before him.  Mornings I would pad around his house in Berkeley, wearing his pjs while he made us French-press coffee.  I liked to wear his overalls too.

a room of one's ownHe often remarked that I should get my own – of both.  That year for Hanukkah, I bought him a pair of silk pajamas.  Inside the card I wrote, “A room of one’s own.  Pajamas of one’s own.  I promise I won’t touch these.”  Then I opened his gift to me – my own pair of overalls.

We laughed. A sort-of modern twist on O. Henry’s Christmas tale, The Gift of the Magi.  Except neither of us had to give something away something we loved, to give something to someone we loved.

I stopped wearing men’s pj bottoms some time ago and had taken to wearing short, boy-short underwear and a wife beater – which was fine when it was just the two of us.  But I was about to go on the road, traveling with my divorce buddy – a man – and staying with friends along the way.  And when I arrived in Chicago, I would be living with a male friend of mine, temporarily.

Modesty, not something I usually subscribe to, grabbed hold of me, and I asked my ex if I could take his bottoms.

He looked at me sorts of sideways and said yes.

gift of the magiI have slept in them every night since.  Loosely tied and rolled down twice at the waist so I don’t trip on them.  They remind me of the pants my friend Tim’s roommate wore when he returned from Thailand, when he cranked the heat to 80 degrees and blasted the soundtrack to The King and I nonstop.

My mom attempted to buy me a new pair when I visited her in Tennessee in the spring.  We picked some up at Target, just bottoms, but I didn’t like how they fit.  Too much bunchy elastic at the waist.  So she returned them for me.  But we agreed I had to stop sleeping in my ex’s.  My best girlfriend Julie and I had the same conversation when I stayed with her this summer.

I’m sure I would have had this conversation many times over if I had shared this with anyone else.  But I didn’t.  I was too ashamed.  I knew it was kind of odd.  Palpably and painfully so, pulling them on after sleeping with someone else.

Ten days ago, I threw them out.  Crumpled them into the kitchen garbage bin, covering them with food scraps so I couldn’t pull them back out – fearful of a George Castanza-éclair-at-the-top-of-the-trash lapse.

A few days later I began sleeping for the first time in more than a year and a half.  Really sleeping.  Through the night, uninterrupted, for more than six hours.  Waking up with the alarm, and longing for more.

Not long after I found myself crush-less, and for the first time in my life, not looking to conjure up a love interest.

I told a friend of mine I didn’t want to talk about the boy I slept with – the one with whom I pulled on the pajamas in question.  The one who isn’t the one, but still takes up some residency in my head and in my heart from time to time.  I told her that talking about him wasn’t helpful.  In fact, it was painful.   So I’d rather not do it.

And then I said no to being fixed up with a man who was recently divorced.  I believe my exact words were, “Are you out of your mind?”  I know the desperate crazy that is his life right now and I don’t want to be a part of it.

My words surprised me.  But they felt like ridiculously good, albeit not-so-sexy, self-care too.  Like sleeping.  Like throwing away pajamas that belonged to my ex-husband.

I’ve returned to sleeping in the short, boy-shorts, but am on the lookout for a new pair of loose, drawstring bottoms.  The kind that feel lived in, or have the potential to, and that are not flannel.  Pajamas devoid of history.  Pajamas of one’s own.

Artist Date 49: Content In My Role As Second Tenor

I am a second tenor.

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Lake Street Underpass, by Errol Jacobson

So says Steven, who I met on Thursday at the Palette and Chisel, at the opening before the opening of my friend Errol’s art show, “City” – Artist Date 49.

Steven is a member of the Chicago Gay Men’s Chorus – the beneficiary organization of 20 percent of tonight’s sales.  He is introduced to me by the Kent, the Executive Director, who is introduced to me by Stephanie, Errol’s partner.

We are chatting when he gets the nod that it is show time.  He grabs my hand and says, “Come on, let’s go.”

“I don’t sing.”  I protest, remembering my friend Teresa insisting the same when she was asked to audition for Beach Blanket Babylon in San Francisco.  “Can’t you just belt something out?”  So she did – the theme song to the Flintstones.  She didn’t make it past the first verse.

“Of course you do,” Steven says.  “You are a second tenor.”

He does not push further, but instead, joins his colleagues at the piano.

