Artist Date 65: A Revelation

I just “shhh…d” the women next to me.

I feel like somebody’s cranky grandmother, but I can’t help myself.

From Revelations.  Photo: Paul Kolnik
Alvin Ailey American Dance Theater. From Revelations. Photo: Paul Kolnik

This is my religion.  The dancers and choreographers, my gods.  And it requires my complete attention.

It feels like blasphemy as I type the words, but it is true.  The stirring between my legs.  It rises up my spine like Kundalini energy uncoiling, to my heart – which leaps, and spreads as a flush across my chest and face.  What is usually reserved for sexual liaison – either alone or with a partner – comes to me in dance.  Really good dance.

Alvin Ailey American Dance Theater is really good dance.

This is my seventh time seeing the company, which may sound like a lot –until compared to Sheila, who I met during the pre-performance cocktail reception.  She and her husband have seen Ailey every year since the company’s inception in 1958.  It is, perhaps, their religion too.

The first time I saw Ailey I was 24.  I watched, rapt.  My former lover — the sexiest man I had ever known – at my side.  We spent a month together.  Twenty-nine days more than I expected.  This was our only “real date.”

The second time I saw Ailey I was in the middle of an alcoholic relapse, although I didn’t know it at the time.  Following yet another month-long stint without drinking, an effort to prove myself “not alcoholic,” I conveniently forgot all the reasons I had put down the drink and picked it up again that night.

I saw the company three more times.  Each of them sober.  In Chicago.  Once, with my then-husband, the other two with girlfriends.

This is my first time seeing Ailey alone – Artist Date 65.

It feels significant.

Significant because I have treated myself to good seats.  Dress Circle.  Row AA.

I have learned I cannot watch dance from the cheap seats – looking down on it from up above.  I have to see it straight on.  As I do most things.

I’ve admittedly been spoiled.  Much like the first time I flew overseas, when the German Consulate paid for my Business Class ticket on Lufthansa.  It is hard to go back.

It is the same with men.

With my dance instructor, Idy.
With my dance instructor, Idy.

Significant because there is a cocktail reception before the show and I don’t drink, have a wing man, or a purpose for mingling other than “just because.”

Ever fiber in my body says arrive late, skip the schmooze and head straight for my seat.  But I resist.  I have been taught courage is not a lack of fear.  It is feeling it and moving forward anyway.  I am strangely curious to see what will happen.

I meet a gaggle of girls in their 30s.  They have never seen Ailey.

We talk about their work.  City politics.  Chicago neighborhoods.

We talk about my Artist Date.  My blog.   Boys.

I meet the “since-1958 Ailey fans,” and their daughter – a dancer.

I navigate the plush stairs and the too-small type on my ticket on my way to my seat.  My dance instructor calls out my name.  We embrace and all at once, Chicago feels like a town.  My sense of connectedness expands.

The theatre darkens.  The dancers emerge.

“Night Creature.”  From 1974.  I have seen it before.  Like “Revelations,” Ailey’s signature piece that closes every show.   I remember the polka-dot light patterns on the floor.

It is both familiar and fresh.  I feel the leap in my heart.  And a knot in my stomach.

The women to my left are whispering – non-stop.

I pray for patience.  For tolerance.  I pray they will stop.  Useless.  I turn and put my finger to my lips.  “Shhh.”  It is quiet.

At intermission, I feel a hand on my shoulder.  It is one of the women I “shhh-d.”  She offers apologies, which I quickly and easily accept.

Two Dancers -- Khara and I.
Two Dancers — Khara and I.

“Do you dance?” she asks.

I tell her I do.  She says that she used to, and everything melts between us.  We are connected.  We are the same.

Until she tells me about her dance history.

Although not a dance major, she danced seven days a week as an undergraduate student at Washington University, filling her free hours with courses in ballet, modern, and jazz.  I reflect on my four years at Michigan State University – smoking pot and drinking with the big boys.

I do not feel like a dancer.

My five-plus years in West African dance classes – beginning at the age of 39 – feel small in comparison.  Amateurish.  Perhaps they are.

I ask her to take a picture with me for my blog.  “Two dancers,” she announces, as if reading my mind.

I choose to believe her.  To allow my status to be independent of her experience.  Of Sheila’s.

It is a “Revelation.”

Pretend Boyfriend

I tattooed my aspirations on my body lest I forget them.  Lest I again consider leaving myself.
I tattooed my aspirations on my body lest I forget them. Lest I again consider leaving myself.

“You want a relationship, right?”

The words tumbled out of my Rabbi’s mouth.  Innocuous.  More a statement than a question.  Nearly an afterthought as we wrapped up our monthly meeting.

“I…I think so,” I stammered.

We stared at one another.  There it was.  The truth.  It fell flat on the floor, spreading out in the space between us.  Consuming.  Shocking.

We’d spent an awful lot of time talking about relationships over the years.  Talking about my fathers – both of them, the biological one and the one who raised me, my Dad.  My husband – now my ex.  The smattering of men who had come in and out of my life since the dissolution of my marriage.

My Divorce Buddy.  The one I talked to each night, into the wee hours of the morning.  Half a country apart.  Both of us alone, in the dark, navigating our way through the sometimes messy endings of marriage.

