Artist Date 48: I Think The Fish Guy Likes Me

There is something decidedly unappealing about gazing into the center of a slab of beef.

Perhaps pork is better.

William "For Sunday's Dinner."
William Michael Harnett. “For Sunday’s Dinner.”

It didn’t bother me to see hocks of pork bolted to a wooden bar, then sliced paper-thin, and served to me, when I was in Spain.  Neither did the whole chickens and rabbits hanging from hooks in the market, which I took photographs of, then framed and hung in my kitchen.

I am at the Art Institute Chicago for the member lecture and preview of “Art & Appetite: American Painting, Culture and Cuisine.”  Artist Date 48.  It is dark and warm in the auditorium.  A slide of a still life – fruit and meat – is projected on-screen.  And then another, a fish.

They are not beautiful.  They do, however, evoke a flood of food memories.

Like the time I received a whole, smoked salmon.

It was my 39th birthday and I threw a big potluck soiree.

The man/boy I was crushing on – but could, and would, do nothing about as I was married – was the first to RSVP, saying he would bring Tang.  I laughed.  Knowing him, it might have been true.

Except it wasn’t.

The night of the party, he arrived with a box in his right hand – carrying it like a tray, high above his shoulder.  His name was on the side in black magic marker.  This was something he had ordered.

Inside was an entire smoked salmon.  Head.  Tail.  Everything.  Glistening.  Beautiful.  Although not Jewish himself, he seemed to intuitively know the way to a Jewish girl’s heart was through cured fish.

“He likes me,” I thought, beaming.

The next morning I made scrambled eggs with onions and the leftover smoked salmon.  One of my girlfriends had come to town from Los Angeles to celebrate.  Over coffee, I said the words out loud.

“I think he likes me.”

She disagreed, insisting the fish was about him and how he wanted to be perceived.  That it meant nothing about me.  I didn’t persist.  It didn’t matter.  I was married.

I hadn’t thought about the fish story in a while.  Or the fish guy, which my friends and I affectionately called him from then on.  He moved away while I was still married — to fish.

Memory wrapped in food.  It seems nearly impossible to separate the two.  I am reminded of this all week while leading Weight Watchers meetings and trying to encourage a conversation about what makes Thanksgiving memorable – besides food.

Norman Rockwell.  "Freedom From Want."
Norman Rockwell. “Freedom From Want.”

For the most part, the members are having none of it.  They want to talk about macaroni and cheese.  Stuffing.  Pumpkin pie and cranberries from a can.  One woman mentions waking her daughters late in the evening, dressing them, and taking them shopping at midnight. I would have loved that, I think.  She is creating tradition.

I think about living in California and riding my bike Thanksgiving morning – before the feast at Tim’s house.  I think about the printed menus Tim placed at each seat, like Martha Stewart.  About roasted root vegetables and pumpkin gnocchi.

I think about the year I got married and leaving for my honeymoon on Thanksgiving Day.  Eating breakfast with Tim and his roommate, Steven at the International House of Pancakes near the airport.

I do not mention any of this.  It is their meeting.

The exhibit moves from still life to real life.  There are rationing cookbooks.  Bright Spots For Wartime Meals – a Jello cookbook.  The words, “Armed with a can opener, I become the artist-cook, the master, the creative chef,” from the Can Opener Cookbook, are stenciled on the wall.

They remind me of a story I once heard about the “original foodie,” M.F.K. Fisher.  Suspicious that her celebrity kept those about her in silence, she once made a meal entirely from canned foods.  When her guests swooned, confirming her intuitions, she informed them of the origins of their dinner.

There is a menu for a meal honoring Fisher, created by Alice Waters, owner of Chez Panisse.  She is the Berkeley, California chef known for purple hats, and for bringing seasonal, local ingredients – cooked simply, cooked well – back into fashion, beginning in the early 1970s.

And there is a menu from Chez Panisse, celebrating Bastille Day in 1976, as well.

chez panisseI ate there just once.  On my birthday.  I do not recall which year.  I saved the menus – prix fixe, with gorgeous drawings of figs on the cover – for a long time, imagining I would frame them and hang them in my kitchen one day, along with my food photographs.  I never did.

Strangely, I do not recall what I ate.  I remember our server.  And the cost of the meal for two – $300.

Driving home in the first snow of the season, I chew on Brazil nuts – 30 grams of them weighed out and tucked in a small plastic container.  Just a snack.  I am full on memory.

Artist Date 47: Holding On To That Bull For 8 Seconds

I drive a 13-year-old Honda Civic Hatch DX.  They don’t make my car anymore.  From time to time I find a note on the windshield, someone offering to buy it.

In the glove box, in the side pockets, and behind the cup holders are stacks of CDs.

I grabbed them, haphazardly, when I left Seattle.  Three Dog Night.  Basia.  Mazzy Star.  Those were my ex’s.  Donna Summer, Stevie Wonder and Torch Song Trilogy are mine.  As is a disco mix my friend DJ Andy T made for me.

basiaI can listen to them over and over again without growing bored.  Singing along.  The familiar words keep me awake while driving long stretches.  Keep me from my thoughts.

And then I hit a wall.  Pulling out disc after disc as I make my way down Lake Shore Drive, looking for something I want to hear.   I come up empty.  No more Bonnie Raitt.  Annie Lenox.  Crosby, Stills, Nash and Young.  No more Dire Straits.  No more Gipsy Kings.

My destination for this week’s Artist Date – 47 – was easy.  To Laurie’s Planet of Sound on Lincoln Avenue.

I pass by here almost daily.  There is a white board outside with new arrivals written in dry-erase magic marker.  There are t-shirts in the window.  And inside there are records, books and CDs.  I can tell from peeking in, but I’ve never been inside.  Until Friday.  And then, just for a moment.