When he finishes, I ask him how he knows I am a second tenor.  “Easy.”  Everyone who claims to not sing is a second tenor.  It is an easy range to sing, he explains.  And there are lots of them – second tenors – so it is easy to be one among many.

2013-11-21 18.47.21I love the idea of me – a straight, Jewish girl who can’t carry a tune – surrounded by gay men singing Christmas carols.  It seems somehow “right,” although certainly not congruent to the notion of “one among many.”  I have weaseled my way into more unlikely settings.  But I am pretty certain he was jesting.

He reminds me of the chorus’ upcoming holiday shows, and invites me to come watch open rehearsals on Sunday afternoons – both potential Artist Dates (Stephanie mentioned my practice to Steven and Kent when she introduced us) – then warmly takes my hand in his and bids me adieu.

Tonight is actually the second Artist Date Stephanie has “invited” me to– the first being her and Errol’s home in Bucktown, which was highlighted in a garden walk this past summer.  I am humbled and touched by her interest.

However, I notice that tonight, unlike most of my previous Artist Dates, stirs up very little in terms of thoughts, emotions and memory.  I am decidedly – without having made a decision – present.

I notice the chicken satay and Vietnamese spring rolls.  The brownies and fruit pastries from Alliance Bakery.  All of which I avoid.

The mild flirtation from the bartender who tells me I look like a character from a show on A&E.  “But much better looking,” he says.  I smile and tell him I do not have a television.

Errol’s paintings.  So much rain.  Like tiny kaleidoscopes sliding down windshields.  It is wet outside tonight.  And cold.  Winter is coming.

back lit
Back Lit, by Errol Jacobson

I am drawn to the saturated colors of “Backlit,” “Shadows” and “Days End.”  Purples and Yellows.  And I tell him so.

My friend Dina asks if I recognize where “Backlit” is painted.  I do not.

It is Paris.

She can tell from the roofline, she explains, using a fancy term I don’t know to describe the classically Parisian use of attics.

Dina lived in Paris 30 or so years ago.  I always imagined I would live there.  Or New York.  Or that I still might.  They feel familiar to me – they always have.  And I’ve never been lost in either one.

Yet, right now in this moment, I feel no desire to be anywhere but Chicago.  In spite of its cold, dark, rainy-ness.

I am driving my friend Leslie home and I mention that the man I asked out for coffee via Facebook has not responded.  It has been more than two days and I am surprised by his lack of contact.  It seems out of character.  Mostly because I think he is a man, and not a boy.  I am a little disappointed, but nothing more.  I’ve made no investment.  The crush diminishes.

“And then there were none,” I tell her.

And for once, I don’t mind.

Up until now, life without some sort of love interest felt sad. Somehow lacking.  The crush, the flirtation, gave me a sense of hope.  Of possibilities.

But I don’t feel sad right now.  Absent is the familiar pain stemming from the fear that I will be alone.

Frankly, I am a little stunned.  I am afraid to give this experience a voice.  That I will jinx it.

All I know is, right now, my life feels full.  With friends.  With art.  With possibilities.  And I am, blessedly, not particularly troubled by what I lack.  And by moments too far ahead.

It is as it was promised to me, that I would find contentment where I am right now.  Content in my role as a second tenor.  One among many.  Easy.

Artist Date 45: The (Sometimes) Kindness of Strangers

This woman is wearing a knit hat, striped in colors of the Rastafarian flag.  It was a gift from a woman in Australia, while she was in Australia.  A woman who fed this woman lunch and beers but accepted no payment.  Her listening to the stories she was regaled with was payment enough.

kindness of strangersPlus, she would need it while camping in the outback.

She flew to Australia following the demise of a relationship.  Seems it is what she does.  Camping in the Outback.  Hiking in Wales.  Meditating on a mountain outside of Tokyo.

She is standing on a small stage in Rogers Park talking about it.  Coming clean, as it were.

Artist Date 45.

My friend Clover will also be reading and performing a piece .  It is about her mother.  About art school and being a performer.  About helping a man across the street who has fallen and everyone around him just keeps moving as if this hasn’t happened and the universe calls upon her to play the part of his angel.

There is a third.  Eric.  Who will talk about his need to go to a place where his father had been.  The father he didn’t know.  And then he did.  But who he never really knew.  And is now dead.