The Southern Svengali.  Genius artist in a Johnny Cash t-shirt.  He guided me through Charleston and my last visit with my biological mother before she died.  Pressed his lips against mine and nothing more.  Called me “Lil Pearl” and taught me how to be a better artist.

And most recently, the man I have affectionately come to call Mr. 700 Miles – referring to the physical distance between us.  In our hearts…it is just inches.  But in our lives… oceans and continents apart.  He is clearly, plainly, 100 percent unavailable.

Separated, but not quite divorced.  ”Kinda dating” someone in his own zip code.  He is finding his own center – spiritually, emotionally, creatively – and his own truth.  Work I have already done.  Work I continue to do.

And yet, when we talk or Skype, there is a familiarity that speaks of karmic attachments and lives shared.  Quite simply, I am in love with his heart.

He is, what my friend Rainey calls, a pretend boyfriend.  They all are.

A "selfie," on the road with my Divorce Buddy.  He never wants to show up in pictures. Hm...
A “selfie,” on the road with my Divorce Buddy. He never wants to show up in pictures. Hm…

She uses the words in a matter-of-fact way that implies everyone has one.  Has had one.  Like a cell phone or email address.

Deep friendship.  Emotional intimacy.  Trust.

Companionship.  Connectedness.  A shared sense of not being alone even though you are – when you are one instead of two.

But without a physical dimension, or a commitment to anything more.

She assures me that she has had several over the years.  And that sometimes, pretend boyfriends become real boyfriends.  But mostly they are pretend.

This has been my experience too.  Although I am usually too blinded by hope to see it at the time.

Good for practice.  For reminding me of my loveliness.  What it feels like to be close.  And allowing me to believe in possibilities.

No good at all in moments when my bed feels cold and lonely.  When I want nothing more than to feel arms wrapped around me.

Downright disastrous when I bring expectations of a real relationship to it.

My friend Kerry called me out on my penchant for pretend boyfriends this past weekend.  He wanted to know what I was afraid of.  Why I wouldn’t try online dating.  Why I wouldn’t make myself available to someone who is available.

A gift from one of my pretend boyfriends.  He said that I fell out of his head and on to his sketchbook.
A gift from one of my pretend boyfriends. He said that I fell out of his head and on to his sketchbook.

I felt sick inside.

“I don’t want to be left,” I said quietly in a voice that did not seem my own.

Was I referring to my partner of 15 years “leaving me?”  My birth parents “leaving me?”

Or was it me leaving myself?  Pushing aside my art, my values and my aspirations for someone else.  Someone who never asked me to.  And for something else – a relationship.  Believing that alone I was somehow less valuable.

Earlier that day, I left a voicemail for one of my girlfriends.  “I want a real boyfriend.  Not a pretend one.  I just had to say that out loud,” I announced into the digital abyss.

And I do.  Someone who is here.  Who I can physically feel.  His lips over mine.  His breath on my neck.  His hands on my body.

Someone to hold on to me.  And who I can hold on to.

Someone to eat with.  Sleep with.  Dance with.

A partner.  An equal.  Someone I can grow with.  Grow old with.

But I want me more.  The chance to be with myself.  To not leave again.

Yes, I want a real boyfriend.  I just don’t want one yet.

Artist Date 63: True Blue

2014-02-21 15.24.31
TRBL by Christopher Wool

TRBL.

Christopher Wool’s iconographic piece.  The words stenciled in red enamel.   TR.  Drop a line.  BL.

Trouble.  Yes.

“Or True Blue,” he offers from the stage at the Art Institute of Chicago.  Artist Date 63.

Yes.  And that is trouble too.

I have decided to do something I’ve done just once in my life.  Leave first.

The one other time I did this, the relationship had turned abusive.  I felt I had no choice.

I always have a choice, I am reminded.

There is no abuse here.  Not even a relationship really.  Not yet.  An exploration.  A friendship ripe with feelings and confessed crazy attraction for one another.  And 700 miles between us.

He once commented it was 400 miles between us and I didn’t correct him.  When he later said 700, I knew he had looked it up.  “You’ve been thinking about this (visiting),” I said.  “I haven’t stopped thinking about it,” he replied.  We were on Skype.  I saw myself bat my eyelashes coquettishly like a shy giraffe, without even thinking.

But 700 miles aren’t really the problem.  It’s the every thing else.  We are in decidedly different places in our lives.  I am in the clearing, coming out of the forest.  He is, appropriately so, tied up in the weeds.  Almost available.  Like the tables I would hover over at the bar in college, waiting to settle into.  Almost.

Lately, there is more time between our communications.  I find myself in knots.  Wide open.  Vulnerable.  Uncertain of where I stand.

I wonder when I will talk to him.  What is going on in his head.  In his life.  I don’t like it.  I don’t like how I feel.  This poor use of precious psychic energy.

2014-02-21 15.20.40
SEX. LUV by Christopher Wool

I woke up Friday morning.  As my knees hit the floor, I began crying.  “I can’t do this,” I said, to no one in particular.  “I need more.”  Tears.  Shock.  Relief.

In the past, I would wedge my way into “almost available” anyway – finding an opening in a man’s attraction and desire for me.  But untrue to myself and to him.  Acting breezy, when I felt anything but.  And soon pissed off when I didn’t get what I really needed.  And lying to myself and to him about needing it at all.