There is a hipster man-boy at the register.  Big curly hair, plaid button-up shirt and chunky, nerd glasses.  We nod at one another.  I think John Cusack, High Fidelity.

elvis costello

I am holding The Best of Elvis Costello and the Attractions CD.  $6.99.  I used to have this on cassette.  I remember singing along with Elvis to “Alison,” “Pump it Up,” and “Every Day I Write the Book.”  I remember my high-school crush giving me grief for buying “best of” albums.

My phone rings.  It is a call I have been expecting from a friend and mentor.  I drop the CD back in the bin and walk outside.  I will return later for it.

But I don’t.  During the course of our call, I find out she is moving away.  The stars have aligned and a “not-to-be-missed” opportunity has been presented to her family.  I am the first person she has told.

I am delighted for her.  And I feel the loss inside of me too.  I am acutely aware that our relationship will change.  I am tired of change, I think.  And yet, when things stay the same, I am restless and bored.

We finish our call and I go to Paciugo for gelato.  I order a piccolo cup – toasted coconut, sea-salt caramel, and cinnamon – and eat it walking home.  The sun is shining and the air is cool.  I am wearing gloves.  I tell myself I will go back to Laurie’s later.

But I don’t.

A friend comes over, and later, when I drive her home, she asks if I am looking forward to my Friday night alone.  Sometimes I do.  Especially this time of year, when night comes early and my radiator-heated apartment feels toasty.

I do not feel this way tonight.  I tell her so, bursting into tears.  By the time I pull over to her apartment I am sobbing uncontrollably in her arms.

I am so lonely.  She holds me.

I have been on the verge of tears all week.  This is not entirely unexpected.

Perhaps it’s because my ex-boyfriend – the one I always sort of held out hope for and thought “maybe one day…”– got engaged.

Perhaps it is because my friend and mentor is moving.  Or because I have begun to look for work in earnest, for the first time in 12 years.

Perhaps it is because I chatted online with my ex-husband today and that always kind of throws me off my square.

Or maybe it is because it is the first week in November.  That it’s just that way right now.  I don’t know.  I’m not sure that it matters.

All I know is going home by myself, to myself, is a really bad idea.  I know I won’t cook or write or take a bath.  I am pretty certain I will do something not helpful, like look up old lovers on Facebook.

I don’t feel like going back to Laurie’s either.  I don’t want to hear the chatter in my head.  And I don’t want to talk about it.  There is nothing more to say.  And knowing that is really something of a miracle.

Dallas_Buyers_Club_posterDallas Buyers Club is playing at the Century Theatres.  If I drive fast I can make the 8:30 show.  I make a beeline and arrive with time to spare.

I buy a ticket and claim a seat on the end.  I lay my coat on the seat next to me, joining the one belonging to the man sitting two to my right.  He is also alone.

I think about Tony, my first close friend diagnosed with AIDS.  I remember him cutting my hair in his kitchen and doing me up like a drag queen, full-well knowing I would never wear my hair like that.  But it makes him happy.  I remember smoking pot with him and eating empanadas in Detroit.  I remember that AZT made his mouth taste like metal and put him in a cranky mood.

But mostly, I get lost in the story unfolding in front of me.

I forget that Matthew McConaughey is Matthew McConaughey and not Ron Woodruff – a red-neck, homophobic, drug-addicted Texan diagnosed with AIDS.  I open my heart to this man who lived seven years instead of 30 days.

This man who befriended a card-shark, drag queen named Rayon.  Who smuggled non-FDA approved treatments into the United States for his Dallas Buyers Club.  Who in helping himself, helped others.

I cry watching him hold on to that bull for eight-seconds.  (See the movie.  You’ll understand.)  I cry when the screen goes black and silent white letters report his death.  Even though it isn’t a surprise.

I have gotten caught up in someone else’s story instead of my own.  It is what I had hoped for.

Driving home, I feel just a little bit better.  But I am still holding on by my fingernails.  Like a newly sober alcoholic counting the minutes before bed – congratulating himself and thanking God for making it through another day without drinking.

Holding on to that bull for eight seconds.  Holding on.

Your Honest, Open, Dirty, Loving Ways

My ex-boyfriend J is getting married.

I’ve often said nothing good comes from a sentence that begins, “So I was on Facebook…”

I actually spoke to J twice this summer.  Once from home, the second time from the road -- from the guest room at my aunt and uncle's house.
I actually spoke to J twice this summer. Once from home, the second time from the road — from the guest room at my aunt and uncle’s house. With them here.

That’s how I found out.  His engagement was at the top of my news feed.

My stomach sank to my feet.  Hope dashed.  Fantasy abruptly ended.

I felt sad.  Silly.  Stupid.  Ashamed.

I love J.  I always have.  I knew him the second I saw him.  I’m pretty sure it was the same for him.

We dated in our 20s.  Ours was a sweet, sexy romance – albeit brief.  Our breakup caught me off guard.  Perhaps because he more than one time said, “I know I’m going to marry you.  And we’ll have daughters.  I know we will have daughters.”

I’ve written about this – about him, about us – before.

The last time we saw one another was in California – about 17 or 18 years ago – on Venice Beach.  I was returning my roller skates.  Until I found him on Facebook.  His profile picture was a photograph from childhood.  I wasn’t entirely certain it was him, so I wrote, “Is that you?”

“It is indeed me,” he replied.  “And it is indeed you.”

In the years that followed, we wished one another happy birthdays, occasionally commented on each other’s status, and traded inside jokes – mostly about Philip Roth and liver.  We occasionally had lengthier exchanges.  Like on his birthday in 2012.  I was delayed in Brussels.  He was on his way out for a crab dinner.  I told him I was getting divorced.

This past summer we spoke for the first time since Venice.  After hearing his voice, I remarked, “Oh…that’s what you sound like.”  I had forgotten.

