Artist Date 1.2: Life, Animated

 

 

life animated
Copyright. Life, Animated.

My commitment to the Artist Date began as a response to pain. To a man I affectionately referred to as the Southern Svengali and the short, sweet romance after my divorce that I couldn’t let go of. I sometimes forget that.

I forget because the weekly, solo play date as prescribed in the book The Artist’s Way, healed me from obsession I only hesitantly admitted.

I forget because two years of creative commitment, coupled with other work, allowed me to release him. Us. And my ideas about the way we should be in one another’s lives. (Which looks dramatically different than I had imagined. And while our contact can now best be described as sporadic, the connection remains strong … sweet and satisfying to both of us.)

I forget because it gently nudged me into becoming the kind of woman I dreamed of being. A woman engaged in life in interesting ways. Who does interesting things. Who has interesting conversations about more than relationships.

But today, I remember.

I remember as I find a hole in my schedule and watch my mind like a rubber band – snapping back to thoughts of the man I dated before I left for Madrid.

While I know there is no slipping back into one’s life as it once was, I had hoped we might explore dating again when I returned. But it hasn’t turned out that way. And in these quiet, alone moments, I find myself once again struggling with letting go. Of him. Us. And my ideas about the way we should be in one another’s lives.

And so it is grace when I hear the whisper that perhaps now is a good time to re-commit to my creative self again. That an infusion of new stimuli might once again quiet my mind and lead me back to the woman who has interesting conversations about more than relationships.

(While a year in Madrid seemed to have the makings of one grand, extended Artist Date, my days were filled with the stuff of life. All occurring in a language not my own. And Artist Dates became, unfortunately, sporadic.)

I peruse the movie guide — more concerned with time, location and the act of going than what will be projected on the screen – and choose a film.

I cut short a phone call. Say no to a text from a friend asking if I would like company. Both occurring after I’ve made the decision to go. The universe seeming to ask, “Are you sure?’

And I am.

I hop on my vintage 3-speed cruiser and pedal to the Music Box Theatre. Artist Date 1.2. (Officially, number 117 … renamed for congruence with my rededication to the practice and my return to Chicago.)

Grinning ear to ear, I purchase my ticket. Giddy to be with me.

This has always been the magic of the Artist’s Date. A turning inward. A return to myself.

Ironic, as the movie I have chosen – Life, Animated – is a documentary about Owen Suskind, a young man with autism and the tools he and his family use to pull him out from his personal world.

How Walt Disney movies become the lens and the lexicon for connection. The language for articulating what we all want. Friends. Romantic love. Work. A sense of purpose. And what we all feel from time to time, what Owen calls “the glop.” The inevitable pain when the things we want elude us.

We join him in watching scenes from Bambi on his first night alone in his independent living apartment – after his mother and father have left. And later, The Hunchback of Notre Dame when his girlfriend of three years ends their relationship.

Heartbreaking moments punctuated with joy and hope, most evident when Owen connects with his own passion and a sense of purpose. His “Disney Club” – where he and other adults with developmental disabilities view and discuss their favorite films. And experience an unscripted visit from Gilbert Godfrey, the voice of Iago from the movie Aladdin.

I sob witnessing their squeals of laughter, excitement and disbelief … as I am reminded that the universe is full of surprises. That it is always willing to conspire with us. And that our greatest joys often come packaged in a way dramatically different than we might imagine them.

That gorgeous moments of serendipity occur when we turn first turn inward – connecting with our tenderest truths – and then out – vulnerably sharing them. We allow the world to join our party. And sometimes even Gilbert Godfrey shows up.

Avoiding the Deliberate Manufacturing of Misery

2013-08-15 09.57.14Part of the “uniform” of my 20s was a black, suede backpack.  I was living in San Francisco, but bought it at St. Mark’s Place in New York.  Its contents varied depending on where I was going, but two things were a constant– condoms and a portable toothbrush.

These two items collectively served as a reminder that I was ready for anything.  And that the world was full of possibilities.  A sort of slutty message of hope.

I’m not in my 20s anymore.

And yet, I’ve been carrying around a handful of condoms in my bag – tucked into a zippered case, attached on a string – ever since my ex asked me for a divorce last May.

My friend Mary Kate noticed them last week when I was leaving her house, as I was pulling my keys out of the zippered case.  I saw her glance.  Not in a nosy way… just following my hands.

Busted.

I told her about the black backpack.  San Francisco.  The condoms and the toothbrush.  How I felt like anything was possible.

I also told her I felt like a 14-year-old boy who carries around a condom for so long that his wallet is now imprinted with a circle.  But that carrying them somehow reminded me that I’m ready.  Like a Boy Scout.  “Because you never know where you are going to meet someone…”

She laughed.  She always laughs – it is one of her more charming qualities – and teasingly said, “Right.  You’ll just meet some guy, bring him home and sleep with him?”

Hmmm…

She already knew the answer.  So did I.

Once upon a time, “Yes.”  But not anymore.

Not because I’ve had an ideological shift.  It’s not a question of morals.  Never has been.  Just the painful awareness – which I’ve written about at length – that I am not capable of casual.   And the guidance I’ve been given to avoid the manufacture of my own misery.

I learned that with Mr. Thursday Night last spring.  And with the Southern Svengali in the fall.

It’s not about the sex.  (Because we didn’t have sex.)  It’s not about ridiculously-devilishly-handsome good looks.  (Although both of them possessed those.)

It’s the connection.  The energy.  The emotional intimacy.  That’s the turn on…and what ultimately brings me to a physical connection.  I thought it was always my body moving too fast.  But really it’s my mouth.  My ears.  My heart.

I mentioned this conversation to a friend the next day.  She asked if it had occurred to me that every time I open that zippered case – which is several times a day, as I keep my keys in there also – I remind myself of the sex I am not having.  Or, more to the point, of the intimacy – both physical and emotional – that I do not have in my life right now.

It had not.

The deliberate manufacturing of my own misery.

She continued speaking but I heard little of what she said as I was stuck on this new idea.  I unzipped the pouch, pulled out the sleeve of condoms, walked into my bedroom and put them in the drawer next to my bed.  All the while, she kept talking.

“I just took them out of my bag,” I interrupted.

I added that should I find myself in the position where I “just have to have sex, right here, right now,” I can go to a Walgreens – most of them are open 24/7.

“Perhaps that would serve as a pause,” she replied.

Genius.

It’s been a little over a week since I took the condoms out of my bag.  And the world still feels full of possibilities.

Epilogue: In taking photographs for this blog, I noticed that the condoms had expired.  I promptly tossed them in the trash.