This time feels different.  I like him too much to ask that of him.  I like me too much to ask it of myself.

All of this is running through my head, as I sit in a somewhat broken chair, listening to Wool speak.  Everything he says reminds me of this relationship.  My heart.  What I have to do.  Am afraid to do.  Am afraid I won’t get the chance to do because I will either lose my nerve or he will somehow slip away without me having had the chance to speak my truth.

TRBL.  Trouble.  True Blue.  Wool says art is most successful when it does what it says.

Does he do what he says?  Do I?

I think about my vision board hanging from a wire on the wall in my apartment.  Mr. 700 Miles asked about it the last time we Skyped.  I brought the computer to it, showing him the words and images I’d torn from magazines on impulse and pasted on a large piece of cardboard.  “Power of the Pen.”  “Happiness is not for Sale.”  “Effortlessly Simple.”

“In Full Bloom.”  “Yourself.”  ““Make love.”

2014-01-01 21.34.47“Find your true blue.”  The words are small compared to all the others.  In typewriter font like my tattoos that read, “left” and “write” and overlaid on a couple standing nose to nose.  I pointed to the picture and the words and he just smiled.

More slides.  SEX. LUV.  He Said, She Said.

Wool talks about process.  Creating images through loss.  Drawing and erasing.  Drawing and erasing.  And sometimes even scraping.  The tearing away became “the most interesting part.”

But he insists process isn’t that important.  That the work should stand on its own.

It all seems a metaphor for my romantic life.  My willingness to tear away from this man romantically to see what the universe has in store for me.  For the first time – perhaps ever – truly believing I deserve more.

I wander through the exhibit after the lecture.  FO.  Drop line.  OL.  I laugh out loud.  Yes.  FOOL.  TRBL.  SEX.  LUV.  I am all of it.

Post Script: Later that day, I did say the words I first uttered on my knees, “I can’t do this.  I need more.”  To him.  I felt sad and strong and sad again.  But ultimately, I felt LUV.  For him.  For myself.  True Blue.

Artist Date 61: Permission to Want Love

I cannot remember the last time I was carded.  My friend Debbie reminds me that I don’t drink, so I am not often in bars.  So my lack of recent experience with carding shouldn’t be a surprise.

But I am in a bar tonight –the night before Valentine’s Day.  I have been “invited” for the final performance of “Solo in the Second City” – a live lit(erature) series about the nature of relationships.  Artist Date 61.

solo in the second cityI wish I would have known about this sooner, but I didn’t.  And the only reason I know about it at all is because I participated in my first ever live lit event last week – Story Club, a monthly event featuring three invited storytellers, and three audience members whose names have been pulled from a hat.  Except it’s not a hat, it’s a monkey carved out of a coconut with the words, “Have Fun” scrawled on it.

It is the winter of the Arctic Vortex in Chicago and only three people have put their names in the monkey.  This is seemingly unheard of.  I am one of them.

I climb up on to the stage, pull on my “cheaters” and read an extended version of my blog post “I Love You.” “Thank You.”  About me and my divorce buddy.  About walking through hell together.  And learning to walk on my own.  It is tender and raw and real.  I feel like I have earned my place on this stage.  It feels amazing.

I am followed by Carly Oishi, a featured writer.  She weaves together three stories of love and loss.  I am riveted.  She is speaking my heart even though I do not recall her exact words.

At the end of the evening, I approach her and introduce myself.  I tell her I like her piece.  She tells me she likes mine and invites me to “Solo in the Second City.”  I mention it to Debbie and we agree we will go.

And so I am here, at Beauty Bar, sitting on a low bench surrounded by 1950s hairdryer chairs, listening to stories of breakups and broken hearts.

One woman reads about watching relationships bloom and wither.  But only watching.  She has closed her heart off.  Closed herself off.  I know there is more because I am overwhelmed with feeling and identification, but I cannot access it.

Another reads, perhaps more accurately shouts, about when a man drops off the face of the earth without a word.   Not a peep.  A text.  A fuck off.  Nothing.   She talks about body parts that are usually covered up meeting other body parts that are usually covered up.  About giving someone VIP access to that place where her children were born from.  She says it is a big deal.

story club magIt is a big deal.  To give someone VIP access to that place.  To literally let someone inside of you.  For so many years I did not think so.  There was no velvet rope.  No line to enter.  At least to my mind’s eye.  And each and every one who came (no pun intended) was given an all access pass.  Once upon a time.  Now single again after 15 years coupled, and solo in the Second City, I can play it differently.  I can have a different experience.

I am humbled by her cautionary tale of pain.  For taking me back to how it was.  And showing me how it still can be.  How I can be.

Carly, the co-producer of the series, is the last to read.  It is the story I heard last week.  But this time I can hold on to the words.  At least some of them.  The part about love and how you will do anything for it.  To taste it.  To experience it.  To feel it if only for a moment.

Yes.  That is how I feel.  How I have been ashamed to feel.  The message I can discern from the noise and static surrounding me post-divorce is “You don’t need it.”  “You shouldn’t want it.”  “You need to learn to be alone.”

I know how to be alone.

I go to the opera alone.  Dance performances alone.   Art shows alone.

I live alone.