That night he told me why he ended our relationship.  I had asked many times over the years but he had never responded to that particular piece of the conversation.  This time he did.

He said I woke something up in him.  A piece of him that desperately needed healing – healing I couldn’t give him.  That he had to do for himself.

He had been attracted to me.  To our sexual energy.   And that something about my  “honest, open, dirty, loving way” got under his skin.  “In a good way.”  And he ran.

He affirmed that I had been important in his life.  Just not in the way I had hoped to be.

I knew J was in a relationship and had been for many years.  That he always exercised terrific boundaries.

And yet, there was always a little piece of me that held out hope … that maybe one day J and I would find our way back to one another – in that way.  I didn’t live my life maneuvering around it.  Obsessing about it.  But it was there.

And now it isn’t anymore.  It can’t be.

A couple of weeks ago J showed up in my clairvoyant reading and healing.  He had in the previous one too.

The first time he showed up, the clairvoyant saw us holding hands, smiling, and taking a big leap together.  She said we may never connect again romantically, but that we are inextricably bound for life.

I didn’t like that so much – the first part.

The second time he showed up, she simply said, “You just let go of him.”  And that 10 percent of my energy returned to me immediately.

I had no idea.  I hadn’t even tried.  And I didn’t like that so much either.

But perhaps she was right, because this afternoon I did something that surprised me.  I was drafting a personal note to send, but chose to post a comment to his wall instead – just like hundreds of his other friends had done.  Just another Bozo on the bus.  Not claiming any special status.

“Mazel Tov! Wishing you much joy.”

Not even an “XO” – our usual sign off.

It is not untrue.  This is what I wish for him.  In the most honest, open, dirty, loving way.

Artist Date 46: Why I Am Here

Future Hits Halloween Show at Schubas.
Future Hits Halloween Show at Schubas.

Some Artist Dates are easy alone.  Museums.  Lectures.  Dance performances.  Opera.  Theatre.  Some, like movies, I even prefer that way.

Live music, however, is far more difficult.  Even when the audience is children.  Perhaps even more so.

And yet, this is the set up for Artist Date 46.

I am parked outside of Schubas.  My friend Matt’s band – Future Hits, self-proclaimed Fun (Yet Secretly Educational) Music for Kids, Families and Teachers – is playing this afternoon.  It is a Halloween performance and party for children, hosted in collaboration with Whole Foods, The Kite Collective and Adventure Sandwich.

I stand in awe of how Matt puts himself out there.  Performing.  Recording. Last year, Future Hits cut its first CD, Songs for Learning, funded by KickStarter.  This past summer he spent a month in South America, improving his Spanish.  An ESL teacher for Chicago Public Schools, he requested, and received, a grant that paid for everything.

But right now I am standing in fear.  Rather sitting, in my 13-year-old Honda Civic.  I feel anxious about going inside.  I don’t have children.

I sometimes feel this way walking into synagogue by myself – which I began doing several years ago.

As fresh meat, I was quickly swarmed and warmly greeted.  Peppered with questions.  Top on the list: Do you have children?

“No.”

“Oh…”

Pause.  Uncomfortable silence.  I often feel I have to fill that space.  Say something clever or pithy to put us both at ease.  I am getting better at just letting that dead air “hang.”  Like summer in Charleston.  Heavy.  Still.

I wonder what they are wondering.  If I cannot have children.  If I am childless by choice.  If I am waiting for the perfect sperm to swim into my life.  I am told that this is none of my business.

Mostly, I imagine they wonder what brought me there.  It’s a reasonable enough question.  And the assumption that I have children is equally reasonable.

Many, perhaps most, join a congregation when their children are of school age.  They recognize it as time to do what their parents had done – provide their children with a Jewish education.  Sometimes for no other reason than, “this is what we do.”

Perhaps the second most popular reason for joining is the gift of a complimentary one-year membership, given when the Rabbi or Cantor of that congregation marries a couple.  (I will have to query my Rabbi to see if I am correct in my speculation.)

Gene and Oscar
Gene and Oscar

I walked into synagogue for my own reasons.  Neither recently married nor considering a Jewish education, I am the Jew who converted to Judaism.  It’s a long story.  One that doesn’t fit neatly into conversation over coffee and pastry after services.  But it is mine.  And I am assured that I have a place in the congregation.

Nonetheless, it is often still daunting walking through those sacred doors alone.

It is too at Schubas.  Even after seeing my friend Joe, smoking outside.  He doesn’t have kids either.

I walk in, pay $10, get my hand stamped and say to the bouncer, “Am I the only one here without kids?”  “Nah,” he replies.  Looking in, I’m not so sure.

The lights are dim and a bunch of little people in costumes are making kites and eating granola.  Matt and his band mates are dressed in caveman attire.  Think Flintstones.

Our friend Lily is selling CDs.  Gene is on the floor with his son, Oscar, making a kite. Jenny is helping her son Seth into his costume.

Matt’s mom, Rhonda, is here.  His dad too.  I love Rhonda.  Our conversations meander from fashion to Transcendental Meditation (which we both practice) – seamlessly.  I feel like the universe has conspired for us to meet.  We pick up where we left off last time.

Matt is delighted to see me.  Grateful for the support.  He always is.

I remember the first time I heard him play, at the Beat Kitchen.  I arrived early and was standing on the corner outside.   When he saw me, he dropped to his knees – on the sidewalk – his hands in prayer.  Total gratitude.

This is why I am here – to support my friend.  But I forget, falling into a swirling pit of “me.”  Self-conscious about my childless-ness.  Even though I (mostly) chose not to have any.

And then the music starts and I forget all of that.  I forget myself.   I have seen Matt perform many times, but this my first time hearing Future Hits.  Even though I was a KickStarter supporter, which earned me a button and a CD.

The Kite Parade.
The Kite Parade.

