The Accidental Dater

I accidentally started online dating.

One of my online profile photos -- showing my "quirky" side.
One of my online profile photos — showing my “quirky” side.

I know, right…how does one “accidentally” start online dating?  Here’s how:

A couple of months ago I took a peek at Match.com.

More than a year had passed since my divorce was final, and the people who had suggested I take some time off were now suggesting that perhaps I might consider putting myself out there.

I didn’t get very far.

I began filling out a profile and got stymied on “body type.”  I said curvy.  I was told I was mistaken.  That the correct answer was thin or fit.

I pushed it aside and entertained a long-distance love affair instead – pinning my heart to a man who lived 700 miles away, wasn’t quite divorced, and was even less emotionally available.  Until he just couldn’t do it.

He never said that.  He never said anything at all.  He walked away without a word.  And for the first time in my life, I did not demand an explanation.  It was clear.

Well-intentioned friends suggested I consider JDate while I nursed my heart back to health.  Once again, I began filling out a profile, as I had done with Match.  And once again, I didn’t get very far.

The men I saw while trolling neither quickened my heart nor tugged at my loins.  This likely says more about me and my availability than anything about them.  Nonetheless, I stopped looking…even though Match and JDate continued to send me “potential” matches.

A few weeks went by and I thought I’d try again – this time, OKCupid.  It seemed everyone I knew who had any online-dating success – including my ex-husband – met here.  And, unlike Match and JDate, it was free.

I began filling out a profile, believing I would troll anonymously as I had on the other two sites.  Within moments I started receiving pop-ups like, “Mr. OnlyHasEyesForYou viewed your profile.”

What profile? I hadn’t even completed filling one out.  I panicked, but kept typing – adding photos and pithy prose describing what I am doing with my life and the six things I cannot live without, wondering if I had chosen the proper screen name.

"Show don't tell."   One of the first rules from journalism school.  Dancer. Traveler.  Joyous.
“Show don’t tell.” One of the first rules from journalism school. Dancer. Traveler. Joyous.

That was two weeks ago.

I’ve received photographs of 20-somethings’ manscaped chests with a note asking if I fancy younger men.  I’ve received cheesy, singles-bar lines like, “You are too hot to be on this site.”  Recently, I received a note from a man in his 60s looking for companionship on his ranch in Arkansas.  He isn’t looking for love, he said.  If that comes, fine.  But what he really wants company and a stay-at-home gal.

I have not responded.

I’ve discovered humor doesn’t always translate and what I think is clever might not be received that way.

And I’ve learned what looks and sounds good in email also does not always translate, as evidenced by a seriously strained phone call.

I responded by resorting to an old behavior – sharing unattractive information about myself, in hopes it will drive the other person away.  While I am not proud to admit this, it worked.  Neither he, nor I, followed up with one another.

I thought about writing a quick note, wishing him luck, but I didn’t.  I’m not sure what proper etiquette is here.  My ex tells me there is none.  (He also told me to get ready for a bunch of dick photographs.  Thankfully, to date, I have received none.)

my first, with one of the first men who wrote to me.

He appears smart, clever and articulate.  His pacing feels in sync with my own.

We do not communicate every day.

We have just begun to share more personal aspects about our lives.

He has an adopted daughter who is African-American, and he cannot get her braids right.  I am an adoptee too.  My mother couldn’t get my braids right either, and my father never considered trying.

I’m talking to a couple of other men.  Some seem a little too eager.  And I wonder if that is my own fear or if it is the truth.  Others seem a little more breezy – like myself.  And that is the miracle of this.  I feel breezy.  I have not hooked into any of them.  Or even the idea of any of them.

Turns out, online dating is an excellent exercise in detachment.  People come.  People go.  Some respond.  Others don’t.  Some respond and then stop responding without a word.

Sometimes I respond.  Sometimes I don’t.  And sometimes I stop without a word.  When it is clear there is no “there, there,” to quote Gertrude Stein.

Sadly, I’m not quite over Mr. 700 Miles.  However, meeting all of these men reminds me the world is full of romantic possibilities.   I’m fairly sure that this new knowing, unlike how I got there, is no accident.

Artist Date 71: An Ice Cream Kind of Day

First Stop.
First Stop.

It is 70-something and breezy. The kind of day all of Chicago has been waiting for. The kind that should have me grinning ear to ear. But it doesn’t.