I work and dance and write.  I have a large and diverse cast of characters I call friends.

I love my life.

And yes, I want love.  That kind of love.

Hearing Carly’s words I feel somehow lighter.  Less burdened by my desires.  Free to let go of this misplaced shame.

I tell her so after the show.  That I am grateful for permission to want love.  She is visibly moved.

I remind her we have met and she admits she didn’t realize I live in Chicago.  “So you ‘do this’?’  Write?  Tell stories,” she asks.

“Yes,” I say.

She smiles and tell me she is putting together a story-telling series of all women, and asks if I would be interested in reading my work.

I smile back and give her the only appropriate answer – “I would love to.”

Further From The Flame Than I Knew

I sometimes have a one-plate rule.  Actually, it’s not even a rule, it’s just how I eat.  Except for when I don’t.  Today is one of those days.

The table at Martha's, post meal.  The pies have been put away, but my copy of "Love, Sex and Astrology" has not.
The table at Martha’s, post meal. The pies have been put away, but my copy of “Love, Sex and Astrology” has not.

It is Christmas and I am at Martha’s house with her son Louie, his girlfriend Katie, Jack and Jonnie.  There is enough food in the kitchen for triple the size of our party.  I have reloaded my plate, even though I have not finished what is on it, adding a second piece of ham and a small spoonful of macaroni and cheese, which I did not try the first time around.  I pile it on top of my salad – greens with roasted root vegetables, gorgonzola cheese, walnuts and pear.

The macaroni is delicious.  Made with sour cream, cream cheese, and cheddar and parmesan cheeses.  I say it is perhaps too rich, and laugh, thinking about those people who say that foods are too rich or too sweet.  No such thing.

Except for when they are.  This is one of those times.

I put my fork down.  My brain wants more but my belly says no.  Or perhaps it is not my belly but some higher-self that is constructed of painful memories.  The higher self that says don’t put your hand on the hot stove.

Trouble is, I’m the type that likes to bring my hand really close to the burner, to see how close I can get, to feel the heat without getting burned.

It is this second plate.  It is the boy I spent the night with several months ago. And, knowing he could not possibly give me what I want, and that once I am physically involved my perception gets blurry, spent a second night with him anyway.

It is my years of vain efforts to try to drink like other people.

The higher self speaks to me.  Passover.  1990-something.  I still live in Detroit and my parents are still married, but they do not live in my childhood home.  Neither do I, which means I am somewhere between 21 and 24 years old.

I am thin for the first time in my life.  Really thin.  I am rigid about my eating and exercise.  The kind of rigid that makes me not all that much fun to eat with.  I feel like I have cracked the code.  That I will never be heavy again.  That I am fixed.  I am mistaken.

My mother has made some sort of gelatinous kosher-for-Passover dessert.  It is an experiment, as is every kosher-for-Passover dessert, where chemistry and good taste are at odds in the never-ending quest to make tasty sweets without flour.

I have one.  Then another.  And another.  They are not even good but I cannot seem to stop myself.  My mother clears the table and brings them into the kitchen and I follow, secretively, wolfing down a few more.  As if anyone is paying attention.

Next I know I am in the upstairs bathroom, on the floor, trying to make myself throw up. But I cannot.  My mother asks if I need to go to the hospital.  I say no because I cannot imagine what they will do to help me.  I lie on the cool tile with my pants unzipped and wait for this feeling to pass.

I tell Martha and Jonnie this story, and that eating too much feels scary.  Which is not to say that I don’t overeat, because I do.  And today is likely to be one of those days.  But I do not eat to sickness and have not in many, many years.  The desire has been taken from me.  It is a miracle.

As is my reaching out to that dear, sweet boy only one more time.  And when the response was tepid, not returning to him, trying to convince him, or myself, that it, that we, could be otherwise.

As is my not trying to drink like other people for more than six years.  Instead, putting down the drink entirely.

I finish my plate.  Slowly.  A bit later I have a sliver of pumpkin cheesecake and one of chocolate pecan pie.  I tell Martha to cut them as wide as her finger and she does.  I am breaking one of my holiday rules.  Kind of.  I do not eat anything not homemade.

The pies come from First Slice – a not-for-profit which sells “subscriptions” for homemade meals and uses the money from those subscriptions to feed the same meals to hungry families in Chicago.  Martha assures me the pies are more homemade than if she made them herself.

I have a second round of slivers.  Am I playing with fire?

Walking home, the streets are freakishly quiet.  I am carrying a bag of leftovers – salad, ham, roasted roots, sweet potatoes – leaving the pies, and the Lindt truffles at my place setting, on Martha’s table.

I feel the snow on my face.  I feel my gut.  Satiated, but not stuffed.  I have “broken” several of my “rules,” and, miraculously, feel further from the flame than ever.

Artist Date 53: You Don’t Say

I used to swear like a sailor.  It was part of my tough-talking, cigarette-smoking, don’t-mess-with-this-Jew personae – affectionately known by my newspaper colleagues as “Brooklyn Les.”

Until I got hired by Weight Watchers.  My friend, and mentor Stan told me I would need to watch my mouth.  That I might think people thin-skinned, but that not everyone cottons to the liberal and casual use of the word fuck.