I’m surprised.  The music doesn’t feel like kids music. It is pleasing to my ear.  It’s not sing-song-y like Barney.  Something to be endured.  I am delighted watching Emma go from bass to flute to tambourine.

The kids are invited to dance.  They do, with joyous abandon.  Oblivious to the concept of rhythm.  I would like to shake a tail feather myself…but I’m suddenly self-conscious again.  So I watch instead.  Although I do raise my hand when the band asks if anyone’s birthday is in October.

There is a kite parade for the kids to show off their creations.  More music and a dance contest.  The winner – dressed as a werewolf – leaves with a Halloween-decorated bag of schwag.

And soon after, I leave too.  Holding tightly to the light I see in Oscar’s face.  In Seth’s.  And the lesson they teach me.  Beaming over the simplest things.  Costumes.  Music.  Paper kites.  They do not concern themselves with why they are here.  Just that they are.

“I Love You.” “Thank You.”

My divorce buddy signed his final divorce papers today.  It’s been a long time coming.  At least from the outside looking in.

My divorce buddy took this photograph of me.
My divorce buddy took this photograph of me.

I remember the day he called and told me that he and his wife were separating.  My then-husband and I made the same decision three weeks earlier.

I call him my divorce buddy because we walked through this thing – the dissolution of marriage – together.  Hand in hand.  On occasion, literally, but mostly figuratively.

A buddy, like in kindergarten, required for just about everything.  To walk down the hall, ride the bus, go to the bathroom.  I don’t know if it was because two are harder to lose track of than one, or that if one should stray, at least he or she wouldn’t be lost alone.

That’s what it felt like.  We weren’t lost alone.

We would talk on the phone nearly every night for hours. And on the nights we didn’t talk, we texted.  Until I came to Chicago that summer – 2012.  Something changed.  Seemingly everything.

There was a chasm.  One that hadn’t been there the night before when we talked for three hours when my red-eye from Sea-Tac was delayed.  I couldn’t get close no matter how hard I tried.

My Rabbi laid it out in simple terms.  We no longer had a phone and 2,500 or so miles between us.  We were standing face to face.  I had feelings.  And expectations – although I tried not to.

I don’t know what he had.  I often said I was not “in this” alone, but face to face, I was no longer sure.

And then, when separated by miles and a phone again, we seemed to fall back into a comfortable intimacy.  I spent two weeks in Rwanda that summer, and called him from Belgium, where I stopped for a few days before coming home.

My travel companions continued down the long airport corridor to their connecting flight home, while I found myself in baggage claim – orange hard case in hand.  I ran my credit card through the phone and dialed.  It was 2 a.m. in Chicago.  I knew he’d be up.

He sounded surprised and excited to hear from me.  I told him we had to talk quickly because I had no idea how much this call was going to cost but I had a feeling it would be a lot.  (It showed up as $65 on my credit card statement.  Worth every penny.)

In Brussels, with my friend Tim.  Not my divorce buddy.
In Brussels, with my friend Tim. Not my divorce buddy.

He gave me some practical instructions about Brussels — the airport, the train and the city — and I began to cry.  He was doing “that thing” that he does.  “That thing” I always loved about him.  Even when we were both married and I had a crush on him but he had such good boundaries that I never worried about it.

He made me feel safe.  I told him that.

And then I told him I had to go and blurted out quickly, “I love you,” and before I put down the receiver he said, “I love you too.”

He had said it just once before. The night he called me to tell me he was getting a divorce.  At the end of the conversation.  When I promised him he wouldn’t be alone.  That it just wasn’t possible…thinking but not saying, “You can be with me, silly.”  Instead, I said, “I love you, my friend.” And he said, “I love you, too.”

It wasn’t a romantic “I love you.” From either of us.  Either time.  Regardless of my feelings, in those moments, my expression was pure heart connection.  I believe his was too.

Tonight he told a group of us that he signed his final papers.  My eyes welled up, tears of empathy, of gratitude and of memory.

Later, I took him aside, and told him I was sorry.  That I understood.  That I knew.  That his “news” reminded me of what we had walked through together.   He nodded and wrapped his arms around me.

I leaned into his ear and whispered, “I love you.”  Silence.  And then he said, “Thank you.”

Awful.

I wanted to tell him I knew he loved me too.  But I didn’t.  I guess because it wasn’t necessary.  Because I already knew.

Because I’ve changed just a little.  I am no longer interested in proving myself as necessary.  Indispensable.

And because our situation has changed too.

Learning he has signed his final papers, that his divorce is nearly complete, feels like an ending.   (My divorce was final in September 2012.)  That we have fulfilled our obligation to one another.  That our karmic contract is complete.

I felt a little something break off.  It felt sad.  But also necessary, right and true.

I didn’t join him and the others for dinner.  I came home – alone – instead.  Also right.  True.

Our friendship isn’t over.  We’re just no longer lost together.  We can let go of one another’s hands.

Artist Date 45: The (Sometimes) Kindness of Strangers

This woman is wearing a knit hat, striped in colors of the Rastafarian flag.  It was a gift from a woman in Australia, while she was in Australia.  A woman who fed this woman lunch and beers but accepted no payment.  Her listening to the stories she was regaled with was payment enough.

kindness of strangersPlus, she would need it while camping in the outback.

She flew to Australia following the demise of a relationship.  Seems it is what she does.  Camping in the Outback.  Hiking in Wales.  Meditating on a mountain outside of Tokyo.

She is standing on a small stage in Rogers Park talking about it.  Coming clean, as it were.

Artist Date 45.

My friend Clover will also be reading and performing a piece .  It is about her mother.  About art school and being a performer.  About helping a man across the street who has fallen and everyone around him just keeps moving as if this hasn’t happened and the universe calls upon her to play the part of his angel.

There is a third.  Eric.  Who will talk about his need to go to a place where his father had been.  The father he didn’t know.  And then he did.  But who he never really knew.  And is now dead.