But right now I’m watching Jennifer.  I know her name because I looked it up in the program, which is black and white.  Folded but not stapled.  And reads, “The Kindness of Strangers: A Festival of Storytelling.”

And then, “A 3-week rotating mix of more than 30 storytellers weaving tales of connecting, or not, with strangers.”  The words encircled by drawings, like a globe – buildings, a boat and a lighthouse, water.

I want to be this woman with a knit hat and a beer-stained hiking map, marked up by pub patrons who laugh each time she says the word “garbage.”  This woman who takes off on serious adventures – by herself – when love goes south.  When the re-bound from the break up proves not to be the antidote to her pain.  Who is standing on this tiny stage telling her story.

I want to be that brave.  To travel alone.  Even though I’ve done it – albeit briefly — and my experience is that solo travel is most satisfying when it is connected to purpose.  And people.  Like my volunteer trips to Rwanda and the South of France.

I want a rebound.  Even though it has been suggested I don’t date.  Even though I have probably been divorced too long for anything to be called a rebound.  And my short-lived dalliances, both emotional and physical, have been painful to the extreme.

Even though my experience of being alone this past year has brought me closer to myself.  My craft.  My writing.  The very thing that might put me on stage.

Clover.  Very likely telling a story.  Just not on stage.
Clover. Very likely telling a story. Just not on stage.

I am comparing my insides to someones outsides once again.  Devaluing my own experience when confronted with someone seemingly doing what I think I’d like to do.  What I think I should do.

I well up listening to her.  While the details are different, I recognize the story as my own.

I see pieces of my story in Eric’s too.  Reconnecting with a parent who was physically absent for so many years.  His through desertion.  Mine through adoption.  Losing them again.  And what is left.  For him, a ring.  For me, a pair of opera glasses and a too-big mink coat, her name embroidered on the inside, hanging in my closet.

But I do not see myself in Clover’s story.

I’m not even looking, let alone comparing.  It is not that I am not interested.  I am.  I am teary, ass-glued-to-the-seat, riveted.

Maybe it is because I know her story.  Her stories.  She has trusted me with them over the years.

Her mother selling her art work, without her consent, as payment to her therapist.  Lying down in the street in downtown Chicago when the light is turned red.  A classroom performance piece.  The ants that crossed in front of her mattress, on the floor, in the basement of her mother’s friend’s house, in the toniest part of upstate New York.

And I have trusted her with mine.  They are less the same.  But our feelings, and our responses, match perfectly.  This is where we found our “me too’s.”

Like I am just now doing with Jennifer.  With Eric.  Connecting with strangers – who may or may not become more than that.  (Turns out, I have danced with Eric’s girlfriend on and off for years.  I’m pretty sure I’ll see both of them again.)  The place of beginning.

Artist Date 40: Dublin, A Fillling Station

I am not as healed as I thought I was.  I hate that.

It is September 16.  One year to the day since my divorce was finalized in the state of Washington

I arrive in Dublin for Tim and Martin’s wedding.  Everything is new.  Everything is the potential Artist Date.

Full-fat yogurt in glass jars with rhubarb layered on top.  Breakfast at the airport Spar.

A bus ride to Trinity College followed by a taxi to Tim’s house.  The driver’s brogue so thick I make out only about a third of what he says.  Among it, “Is your liver ready for your visit?”

A shower.  Tim shows me how to turn it on.  It is not intuitive to my jet-lagged American mind.  He shows me how the heat booster works.

So much shiny newness.  Other-ness.  And yet…my mind and my mouth reverts to my divorce like a rubber band.  Anger toward my ex-husband I didn’t know was there.  Anger that the dissolution of my marriage is so much a part of my story, my identity – still.  In journalistic terms, it is “what I lead with.”

By design the Artist Date is an individual endeavor, although I’ve played fast and loose with that dictate.  But it is in my alone moments here, in Dublin, where I find my grounding, my feet under me, and I am able to open myself to everything outside of me.  I discover this on my third day here, when I peel off for a few hours on my own – Artist Date 40.

The Thai storefront where I eat noodles out of a cardboard container with chopsticks, sitting on a bench on the sidewalk with locals.

2013-09-20 09.17.50St. Stephen’s Green.  I stumble on to it.  I feel like I have wandered into Central Park from the Upper East Side.  Or am perhaps along the Seine, as here too artists line up their wares.