I trusted him, and learned to curb my four-letter tongue.  I found the more I didn’t use those words in the workplace, the more they slipped away from my vocabulary entirely.

Don’t get me wrong.  I still like a well-placed fuck.  (Double entendre not intended, but appreciated.)   Especially the unexpected sort that shocks.

tribes

Like in Tribes.  Artist Date 53 at the Steppenwolf Theatre.

The word punctuates each breath of the play’s first lines, followed by cunt and a graphic, fairly vulgar description of the much-older object of Ruth’s affection.

Uproarious laughter covers a collective gasp.  There is a shared sense of ok-ness.  That we have chosen our mores.  That we have agreed upon this use of language.

I am a part of this conscious collective too.  But I don’t feel that way.  I am self-consciously aware of feeling “not a part of.”  Disconnected.  The word rattling in my head since I lost Internet connectivity minutes before leaving the house.

It is exacerbated by the series of phone calls I make while driving that dump me into voicemail.  And even more so by the conversation to my right, once in my seat.  Flanked by two couples, I listen as they share highlights of their collective creative genius.  She leads workshops teaching artists how to write grants.  He is a photographer.  The other she is an actress.

I am envious.  Irritated.  It does not occur to me that I am a writer.  That I too have a creative genius.  One that connects me to others every time I engage it.  I am, as my friends like to say, looking for the differences.  All of the places where I don’t measure up.  At least in my mind.  I have been all day.

This afternoon, interviewing with a recruiting firm — really more of a temp-to-permanent staffing agency.

I went in worried about not wearing a suit.

I haven’t owned one in more than 12 years.  Ever since I traded prestige for peace of mind and left a nearly six-figure job to answer phones at a massage school for $12/hour and 50 percent off future classes – supplementing my new cobbled-together career as a massage therapist and Weight Watchers leader.

It had not occurred to me that my plaid, Pendlelton coat and patterned spectators might be the least of my concerns.

All around me – on both sides of employment table – are “kids.”  They appear to be born the same year I graduated from high school.

I lose myself in self-conscious concern.  About my age, my appearance, that I have not looked for work in 12 years.  And when the questions come about desired salary, and ideal work environment, I stammer.

Photo by Sandro. Steppenwolf Theatre.
Photo by Sandro. Steppenwolf Theatre.

Like Daniel in Tribes, when his sense of security – false or not – is taken from him and he reverts to old patterns.

The old tendency to try to be what you need me rushes in.  People pleasing.  Like Billy, learning to read lips rather than pushing his family to learn to sign – which seems selfish, at the least inconvenient, and might make them uncomfortable.

It is an old behavior and yet it sneaks back in as effortlessly as the fucks that can still fly from my mouth.  I feel tired and small.  And sort of stupid.  Even though I know that none of that is true.

But suddenly not so separate.  I see myself in bits of the universal dysfunction unraveling on stage.

I am like Beth.  A tentative, later-in-life writer.  Like Christopher.  Using bluster and swagger to cover up my own not knowing.  Like Ruth.  Looking for love.  Except I no longer ask “What is wrong with me?” while sobbing in my mother’s arms.

Nor do I succumb to the urge to call a boy I know while driving home, when the separateness has returned to me.  A boy fighting demons far greater than my own right now.  A boy who could never give me what I want – which right now is nothing more than to be held.  I know that this is beyond his capabilities – so I think better than to ask for it.

Age, experience – it is grace.

Once home, I write a note to my friend Melinda, as I do most nights – sharing an inventory of my day via email.  I will receive hers in the morning.

Connectivity has been restored.  To the Internet.  To my friend.  To my truth.

Cotton is the Proper Gift for a Was-A-Versary

Today is my wedding anniversary.

Twelve years ago today...
Twelve years ago today…

Except I’m no longer married.

What do you call an anniversary that is no longer?

Was-a-versary? Once-upon-a-time-a-versary?  Just plain shitty?

Are there traditional gifts for it like for a wedding anniversary?  Paper for the first year?

Yes, of course.  Divorce papers.

And cotton for the second?  According to the wedding website, The Nest, cotton represents durability and the ability to adapt.

Yes.  This is so.  Even on days when I feel really fragile.

I don’t remember this day last year.  The first.  Perhaps it was just too painful and my brain protected me, blocking it out.  Like it does, I am told, with the pain of childbirth – this “amnesia” being necessary for the perpetuation of the species.

The amnesia has cleared.  And this year I am more than present for the pain.

It hit me out of nowhere, or so it seemed – arriving Wednesday and continuing to linger like a low-grade cold that lasts all winter long.

I arrived home from my cousin’s wedding, the second in less than 30 days, and was riding my bike when I felt a rush of energy shoot through my body.  It centered in my heart and moved out to my extremities.  Coursing, over and again.  Sharp heat.

I pedaled as hard as I could – trying to force flush this poison from my system.  It didn’t budge.

My eyes welled up behind my oversized Old Navy sunglasses.  My nose flared and felt hot.  But I couldn’t quite squeak out a cry.

I needed more than a cry.  I needed a wail.

This is the feeling I used to drink over.

I should have seen it coming.  The weddings.  The short-lived sex with a boy 12 years my junior.  It was great fun, but as so often has been the case in my history, over practically before it began.  Over before I was done.