I am walking and I figure if I am out here long enough, I will end up somewhere I’ve never been before – which is the point of the Artist Date, Number 71. New input.

I point my feet towards Andersonville – an old Swedish neighborhood on the north side that became popular some 15-plus years ago, yet somehow still retains a whisper of its original feeling.

I have the overwhelming urge to call someone to meet me for ice cream. Because, it is an ice cream kind of day.

I consider my date from last Saturday. Or the man I ran into Friday night. The one who told me he had been feeling lonely.

I seem hell-bent on getting away from myself. I’m not sure why. I try to observe this but not over think it.

I walk into Pars – the Persian store I have passed so many times – instead.

There are hookahs and flavored tobacco. Stacks of soap made from laurel. Rows and rows of loose tea in jars.

Packages of frankincense and sumac. Pots for making Turkish coffee. Halavah. Mildly gritty. Somewhat sweet. Made from ground sesame seeds, it is an acquired taste. I’m pretty sure only Jews and Arabs eat it.

The store is sort of sad and sparse. I leave after 20 minutes of so, no more filled than when I arrived.

I land at Roost. Overpriced, salvaged items line the sidewalk out front.  The kind one gets for a song at estate sales in the country, out-of-the way places where those left behind have little to no idea of the value of what they hold.

Inside are candles with man-ish names and smells like “tobacco and oak.” There are mugs with the Lipton Cup-a-Soup logo on them. Cardboard produce boxes that read, “Glass Grown Brand Greenhouse Tomatoes” and “Michigan Zucchini.”

Stop Two.  Typewriter at Roost, the one that connected me back to people, and to myself.
Stop Two. Typewriter at Roost, the one that connected me back to people, and to myself.

A vintage typewriter.

Two older men giggle. “Where is the screen?”

I tell them I learned to write on an IBM Selectric in journalism school. One recalls saving his birthday money to buy his first typewriter – because his handwriting was so terrible. The other received his as a high-school graduation gift.

We press the keys. They are clunky and heavy. I show them my tattoos, “write” and “left,” in typewriter font. The “f” and “i” raised for effect.

I feel a smile curl on my lips and realize I no longer have a desire to call a boy and get ice cream.  At least right now. Even though it is still an ice cream kind of day.

Walking towards home, I cut down Balmoral – a street I never walk down. I am summoned by Greensky.

I hear the shopkeeper mention to customers that most everything is sourced from “Up North” – a term only Michiganders understand – referring to the northwest part of the Lower Peninsula.

I spent my childhood summers Up North. It is a magical place. When I returned to it some 30 years later, I found it was just as I had remembered.

I finger through the Positively Green cards and buy two to send to myself. One is yellow with sunflowers. It reads “Some people are so much sunshine to the square inch. – Walt Whitman.” The other, “As no love is the same, no loss is. – Alla Renee Bozarth.”

Stop Three.  Where I found compassion for myself.
Stop Three. Where I found compassion for myself.

I think about the man who walked out of my life without a word exactly one month ago. My friends pointed out all the red flags, but I still don’t really see them. All I know is he touched my heart deeply. And that I am still sad.

I think about what I will write. What I tell myself. What I will tell the child that resides inside of me, the one who once said out loud, “I thought he loved us.”

I respond to her with compassion I can never muster for myself.

“He did love us. As best as he knew how.”

She is filter-less, honest and wise.  A little bit younger than I those summers Up North.

I will tell her I am sorry she is hurting. That time takes time.  That I love her.  Then I will address it, stamp it, and pop it in the mailbox.

I know I will feel differently one day. I just don’t yet. Like I know that today is still an ice cream kind of day.

Universal truths.

And later I will have some. Brown butter and salted peanut. I will eat it with a boy, my friend. And together we will share our lonely.

Welcoming Juniper Maya with the Hand of God

2014-03-25 01.42.32I keep my phone plugged in to an outlet near the floor so that its light does not interrupt my sleep. But also, because it brings me to my knees first thing in the morning – prayer becomes non-negotiable.

It is 1 a.m. and I am on my knees. I have only turned off the lights two hours ago.

“Is it time?” I ask, seeing it is Clover.

“It’s time,” she says,  her voice both dreamy and reassuring. “Take your time.”

We have plenty of it. Nearly 17 hours until Juniper Maya is born. Clover is her mother. And I am Clover’s doula – Greek for servant or birth support.