It is sunny and mild.  Long legs stretched out on the grass.  Suits eating sandwiches on wooden benches.  I snap photographs of the geese wandering outside of the pond before they change their mind and retreat to the water.

Break dancers on Grafton Street.  A large circle forms around a gaggle of boys dressed in yellow.  Each takes a turn in the center.  I want to jump in with them.  Spin on my head.  Be a part of the dance.  Or at the very least, clap.  But I am filming them – a step removed from full presence.

I meet Steven in front of the bank at the corner of Grafton and Nassau Streets, eager to share my finds.  I take him for Pad Thai and to St. Stephen’s Green, stopping first in front of a band set up on the street.  There is a cajon, a xylophone, an accordion. A saxophone that sounds like a snake charmer.  I grab Steven’s hand and we break into spontaneous dance in the street – swing style.

I haven’t danced with Steven since my wedding in 2001.  My shirt is rising up at the waist, exposing my belly.  The cajon player is looking at me.  Is he looking at my belly?  Or my ear-to-ear grin?  Someone is filming us.  Another couple joins in.  I feel deliriously in love with the world.  With myself.  That I am the kind of woman who breaks into spontaneous dance on the streets of Dublin.

2013-09-20 10.03.54Next day we visit Kilmainham Gaol, Ireland’s most “famous” jail, and the National Museum of Ireland – History and Decorative Arts.  We hop on and hop off a red double-decker bus.  We are quintessential tourists – sans fanny pack and white sneakers.

Inside Kilmainham we receive explicit directions not to wander off from our guide and group, lest we get lost.

We peer into cells, stand in others.  We learn about its political prisoners.  Its leaders.  Women in the fight for independence.  And how, during the potato famine, some vied for a spot in this overcrowded, infected, squalid place – five to a cell with one bowl of watery soup a day – because it was better than life on the streets.

We wander into a furniture exhibit at the History and Decorative Arts Museum.  It is cool and retro.  1950s.  I remember Steven’s desire to make furniture.  I tell him about my ex-boyfriend J – how his first foray into woodworking resulted in a Mission-style bed and side table.  He is a creative genius.

I visit the collection of Adolph Mahr – an Irish Jew who immigrated to San Francisco in his teens and became a pillar in the fine arts community.  I witness the unfolding of Eileen Gray’s career – home furnishings artisan come environmental designer.

Eileen Gray, at the beginning of her career.
Eileen Gray.

That evening, I sit next to Helen, Martin’s cousin from Sheffield, at a cocktail crawl – sans cocktail.  I tell her about the gaol.  The Jewish collector and the designer.

It reminds me of a conversation I had a few months ago.  Thick in the newness of my Artist Dates, telling a man I just met about the biography I was reading.  The small theatre production I had just seen.  The couture exhibit at the History Museum.

I felt smart.  Interesting.  Artistic.  That I was the woman I had always hoped to be.  Or am at least becoming.

I feel that way again tonight.

I have something else to discuss, following so many days of talk about relationships.

I am more than my marriage.  My divorce.  My flirtations.

I already know this.  I remember it in the stillness of being alone – where I can bring the outside in.  A filling station.

Artist Date 38: Creating Community…It’s Not About the Shoes

I don’t know if I filled my creative coffers this week.  By my spiritual and social ones are brimming over.  And that will have to do this week for Artist Date 38.

Overlooking Lake Michigan, at Dawes Park.
Overlooking Lake Michigan, at Dawes Park.

Rosh Hashanah – the Jewish New Year. 5774.  I’m at Dawes Park in Evanston for the ritual of tashlich – where we empty bread from our pockets into a body of moving water.  Some think of it as casting away one’s sins.  I prefer a gentler interpretation.  That I am simply cleaning out the residue of the last year.  Whatever is stale.  Has been sitting around in the corners of my consciousness slowly growing a somewhat furry mold.

I’ve stuffed a package of naan bread in my bag.  It’s been in my freezer since November.  A friend brought it to a party I had, to go with the curried lentil soup I was making.  I’m not much of a bread eater, so I tucked it away for just such an occasion.

Another woman has matzo.  I could have brought that two.  I buy too much every year.

It is my third High Holiday season with the Jewish Reconstructionist Congregation, so I know where we meet.  But this year is different.  I not only know the place, but I know many of the people here too.