Tim, Master Cake Maker.
Tim — Friend, former roommate and wedding-cake baker.

He told me up front he was in no place for a relationship.  But “a little sex won’t kill me,” he said.  Funny, I told him it might kill me.  I knew that somehow my heart would hurt, but I couldn’t help myself.

And then I cut a cord that tethered my ex and I together.  I told him I could not be his best friend.

Our divorce was about as amicable as they get.  We lived together through it all.  Used a mediator.  Never went to court.  The whole thing was done in less than six months.

The night before I left Seattle we sat on his bed waxing nostalgic – remembering him calling me and asking me out for the first time, and me asking “Why?”

He said I was pretty and I had cool shoes.  And then he looked in my eyes and told me I was still pretty.  That I still had cool shoes.  The next morning, I was gone before he woke.

We were close for a while.  And then we weren’t.  I began to heal.  I leaned into the people about me.  Into my art, my writing, my dance.  He noticed the change in me.  In the dwindling frequency of our conversations and commented on it.

“I guess you need space,” he remarked.  I did.  But I was so afraid of losing him in my life that I asked for it in a wishy-washy sort of way.  Backpedaling often.

When he said it again, a week or so ago, I replied in the affirmative.  This time with a little more backbone, adding, “I cannot be your best friend.”  He immediately, expectedly, retreated.

On Wednesday, home from my travels, and the whirlwind that has been my life for the past few weeks, I felt the culmination of the days and of my experiences.  Grief.  Sadness.  It crashed over me like a wave, and all I could do was feel the incredible force of it.

It reminded me of body surfing in Punta Mita with my ex – the Pacific Ocean as warm as bath water.  I got caught by a rip tide and was thrust down into the sand beneath me, head first.  Terrifying.  I began to flail, unsure which way was up.  Until I remembered what I had been taught.

wedding toastDon’t fight.  Stay still.  That my body would naturally float to the surface.  And it did.

I never told my ex, or anyone else, about the experience.  Until now.

I’ve been back in the ocean many times since then.  The experience remains with me.  A shadow.  A teaching.  A reminder, like all of my experiences – especially the most recent ones –I am durable.  Adaptable.  Like cotton.

Artist Date 39: Story of O (pen)

This Yom Kippur, this Day of Atonement (or At One Ment, depending on your school of thought), my Rabbi spoke about being open, and staying open – vulnerable.  To change.  To transformation.

story of oThis is a story about open.

I am anxious to write it.  It is so tender, so personal.  And yet…I have given voice to seemingly every other experience in this year following my divorce.  Specifically regarding the season of suggested “not dating,” and the process of creatively romancing myself on a weekly basis vis a vis, the Artist Date.

I am standing in front of a wall of condoms.  It is 11:30 a.m.  I need supplies.

I pulled into the Pleasure Chest on the way home from leading a Weight Watchers meeting – Artist Date 39.

I took a lover last week.

We are in wildly different places in our lives.  Not surprisingly, we want and need wildly different things.  And we are wildly attracted to one another.

He’s younger than I – which is brand new to me.  He captured my attention with a flirty quip in regards to my Artist Dates.  Something like “I’m not sure what these entail…but I qualify as an artist (I think), and I am free tomorrow.”  (Insert flush across my cheeks, across my chest, here.)

But I wasn’t.  Or the next day.  Or the next.

Until Rosh Hashanah night – the same date my divorce was final last year, on the Hebrew calendar – when the gods saw fit for me to tell a new story.

The days leading up were ripe with sexy texts and suggestive emails.  And our nights together made good on what had been promised in words.

Yummy.  Naughty.  Playful.  And then, Over.

“We can’t do this,” we agreed.  That while decidedly delicious, an ongoing entanglement couldn’t meet either of our more pressing needs.  And might even cause us harm.

Usually I would be devastated by such a fleeting romance.  But I’m not.  I see it all as a gorgeous transition.  A little poke (no pun intended) from the universe that I have opened myself up just a little bit more.  To sex.  To love.  To possibilities.

That’s not to say that I don’t miss the attention, being pursued, and getting to know someone new.  Yes, he is in fact, another artist.  Darling.  Smart and sweet.  But not “the one.”  At least not now.

This is new to me too.  Not trying to make him “the one.”

I used to insist, “this time is different.”  Until my friend Teresa gently pointed out, “It’s always different…and it never is.”  She was right.  It was the same story over and over.  Me believing that he, whomever he was at that moment, had the power to make me beautiful, desirable, whole.

My young artist didn’t make me those things.  He merely held up the mirror.

Being an addict, I (of course) want more.  But I am not acting on those desires.  I am respecting our decision.  Respecting him.  Respecting me.  Respecting us.  And trusting there will be more, with someone (s) else.

And so, I find myself standing in front of this wall of condoms, not for “us,” but for the future.

There are the usual suspects.  Trojans.  Kimono.  Durex.  Latex and non-latex.  Flavored.  Ribbed.  Knobbed.  And some I don’t know.  Plaid boxes.  Sir Richard’s.  Sounds fancy.

sir richardsI am certain any will do.  But for some reason, I decide to call in the experts.  I walk over to the glass counter.  On the other side is a woman with a mess of red curls, funky glasses and a great big smile.  Her name is Sara.