But right now I’m watching Jennifer.  I know her name because I looked it up in the program, which is black and white.  Folded but not stapled.  And reads, “The Kindness of Strangers: A Festival of Storytelling.”

And then, “A 3-week rotating mix of more than 30 storytellers weaving tales of connecting, or not, with strangers.”  The words encircled by drawings, like a globe – buildings, a boat and a lighthouse, water.

I want to be this woman with a knit hat and a beer-stained hiking map, marked up by pub patrons who laugh each time she says the word “garbage.”  This woman who takes off on serious adventures – by herself – when love goes south.  When the re-bound from the break up proves not to be the antidote to her pain.  Who is standing on this tiny stage telling her story.

I want to be that brave.  To travel alone.  Even though I’ve done it – albeit briefly — and my experience is that solo travel is most satisfying when it is connected to purpose.  And people.  Like my volunteer trips to Rwanda and the South of France.

I want a rebound.  Even though it has been suggested I don’t date.  Even though I have probably been divorced too long for anything to be called a rebound.  And my short-lived dalliances, both emotional and physical, have been painful to the extreme.

Even though my experience of being alone this past year has brought me closer to myself.  My craft.  My writing.  The very thing that might put me on stage.

Clover.  Very likely telling a story.  Just not on stage.
Clover. Very likely telling a story. Just not on stage.

I am comparing my insides to someones outsides once again.  Devaluing my own experience when confronted with someone seemingly doing what I think I’d like to do.  What I think I should do.

I well up listening to her.  While the details are different, I recognize the story as my own.

I see pieces of my story in Eric’s too.  Reconnecting with a parent who was physically absent for so many years.  His through desertion.  Mine through adoption.  Losing them again.  And what is left.  For him, a ring.  For me, a pair of opera glasses and a too-big mink coat, her name embroidered on the inside, hanging in my closet.

But I do not see myself in Clover’s story.

I’m not even looking, let alone comparing.  It is not that I am not interested.  I am.  I am teary, ass-glued-to-the-seat, riveted.

Maybe it is because I know her story.  Her stories.  She has trusted me with them over the years.

Her mother selling her art work, without her consent, as payment to her therapist.  Lying down in the street in downtown Chicago when the light is turned red.  A classroom performance piece.  The ants that crossed in front of her mattress, on the floor, in the basement of her mother’s friend’s house, in the toniest part of upstate New York.

And I have trusted her with mine.  They are less the same.  But our feelings, and our responses, match perfectly.  This is where we found our “me too’s.”

Like I am just now doing with Jennifer.  With Eric.  Connecting with strangers – who may or may not become more than that.  (Turns out, I have danced with Eric’s girlfriend on and off for years.  I’m pretty sure I’ll see both of them again.)  The place of beginning.

Artist Date 44: You Are Really More West African

Mary is coming toward me but I can’t place her. In fact, I don’t yet recall that this is her name.

I scan through my mental Rolodex as quickly as I can trying to match a face, a name, an experience.  I come up blank other than to know that she is familiar, and we are at my synagogue, so I figure I must know her from here.

One of the many children I met in Kigali...introduced by Mary.
One of many children I met in Kigali, introduced by Mary.

She puts her arms around me and asks how I am.  I tell her I am well and she says that I look it.  Her response is genuine.  Like she has taken a few minutes to take me in.  All of me.  Like she’s seen me before.  And she has.  Even though I cannot remember where.

She begins talking about the speakers I am here to hear.  Dr. Naasson Munyandamutsa and his wife Donatilla Mukumana.  That she has been traveling with them.  Out West, where Naasson received the Barbara Chester Award from the Hopi Foundation, for his work with torture victims.  And now here, to Evanston.  To my synagogue.  My more head-y than usual Artist Date – Number 44.

Finally, I humbly admit I cannot remember her name.  It is Mary.  I tell her mine is Lesley.  She hadn’t remembered either.  Just my face.  She has seen my face.

In Rwanda.  Her name shakes something loose.  The pieces fall into place.

Mary is one of the founders of WE-ACTx – an organization supporting women and children with HIV and AIDS in Rwanda.  We met in the summer of 2012 when I traveled there with my Rabbi and members of my synagogue, the Jewish Reconstructionist Congregation.

rwanda filling rxOn the ground, we filled prescription packets, painted walls, built a library.  But mostly, we witnessed.  The people.  Their lives.  The help they required.  And the heroic, albeit shoe-string, assistance that was being provided.

It was an antidote, a balm, to the crazy, or at the very least, unsettled, that was my life at that time.

Smack dab in the middle of my divorce.  Neither in nor out.  I was living in Seattle, with my soon-to-be ex-husband, sleeping on the fold-out couch in the office.  I had decided I would decide in Kigali where to go next.  If I would stay in Seattle.  Move back to Chicago.  Or San Francisco.

Or go somewhere else entirely – like Kigali.  Where it was suggested more than once, by residents, by ex-patriots and by several of those on my trip, that perhaps I should consider staying.

All of this comes flooding back to me as Mary is speaking to me.

Patrick.  His greeting to me each time we met: "Liora, you should stay."
Patrick’s greeting each time we met: “Liora, you should stay.”

The bindi I wore every day – the jeweled accoutrement pasted between my eyes that I had taken to wearing.  The mark of a married women in Indian culture.  My own private, not-even-conscious, barrier between me and the world.  A secret “Don’t-even-fucking-think-of-it.”  Even though it was all I was fucking thinking about. Fucking.  Because I wasn’t.

The name I claimed – Liora, my Hebrew name.  It means “my light.”  There were two Lesley—s on the trip and it just seemed easier.  For everyone except my Rabbi, who knew me as Lesley.