My friend Phil is here with his family.  He introduced me to this congregation – specifically the Rabbi — a number of years ago, when I was feeling particularly wayward and spiritually lost.

Since that time I have developed a close relationship with Rabbi Brant and Cantor Howard.   They are tuning up for this short, mostly musical, service that precedes the tossing of the bread.  Jeff is tuning up as well.  We met a couple of years ago at a Shabbat morning service I attended just once.

He seemed to sense I was new and somewhat hesitant, and warmly welcomed me in.  I have had several encounters with him since them.  Perhaps my favorite being when he sidled up to me during last year’s High Holiday services.

He said he read my blog postings from Rwanda and that he liked my writing.  I thanked him and told him I used to write professionally.  “It shows,” he said.  And was gone.

Moments before I had silently cried out to G-d, asking what the plan is, what it is I was meant to do.  I recall looking up toward the heavens, smiling and saying, “got it.”

Mary Jo is here.  Brant introduced us several years ago when I completed my conversion to Judaism.  She joined him and Howard as my witnesses, and was there in that same role when I received my get, my Jewish divorce.

I am now on her permanent invite list for Passover, and the breaking of the fast on Yom Kippur.

I feel a tap on my shoulder.  It is Rachel.  She is a Weight Watchers member I know.

Monica is here with her family.  We met at Shabbat services at the lakefront a couple of years ago.  Michael is here too.  He blows the shofar every year at High Holiday services.  He introduces me to his daughters who are following in the family tradition.

I see Hannah.  She used to wear her head shaved like mine but now she has a mass of ringlets.  She tells me that she’s bought a condo and that she broke up with her boyfriend.  She introduces me to her friend Kelly and we agree we must get together.

A woman I have never met before approaches me.  Her name is Sheila.  She likes my shoes and takes a photograph of them.

Yes, they are “the shoes.”  The shoes that have seemingly come to identify me.  My orange Fly London peep-toe wedges.

The shoes...
The shoes…

The first summer I owned them, people literally chased me down Michigan Avenue to find out what they were and where I got them.  It was fun, talking with all sorts of people I wouldn’t otherwise meet.  And today is no exception.

Walking to the water, a tall woman with a mess of dark curls puts her foot next to mine.  “Nice shoes,” she says.  She is wearing the same ones in pewter.

She tells me she is tossing out the year of rehabbing her broken wrist.  It is healed.  I do not tell her what I am tossing.  Instead, I tell her I like our shoes so much that I have two pairs.  That the second I bought before my divorce was final, when my then-husband kindly said, “Do what you need to before we separate our monies.”

I bought a new lightweight massage table, a Torah commentary, and the peep-toe wedges in mustard.  We laugh at my choices.

I wish her a sweet New Year and peel off to throw my bread, my karmic residue.  There are so many things I could get rid of.  The litany that I repeat every year – self-doubt, unkindness, judgment of myself and others.  I recall that last year I tossed away my identity as a wife.

It was a Monday.  I knew divorce papers were signed on Mondays in the county where we filed.  I had a sinking feeling at that moment that I was officially divorced.  A call to my mediator later in the day confirmed it.

Today I am casting away what my friend Lisa likes to call “an old idea.”  I am embarrassed to admit that I have continued to hold on to it.  Actually, I’m not sure I was consciously aware that I had it, but a series of recent events has cast a glaring light upon it and I can no longer turn away.

I point myself east, tear off a piece of naan and whisper to myself, “I let go of the idea that I am only desirable for sex.”

It is windy and the naan flies back at me.  I turn west off of the dock where the waters are still.  I repeat the words.

I’ve got a lot of naan so I say it a couple of more times, ripping and tossing.  Ripping and tossing.

When I am done, I am approached by a woman.  She asks me about the shoes.  She is radiant and I tell her so.  She tells me about her job search.  Her cancer.

I suddenly remember that people used to tell me things about themselves all of the time.  Friends and family, and random, almost strangers too.  Cab drivers especially.  I realize people are talking to me in this way again.

It’s not the shoes.  Because I wore the same ones last year…I am different.  My heart has healed just enough to let some of my light shine out.  I am open and there is room for others.  They sense it and come in.