I tell her I need some help.  That I haven’t bought condoms in a while.  That I recently took my first lover since my divorce.  The first man I’ve been with, other than my ex, in 15 years.

“Congratulations,” she says.  “On the divorce.  And the lover.”

She comes around the glass and we walk over to the wall together, where she educates me on the finer points of my choices.  I am reminded of the years I spent at wine tastings, discussing the subtleties of nose and terroir.  Sara approaches our conversation with the same mix of knowledge, passion and joy.

This is what she tells me:

Latex isn’t what it used to be.  It no longer smells like Goodyear Tires when the foil is ripped open.

Stay away from the Trojans.  Too thick.

Pleasure dots are nice for both.  There’s a little pouch on the underside that creates friction.

One brand is nice.  Doesn’t taste bad.

“I’d stick with these,” she says, gesturing to Skyn, Kimono, One and Sir Richard’s.  “Or you might want to consider a sampler pack.  Includes a couple of dental dams and latex gloves.”

She leaves me to shop and reminds me she is available if I have any questions.

So many choices.  I remember coming home from Rwanda last summer, standing in front of the yogurt selections at Whole Foods and bursting into tears – overwhelmed by the abundance.  I feel a little bit the same way.

I pull down a couple of boxes and choose a variety pack from Sir Richard’s – purple and grey plaid.  Made in Boulder.  For each condom purchased, one is donated in a developing country.  A little altruism with my orgasm.  Nice.  I also grab a small box of non-latex Skyn.  I don’t have a latex allergy but, someone else might.

I take a quick spin through the aisles before I leave.  DVDs.  Vibrators.  Strap Ons.  Lube.  I grab a bottle of Sliquid and meet Sarah at the register.

She excuses herself from the couple she is assisting with harnesses.

She nods approvingly at my choices, runs my credit card through, and slips a flyer listing free workshops in the bag.  All of them have passed.

Before I leave, she tells me that she divorced more than 15 years ago, and more than made it through.  “I learned how to advocate for myself sexually,” she adds.  “It’s been great.”

I believe her.  Both on the advocating and on the great.  I’ve already opened myself to it.

Artist Date 38: Creating Community…It’s Not About the Shoes

I don’t know if I filled my creative coffers this week.  By my spiritual and social ones are brimming over.  And that will have to do this week for Artist Date 38.

Overlooking Lake Michigan, at Dawes Park.
Overlooking Lake Michigan, at Dawes Park.

Rosh Hashanah – the Jewish New Year. 5774.  I’m at Dawes Park in Evanston for the ritual of tashlich – where we empty bread from our pockets into a body of moving water.  Some think of it as casting away one’s sins.  I prefer a gentler interpretation.  That I am simply cleaning out the residue of the last year.  Whatever is stale.  Has been sitting around in the corners of my consciousness slowly growing a somewhat furry mold.

I’ve stuffed a package of naan bread in my bag.  It’s been in my freezer since November.  A friend brought it to a party I had, to go with the curried lentil soup I was making.  I’m not much of a bread eater, so I tucked it away for just such an occasion.

Another woman has matzo.  I could have brought that two.  I buy too much every year.

It is my third High Holiday season with the Jewish Reconstructionist Congregation, so I know where we meet.  But this year is different.  I not only know the place, but I know many of the people here too.

My friend Phil is here with his family.  He introduced me to this congregation – specifically the Rabbi — a number of years ago, when I was feeling particularly wayward and spiritually lost.

Since that time I have developed a close relationship with Rabbi Brant and Cantor Howard.   They are tuning up for this short, mostly musical, service that precedes the tossing of the bread.  Jeff is tuning up as well.  We met a couple of years ago at a Shabbat morning service I attended just once.

He seemed to sense I was new and somewhat hesitant, and warmly welcomed me in.  I have had several encounters with him since them.  Perhaps my favorite being when he sidled up to me during last year’s High Holiday services.

He said he read my blog postings from Rwanda and that he liked my writing.  I thanked him and told him I used to write professionally.  “It shows,” he said.  And was gone.

Moments before I had silently cried out to G-d, asking what the plan is, what it is I was meant to do.  I recall looking up toward the heavens, smiling and saying, “got it.”

Mary Jo is here.  Brant introduced us several years ago when I completed my conversion to Judaism.  She joined him and Howard as my witnesses, and was there in that same role when I received my get, my Jewish divorce.

I am now on her permanent invite list for Passover, and the breaking of the fast on Yom Kippur.

I feel a tap on my shoulder.  It is Rachel.  She is a Weight Watchers member I know.

Monica is here with her family.  We met at Shabbat services at the lakefront a couple of years ago.  Michael is here too.  He blows the shofar every year at High Holiday services.  He introduces me to his daughters who are following in the family tradition.

I see Hannah.  She used to wear her head shaved like mine but now she has a mass of ringlets.  She tells me that she’s bought a condo and that she broke up with her boyfriend.  She introduces me to her friend Kelly and we agree we must get together.

A woman I have never met before approaches me.  Her name is Sheila.  She likes my shoes and takes a photograph of them.

Yes, they are “the shoes.”  The shoes that have seemingly come to identify me.  My orange Fly London peep-toe wedges.