The words, “It’s ok.  It was a long time coming,” that flew out of my mouth regularly.  Every time I spoke of my impending divorce, which was a lot.  It was my story, as we each told our stories to one another – 12 of us over 12 or so days in sub-Saharan Africa.

It seems a lifetime ago.

Nights under my mosquito net talking with my roommate – who, just a few months later, would begin walking through her own divorce – talking about the day.  Blogging by the light of my computer after she had gone to bed.

rwanda dance posseDancing with a professional troupe in a “cultural village” (read: Tourist Destination) near the Ugandan border.  Dancing on the hot concrete at the WE-ACTx compound and on the lawn outside of the hotel in the evening – a party thrown just for us, complete with a DJ, BBQ, and a movie – Gorillas in the Mist – shown on a screen outside, just like in Chicago during summertime in the parks.

I am jostled back into today as Mary introduces Naasson and Donatilla.

They are sitting at a table, each with a laptop computer in front of them.  His, a MAC Airbook.  Hers, an HP, like mine.

They talk about their work with rape.  With depression and suicide.  Their voices are sweet, slightly lilting.  Easy on the ear.  Their faces express nothing of the pain of their work.  Of what they, and those around them, have experienced.  It is typical for people from this part of Africa, and they speak to it – the shrouded emotional life of Rwandans.

There are only five psychiatrists in all of Rwanda.

I lean over to my Rabbi.  “It’s a good thing I didn’t stay there, “I whisper, remembering he was one of the ones who encouraged me to consider staying – perhaps his own “road-not-traveled.”

“Yes, you are more West African,” he whispers back.  We laugh.  Even though I don’t quite know what it means.  But I like it.

I like it because I “study” West African dance.  Spending Sunday mornings barefoot, moving in lines across a wood floor, supported and surrounded by a posse of drummers and other dancers.  Leaping.  Learning to shake my hips like a not-locked-up-up-tight American woman.

My heart seemingly bursting through my skin.

I don’t know anything about West Africans – other than what I experience from my dance teacher and some of the drummers.  But I know that I am emotionally “raw.”  And not just now.  That I am “wild” in comparison to Rwandans.  And to many Americans.

I like the idea of a place where people live like this.  A land of “misfit toys,” like in the animated holiday special, Rudolph’s Shiny New Year.  Where everyone’s heart is seemingly bursting through their skin.  Spilling out with love.  With pain.  With life.

A Birthday Story: Celebrating What Is

It is four something in the morning.  I woke up at the same ungodly hour yesterday – my 44th birthday.

I have always loved birthdays.

My birthday didn't begin with laughter...it ended with it.
My birthday didn’t begin with laughter…it ended with it.

I’m a big celebrator in general.  Ask any of my Weight Watchers members.  I love to clap and give out Bravo! Stickers for behavior changes.  Those subtle little miracles.

“Where else do you go that they clap for you?” I ask.

Well, 12-Step meetings.  But I don’t bring that up as it isn’t germane.

Birthdays are like that.  It seems the whole world is clapping, rooting for you, that day.  Mostly.

This year I awoke feeling a little less clap-y.  A little less celebratory.

I’d been aware of a low-grade sadness tugging at me for a few days.  Aware this was my first birthday since my birth mother died.

We found one another in October of my 40th year.

Ours was not always an easy relationship.  Some days I think she would have jumped in my skin if she could have, while I took a more tentative approach to our relationship.  Timing.  Expectations.  Boundaries.  Those were our lessons.  And we were one another’s teachers.

She sent me flowers when I turned 40.  A card the following year.  And then phone calls the next two.  She wasn’t well and it was difficult for her to get out – both physically and emotionally.  This year there would be no flowers, no card, no call.  I felt sad.

Like I did when her name was read at the memorial service on Yom Kippur.  Like I did when I returned from Ireland last month and felt like calling and for the first time realized I couldn’t.  I find myself surprised by the sadness, although I’m not sure why.  It makes perfect sense – at least on a cellular level.

So there was that.

And there was the aloneness of being not-so-suddenly, but-still, single.

My ex was a great gift giver.

Birthday and anniversary mornings I would find a card on the bed, slipped into place when I got up to shower.  A gift would come later.  Usually something I had spied and mentioned in passing months earlier.  Something I had forgotten about until I saw it again.  A hand-carved wooden jewelry box.  Strands of smoky quartz and hand-colored pearls.

2013-10-20 20.19.35
Kristin. Who reminds me of the love in my life when I cannot see it.

He gave me a watch when I turned 42 – my last birthday with him.  I had been wearing the same Seiko tank since I was 14, gift from my Aunt Betty.  She had lost hers.  Found it.  And gave the original to me.

I replaced the band and battery several dozen times over the years.  Until the crystal broke and a jeweler told me it couldn’t be fixed.

I didn’t like the watch he bought me.  I don’t know if I would have liked anything he bought me at that time.  He had recently asked me for a divorce – and then recanted the next day – but it was there.  The truth about our relationship.  It was over.  We just hadn’t cut the cord yet.

He was hurt and offended that I didn’t like his gift, but offered to take me shopping so I could pick out something else, anyway.  I couldn’t do it.  I kept the watch.  I am still wearing it.

When I woke up early yesterday, I noticed the absence of a card.  Of a body in my bed.  Specifically, my ex’s.  I do not crave him being there – but I was used to it.  To him, for so long.

I rolled off my mattress and dropped to my knees in child’s pose – both a stretch and a prayer.   “modeh ani lefanecha.  Thank you G-d for returning my soul to me.”  I asked for several obsessions to be removed.  And then, still on my knees, I opened Facebook on my phone.  The messages had already begun to pour in.  Old neighbors.  Acquaintances from grade school.  Family – by origin and by choice.  From Africa.  And from just down the street.

I wrote. Meditated. Showered and went to work.  Weight Watchers.  It felt life affirming.  As did dance class.  I made lunch and took myself shopping at my favorite resale shop.  I bought a grey wool coat that ties at the waist.  It fits as if it were made for me.