Artist Date 37: Before I Was a We: San Francisco Days, San Francisco Nights

I love a Woody Allen movie.  How it is always unmistakably his, from its first moment.  Jazz crackling through a phonograph.  Names in vintage font scrolling across the screen, inviting me in.  Makes me think of Buster Keaton or some other silent-movie great.  Another time.  Dreamy and romantic.

blue jasmineLike San Francisco, where Blue Jasmine takes place – Artist Date 37.

Sitting in the Davis  Theatre, I am home – to this place I lived for 14 years.  To familiar street names like Van Ness and Post.  And the windmill at Ocean Beach.  The sky is a pale, whitish-grey.  Fog.  Wind.  Like it usually is, as opposed to some Hollywood idea of the California coast.

The shots of Marina Green are spot on.  South Park too…although it would have been a long walk there from 305 South Van Ness, where Jasmine is coming from, into the final scene.  A solid half hour or more.  But this is something only a San Franciscan would know.

Like knowing Noe Street is pronounced “No E” and not “No,” as it was incorrectly called on Party of Five, the 90s Fox hit show.

Like knowing the Dirty Harry movies filmed prior to the Loma Prieta earthquake – when the Central Freeway still ran along the Embarcadero.

When I moved to Chicago in 2007, every sentence out of my mouth began with, “In San Francisco…”  It took a long time for me to even consider letting go of my identity as an adopted Californian.  (I grew up outside of Detroit.)

It is one of the things that kept my ex and I together, and that ultimately tore us apart.

We came here united in our assertion that the Bay Area was the only place worth living.  Hubris, in a New York center-of-the-universe sort of way.  We identified as “other,” “different.”  And we were certain that this was a mere sojourn.

But I got schooled.  My eyes opened.  I quit expecting Chicago to be San Francisco (or Oakland, where also lived).  I was able to see all that was right with this place Frank Sinatra called “my kinda town.”  And I fell in love.

We never said it, but with this simple opening up, I broke our unspoken rule.  I “betrayed” us.

I’m not thinking about that today, sitting in the darkened theatre.  Instead, I am thrust back to a time before that, before us.  My single San Francisco.  The place where I became a grown up.  Sort of.

Chinatown.  Teresa would send me here on days when I was blue, with explicit instructions to treat myself to something inexpensive and wonderful.  A silk change purse or lipstick case with a mirror inside.  Embroidered slippers.  Each just a few dollars.

chinatownMarina Green.  Rachel lived nearby on Chestnut Street.  Every Saturday I would walk from my apartment in Haight-Ashbury to her tony neighborhood for brunch and the hope of spotting the former conductor I used to date.

South Park.  The DJ took me to this then-off-the-beaten-path hip, cool patch of green for lunch.  I wanted it to be a date, but it wasn’t.  I knew what he was available for when I invited him to come by my apartment following his shift at the after-hours club.  I thought I could change his mind.  I couldn’t.

He was kind, and we developed one of those painful friendships – the kind where I waited for the day he would look at me and realize I had been there all along… loyal.  And then pick me.  Strangely, we did pick one another from time to time over the years…but never for the long haul.

He spun records at my wedding.  That was his gift to me.  I saw him in San Francisco the last time I was there.  Over noodles, he recalled our unorthodox wedding.  That I was the only bride he knew that danced to the Sex Pistols.  His words fell onto the table with a thud.  Neither my then-husband nor I said a word.

On the drive home, my now-ex asked me for a divorce.

Perhaps I let go of my strong San Francisco attachment because it was “ours.”  Blue Jasmine reminded me of what was mine – alone.

Wednesday night disco at Stud Bar.  Day-long walks through Golden Gate Park.  Burritos the size of my head at Taqueria Cancun.

A reclaiming.

golden gate

Like Trying To Hold On To Lightning Bugs

My mother must have the photo I am referring to...This is me and my brother, before the training wheels came off.
My mother must have the photo I am referring to. My brother and I, before the training wheels came off.

I’m trying to hold on to a new idea.  A new behavior.

It’s like trying to hold on to lightning bugs.

It’s like riding a bike for the first time without training wheels and turning around to see if mom is still holding on.

I have a photograph of myself on a pink two-wheeler.  I’m wearing a t-shirt that says A-Jerx.  (There was a whole series of these – gum and trading cards too –a play on words of household brands with artwork leaning towards the grotesque.)  My hair is in pig tails.