The shoes...
The shoes…

The first summer I owned them, people literally chased me down Michigan Avenue to find out what they were and where I got them.  It was fun, talking with all sorts of people I wouldn’t otherwise meet.  And today is no exception.

Walking to the water, a tall woman with a mess of dark curls puts her foot next to mine.  “Nice shoes,” she says.  She is wearing the same ones in pewter.

She tells me she is tossing out the year of rehabbing her broken wrist.  It is healed.  I do not tell her what I am tossing.  Instead, I tell her I like our shoes so much that I have two pairs.  That the second I bought before my divorce was final, when my then-husband kindly said, “Do what you need to before we separate our monies.”

I bought a new lightweight massage table, a Torah commentary, and the peep-toe wedges in mustard.  We laugh at my choices.

I wish her a sweet New Year and peel off to throw my bread, my karmic residue.  There are so many things I could get rid of.  The litany that I repeat every year – self-doubt, unkindness, judgment of myself and others.  I recall that last year I tossed away my identity as a wife.

It was a Monday.  I knew divorce papers were signed on Mondays in the county where we filed.  I had a sinking feeling at that moment that I was officially divorced.  A call to my mediator later in the day confirmed it.

Today I am casting away what my friend Lisa likes to call “an old idea.”  I am embarrassed to admit that I have continued to hold on to it.  Actually, I’m not sure I was consciously aware that I had it, but a series of recent events has cast a glaring light upon it and I can no longer turn away.

I point myself east, tear off a piece of naan and whisper to myself, “I let go of the idea that I am only desirable for sex.”

It is windy and the naan flies back at me.  I turn west off of the dock where the waters are still.  I repeat the words.

I’ve got a lot of naan so I say it a couple of more times, ripping and tossing.  Ripping and tossing.

When I am done, I am approached by a woman.  She asks me about the shoes.  She is radiant and I tell her so.  She tells me about her job search.  Her cancer.

I suddenly remember that people used to tell me things about themselves all of the time.  Friends and family, and random, almost strangers too.  Cab drivers especially.  I realize people are talking to me in this way again.

It’s not the shoes.  Because I wore the same ones last year…I am different.  My heart has healed just enough to let some of my light shine out.  I am open and there is room for others.  They sense it and come in.

Avoiding the Deliberate Manufacturing of Misery

2013-08-15 09.57.14Part of the “uniform” of my 20s was a black, suede backpack.  I was living in San Francisco, but bought it at St. Mark’s Place in New York.  Its contents varied depending on where I was going, but two things were a constant– condoms and a portable toothbrush.

These two items collectively served as a reminder that I was ready for anything.  And that the world was full of possibilities.  A sort of slutty message of hope.

I’m not in my 20s anymore.

And yet, I’ve been carrying around a handful of condoms in my bag – tucked into a zippered case, attached on a string – ever since my ex asked me for a divorce last May.

My friend Mary Kate noticed them last week when I was leaving her house, as I was pulling my keys out of the zippered case.  I saw her glance.  Not in a nosy way… just following my hands.

Busted.

I told her about the black backpack.  San Francisco.  The condoms and the toothbrush.  How I felt like anything was possible.

I also told her I felt like a 14-year-old boy who carries around a condom for so long that his wallet is now imprinted with a circle.  But that carrying them somehow reminded me that I’m ready.  Like a Boy Scout.  “Because you never know where you are going to meet someone…”

She laughed.  She always laughs – it is one of her more charming qualities – and teasingly said, “Right.  You’ll just meet some guy, bring him home and sleep with him?”

Hmmm…

She already knew the answer.  So did I.

Once upon a time, “Yes.”  But not anymore.

Not because I’ve had an ideological shift.  It’s not a question of morals.  Never has been.  Just the painful awareness – which I’ve written about at length – that I am not capable of casual.   And the guidance I’ve been given to avoid the manufacture of my own misery.

I learned that with Mr. Thursday Night last spring.  And with the Southern Svengali in the fall.

It’s not about the sex.  (Because we didn’t have sex.)  It’s not about ridiculously-devilishly-handsome good looks.  (Although both of them possessed those.)

It’s the connection.  The energy.  The emotional intimacy.  That’s the turn on…and what ultimately brings me to a physical connection.  I thought it was always my body moving too fast.  But really it’s my mouth.  My ears.  My heart.

I mentioned this conversation to a friend the next day.  She asked if it had occurred to me that every time I open that zippered case – which is several times a day, as I keep my keys in there also – I remind myself of the sex I am not having.  Or, more to the point, of the intimacy – both physical and emotional – that I do not have in my life right now.

It had not.

The deliberate manufacturing of my own misery.

She continued speaking but I heard little of what she said as I was stuck on this new idea.  I unzipped the pouch, pulled out the sleeve of condoms, walked into my bedroom and put them in the drawer next to my bed.  All the while, she kept talking.

“I just took them out of my bag,” I interrupted.

I added that should I find myself in the position where I “just have to have sex, right here, right now,” I can go to a Walgreens – most of them are open 24/7.

“Perhaps that would serve as a pause,” she replied.

Genius.

It’s been a little over a week since I took the condoms out of my bag.  And the world still feels full of possibilities.

Epilogue: In taking photographs for this blog, I noticed that the condoms had expired.  I promptly tossed them in the trash.