I talked to a few friends on the phone.  Around five a girlfriend picked me up and we went to do what we do to make sure we don’t drink today.

I used to make a big “to do” out of my birthday.  Or at least try to.  Those expectations often left me feeling sad and frustrated.  I was unclear why.  But today was delightfully ordinary.

Indian sweets.
Indian sweets.

It ended with cheap eats at a large, bright Pakistani restaurant on Devon Avenue.  The kind with a menu posted on a TV screen.  Where you wait in line to order food and pick it up on a tray.  Where you eat with plastic utensils.

Where I feel conspicuously white.

There were eight of us.  Among them, my divorce buddy – the man I walked lock step with through the dissolution of our marriages.  And then watched my friendship with him dissolve.  I hadn’t invited him.  But there he was.  I was delighted.

“Of course he’s here,” Kristin said.  “He loves you.”

I decided to believe her.  And to believe in all the love around the table.  JB’s.  Tom’s.  Matt’s.

Rebecca’s.  Brian’s.  Kristin’s.

And to focus on it.  To focus on who was there, instead of who wasn’t.  The calls, texts, cards and Facebook greetings I did receive.  Instead of those I didn’t.  (Well, mostly.)

We took pictures and ate fried bits of goodness – both sweet and savory.  Drank lassis and tea with evaporated milk.

I came home and ate the last of my sweets.  I felt a little overly-sugared.  Overly stimulated.

And I fell into bed.  Alone.  Sated.  Full.

Doing It Again. Confessions of a Reluctant Doula.

I vowed I would never do this again.

And yet, the words tumbled out of my mouth.  At the same time both jumbled and awkward, certain and clear.  Clover reflected them back to me.

With Clover, on one of our many gelato/sorbet dates this summer.
With Clover, on one of our many gelato/sorbet dates.

“Are you saying you want to be my doula?”

“Um…yes.  I guess.”

Pause.  Smile.  Squint.  Think.  Nod.  Nod again, excitedly.

“Yes.  Yes, I do.  If you will have me.”

She stood up from her chair — her pregnant belly announcing itself to all those around us – and threw her arms around me.   Both our eyes wet with tears.

Just a few months earlier, she had told me she was pregnant.

Sitting on the marble wall outside of the Sulzer Library.  It was summer and we had just polished off our cups from Paciugo – sorbet for her, gelato for me.  I was talking about boys.  None of it new or terribly important.

And when I stopped, she was talking about babies.  Specifically, her baby.

Later that night, we danced in the street to a band from West Africa.  And when she was tired I walked her home, suddenly terribly protective.  I called her Lil Mama – what a boy from South Carolina used to affectionately call me – and told her I would support her in any way I could.

So it shouldn’t have surprised either of us when I offered to be her doula.

Except that I am not certified as a doula.  Greek for “a woman who serves.”

I am a pre-natal massage therapist and instructor.  A friend.  Terribly interested in the miracles our bodies engender.

And I’ve done this once before.  A little more than six years ago, for my oldest and dearest friend Julie.

My then-husband and I were preparing to move from California for his medical residency.  In the two months leading up to our departure, we would travel to Chicago to look for a home, and to Oklahoma for my ex-boyfriend’s wedding.

Julie asked that I consider a third trip – to Detroit, for the birth of her son.  She wanted me to be her doula.

I was in an underground parking lot when I received her call.

Every fiber in my being wanted to say no.  It wasn’t practical.  It was expensive.  I felt overwhelmed.

The words that flew out of my mouth were, “Of course.”

Before the birth, with Julie.
Before the birth, with Julie.

I arrived a few weeks later – three days before her due date, and departing four days after.  It was spring.  No one thought my schedule and the baby’s would sync.  We gave it to the universe.

We spent our days on long walks.  Visiting her mother.  Talking – about everything and nothing.  Like we always do.

I massaged her legs while she sat on the exam table in a flowered gown, waiting for the obstetrician.  And pressed acupressure points on her hands and feet – “downward elevators” in Chinese medicine.

We ate a late breakfast following a trip to the gym – her last before becoming a mother.  Julie wanted to use the elliptical machine.  (She swears this is what started her labor.)  She ate little of her French toast.   Her stomach pushed so far up into her ribs, it left little room for food.

Around 11 p.m. that night I got the call.  It was time.

I met Julie at the hospital door.  Steve parked the car.

We walked the hospital floors for an hour, until she was dilated enough to be admitted.

Once in her room, we talked and laughed and napped over the next many hours.  Somewhere there are photographs of me wrapped up in blankets, looking like a woman from the old country.

Her husband fed me crackers and peanut butter.  I watched Julie instinctively comfort herself.  She labored many hours, insisting on a vaginal birth – even though the doctor on call wanted to perform a C-section.

Thankfully, the labor nurses supported her choice.

At their urging, I held up one her legs and counted her contractions out loud until hoarse.  Jaron’s head emerged.  Then his shoulder.  And then the rest of him – slipping out quickly like a fish.

I saw him first and looked at Julie with wet eyes, nodding.  I didn’t have any words.

Jaron was placed under a heat lamp, like a Big Mac, while the doctor tended to Julie, and the nurse made notes.   He looked wise, terribly nonplussed by this abrupt move from his inner world out.

“You’ve done this before,” I said.

Right after the birth.  My first time as a doula.
Right after the birth. With Jaron.

They say babies don’t smile right away, but I am certain he did, as he reached into the air.  “Playing with the angels,” Julie said, referring to the idea in mystic Judaism that babies are born so pure they can see angels.  A lovely idea.

I returned to the hospital the next day.  Julie was eating a cold grilled cheese and French fries – seemingly already accustomed to the realities of motherhood.

She told me I should do this work professionally.  “Never,” I replied.