I remember leaning side to side, riding in an S-shape pattern trying to steely myself.  Shaky.  But most definitely upright.

Until I turn around.  My mother is several feet behind me, standing in the driveway.  She is no longer holding on.  I am delighted.  I am doing this thing.

And then I’m down on the ground.  I don’t yet know how to keep my balance looking anywhere but forward.  (Do I even now?  In all things…not just biking.)

I feel like that now.  Excited by self-awareness and the practice of new behaviors – seemingly without effort.  And yet a little uncertain at the same time.

I spent the day with my friend Pam on Saturday.  It began with gelato, moved into thrifting, dinner and ended with a stealth run to Trader Joes.  All told we were together for probably six or so hours.  And I could have kept going.

We never run out of things to talk about.  And we giggle, constantly.  When I am with her I feel like I am at a perpetual Bar Mitzvah party at Tam O’Shanter Country Club circa 1982.

Except for when we are baring our souls.  Speaking the words we only whisper to ourselves in the dark.  And being met with love and compassion, always.

It’s awesome.

I told her so on Saturday night when she was dropping me off.

We were giggling about the cute boy at Trader Joes.  The one I chatted with for 20 minutes in front of the canned beans.  The one I gave my number to a couple of weeks ago.  Who sweetly explained that he hadn’t called because things were “complicated.”

While he and I were talking, she posted on Facebook that she was watching a “love connection.”  So she was surprised that he didn’t ask me out.  That we spoke for that long.  That he seemed completely unaware that anyone else was in the store besides us.   That the chemistry, to her perspective, was palpable.  And yet, nothing.

She asked what I thought I might do about it.

“Nothing,” I replied.

He has my number.  He knows I’m interested.  And his landlord is a friend of mine.  He knows where to find me.  “It’s like you taught me,” I said.  “I don’t ever again want to be a dog begging for a bone.”

It was, as they say, a moment.  A spiritual awakening.

I also told her I decided to not contact an old flame when I head to Detroit later this month.   He’d been dancing around in my head for weeks.  And yet I hadn’t contacted him.  Suddenly I knew why.

I “played the tape.”   I realized that, best case scenario…even if I did see him,even if it was like it used to be, that I would be trading my serenity for a passport stamp at Crazy.

I had learned I’m not the kind of girl who can casually physically connect, then say, “That was fun.  I’ll see you next time I’m in Detroit.”  That I get attached.  That I want more.  Deserve more.  That my life is here, in Chicago.  Looking forward.

I told her, and here’s the kicker, I only want to date someone who I have as much fun with as I do her.

She smiled.  I knew what she was thinking.  What she has said to me so many times, “You are growing.”

Pam and I.
Pam and I.

I felt chuffed.  That great British slang my ex-mother-in-law used to use, that roughly translates to “pleased with myself.”   I felt like I had “licked this problem.  This old way of being.”

And then this morning I felt differently.

I saw Mr. Detroit on Facebook.  I immediately thought how nice it would be to catch up on nearly 20 years.  Just coffee…riiiight.

GRRR!!  I thought I “had it,” I told my friend, Lynn.

I told her how I felt like it slipped right through my fingers.  Like the lightning bugs – which half the time I cannot even believe are real, they are so magical.

I remembered all the times I thought “I got this,” in Weight Watchers.  And all the times I gained my weight back.  And then some.  I wondered what was different this time.  How it was that I had maintained a 35-pound weight loss for 11-plus years.  Through three cross-country moves, getting sober, finding my birthparents, getting divorced, and burying a birthparent.

The only answer I could come up with is that I just kept practicing the behaviors.  When they were new.  And when they weren’t so new.   Even when I didn’t feel like it.

I kept weighing and measuring.  Writing down my food.  Moving my body.  Making better choices.  Most of the time.  I haven’t been perfect.  Thank goodness that wasn’t demanded of me.

It isn’t demanded of me with Mr. Detroit.  Or Mr. Trader Joes either.  I can, and will, have these thoughts…these suggested detours to Crazy.  But I’m no longer a slave to them.  I can notice them, perhaps name them, and…not react to them.  I can do different.  And keep on doing different until different becomes the new normal.

Until it’s like riding a bike.  Which today I can do AND look over my shoulder.  Even take my hands off the handlebars, and stay upright.  No longer on the ground wondering what the hell happened.