A few years later her niece asked me to come to New York to be her doula.  I was flattered, but politely declined.

I didn’t want to be on call.  Couldn’t imagine putting a price to the work.  Wasn’t willing to sleep on a fold-out chair for just anyone.  Just her.

I was grateful for the experience.  To be invited so intimately into my friend’s life.  But I had no desire to repeat it.

Until I did.

Clover had just gone public with her pregnancy on Facebook.

As we ate perhaps our last gelato and sorbet of the season, I intuitively knew that I would be there.  Sleeping on a fold-out chair, eating crackers and peanut butter, a blanket wrapped around my head like a babushka.  Serving the miracle.

Artist Date 43: It Never Occured To Me I Was Good

I used to hate Harry.  Not him personally.  Just dancing with him.

And not exactly hate.  More like fear.  Dread.

It’s not like that anymore.   It hasn’t been for a while.  But that came later.  Much, much later.

andersonvilleSo it was a pleasant and still somewhat unexpected surprise to find myself pedaling to the Andersonville Arts Weekend, specifically to see his work – Artist Date 43.

Harry is like my friend J, who I have written about before (as have other bloggers – cursing his talent).  An artist savant.  J made Mission-style bedroom furniture his first go at woodworking.  He didn’t even know what Mission-style was.

I imagine it is like that for Harry too – that his fingertips simply release the art locked up in the canvas, the stone or metal.

I am not this kind of artist.

Consider my recent foray into clay, my first in more than 25 years.

I enrolled in a first-time potter class at Lil Street Art Center.  Bought my bucket and toolkit.  Attended all of the five, three-hour sessions.  Came in on the weekends to practice.  And never came close to mastering centering.

Or even getting the hang of it.  Which is problematic as centering – which is exactly what it sounds like, getting the clay centered on the wheel — is pretty much essential for anything of beauty to emerge.

I didn’t have much more success with trimming – cleaning up or “editing” my pots.  Ditto for slab work or glazing.

I left the class with a few sad pieces I have scattered around my house – doing utilitarian duty.  A tray I lean spoons on when cooking.  A tiny bowl with salt in it, sitting on top of the stove.  Another sitting on the window sill of my shower, filled with stones and glass I collected at the beach.

2013-10-17 22.48.20A cylinder glazed white, where my sponge lives.

I realized this work would be work if I wanted to be any good at it.  Or even just better.  Like dance.

While dancing always felt natural to me – at clubs and at parties – moving across the floor in a structured class was something else entirely.  Which is probably why I avoided it for so long.  For fear of not knowing what I am doing.  Looking “stupid.”  Not in control.

The take away from my early years regarding art, music and sports was that talent was innate.  Period.  There was no talk of practice.  Learning a craft.  Or of doing for sheer joy.

I learned those lessons late.  First, from my step-mother, who began painting in her 60s.  I recall her early efforts – shared with me in cards and notes.  Then seeing her work, in her home studio, years later.  Whimsical watercolors of cows on oversized paper.  Framed.  I wanted them for my wall.

I learned them again, a few years later, in dance class.  I have a visceral memory of my instructor Idy going right and me moving left.  Him reaching up, and I, down.

“Like this, Lesley,” he would say.  I swore I was doing the same, but clearly I wasn’t.  Again and again.  Looking at one another in the mirror.  Me giggling.  Them him.  Until I fell on the floor in a heap.

Learning to laugh at myself.  To feel the drums.  My bare feet on the floor.  The joy and wonder of my body leaping.  Contorting.  Flying.

That is, until I met Harry.  He was, and is, what I call a teacher’s teacher.  Reaching for rightness.  What is correct.  He filled in when Idy traveled.  I hated it.

Walking into the studio and seeing him, my heart would sink.  Frustrated by his seemingly constant corrections, I would bite my bottom lip to hold back tears.

One January, when Idy returned to Senegal, Harry led the entire session.  Driven by my frail ego and fear of being found out as a “dance fraud,” I did not enroll in class.  It was the first time I would not dance on a Sunday in more than a year.

I missed it.

I talked to my friend Lisa at length about it.  She suggested I pray.  For the resentment to be removed? To be right sized?  To be teachable?  I don’t recall her exact directions.  I just remember, being desperate.  Praying.  And things changing.

I found I could dance with Harry.  And I could even enjoy it.

Especially when I nailed a step, or a series of steps.  He would stand in front of me clapping his hands shouting, “Yes! Yes!”  I was both thrilled and embarrassed at the same time, grinning ear to ear.  Then losing my footing.  And laughing.  I knew he wasn’t lying.

Or when he had me demonstrate a step, moving across the floor, with the other dancers following.  Because I “had it.”  This happened just once.

Truth told, I developed a little crush on Harry.  The safe kind.  I was pretty sure he was married and had been for a long time.

I found out for certain on Sunday, meeting his wife – who showed me his jewelry.  Rings with enormous oversized stones – too big for my tiny hands.  A copper and silver band that made my fingers look long.  A snaking chain of tiny stones, each marked with a symbol.  I wrapped it around my neck again and again until there wasn’t anymore.  Heavy.

2013-10-13 16.19.58We talked about dance and artistry.  About marriage.  And giving one another space to grow.

I saw Harry a bit later that afternoon, showing his paintings and sculpture at a different location.  He waved to me from inside the store as I was approaching.  And once inside he introduced me to his daughter and told me about his work.  His inspiration.  His process.  I listened.

And then I told him how I used to feel about dancing with him.  And how today I love it.  That I am a better dancer because of him.

His response floored me.

He told me he can’t stand idly by when someone is so close.

It had never occurred to me that I was close.  That he pushed me because I was good.  Not because I was bad.  That if I were hopeless, he wouldn’t have bothered at all.

He saw me, right-sized.  Teachable.

(Video: Dancing with Harry)

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