I brush my teeth and pop in a fresh pair of contact lenses. Pull on a pair of grey skinny corduroys, a purple and white checked blouse and the sweater I can’t bear to give away. The blue merino wool one with the tear under the armpit, and that is separating from its collar.

I pack a bag with berries, yogurt and cereal. Baby carrots. Apples. Sweet potato. Clover and Andy have been cooking and freezing for weeks in preparation for the birth and the days and weeks after. But I pack this, along with a journal and a book – just in case – and jump in my car, leaving the bag with my glasses and toothbrush by the door.

It is quiet out and beginning to snow. I circle the block twice and find a spot nearby. Before getting out of the car, I pray. “Please join us in this sacred moment. May this be a safe and joyous birth for mom and baby.” Or something like that. I am surprised. I didn’t plan to pray. It just sort of spilled out of me, as my prayers often do.

Andy buzzes me in. There is a handmade sign on the door – birth in process. We greet one another in the hallway in whispers.

Inside, it is dimly lit. There are candles. Music is looping from a play list created just for this moment. It is all part of Clover’s birth plan. She greets me sleepily in a short, cotton nightgown. Soon she will be wearing nothing at all and it will seem like nothing could be more natural.

********************

Clover and Andy demonstrate the routine they have established. With each contraction they grasp one another’s upper arm. Andy leans back and they count through it – together. One.   Two.  Three.  Four.  Up into double digits, until it is over.

I trade places with Andy and begin counting and leaning and holding on. This will be our foundation for the next 17 hours. The ritual we return to.

It is warm inside. Clover gives me one of her t-shirts. It is grey and oversized with butterflies on it. My friend Julie’s mother Carole (now deceased) often visits both her and I as a butterfly. I know she is with us now.

********************

2014-03-25 01.49.41We eat. We walk. We count.

Clover bounces on the birthing ball. She does cat and camel poses on her hands and knees while I stand behind her, pressing her hips together to midline. Relief.

We doze in bed. Clover and Andy lying next to one another. Me lying perpendicular to them at the foot of the bed. Later I will lie between them, placing my fist in Clover’s low back, gently pushing her sacrum toward her feet. My arm stretched over her body. Her hand clenching mine, until I think my tarsal bones might break.

Clover reminds us of the images that ground her. A sparkly oak tree. The river that runs behind it. A nearby staircase made of fluffy, white feathers. Her spirit guide, Strident.

Andy takes apart the dining room table to make room for the tub. Inflates it and fills it with warm water. Clover climbs in and smiles. The water is holding her and everything she has been carrying.

Morning comes through the pulled shades. Andy calls the midwives around 7:30. Clover has been laboring for 12 hours now. Hilary, the midwife, tells her to keep her voice low, in her abdomen, as opposed to in her throat – which feels more natural. This will help move the baby lower into her pelvis.

Her grunts and noises sound remarkably sexual when she does this. It seems fitting the noises would be the same both conceiving a child and delivering it.

Clover and I are walking. Her hands on my arms. Mine upon hers. She looks directly into my eyes. Hers are big, round, open. Is it fear? Trust? Amazement? Fatigue? I’m not sure. I meet her gaze, as she has asked me to. And I tear up. I am trying to be solid but I feel like I will fall apart at any moment.

No one has ever trusted me this much. Trusted my heart. My body. My psyche. I am overwhelmed.

 ********************

 2014-03-25 02.28.27The first midwife assistant, Sarah, arrives around 8:30 a.m. She is extraordinarily perky. She has slept. We have not.

She watches Clover and I move through a contraction.

We have a new pattern. She squats and I squat with her. I tell her to see the oak tree. To see Strident in the oak tree. She softens and collapses into me and I hold her naked body against my clothed one. We will repeat this again and again.

Sarah puts a fetal heart-rate monitor on Clover’s belly. She will do this following each contraction to make certain everything is as it should be.

I leave Clover with Sarah and walk into the kitchen. I look at Andy, who is making me yet another cup of instant coffee. I tell him this is perhaps the most important thing I have ever done. “Me too,” he says.

A few hours later a second assistant arrives. And around noon, Hilary – the midwife – shows up.

They are all very matter-of-fact. Except about moving. When Clover moves, the baby moves, they explain. And so we keep her moving. In the tub. Out of the tub. In the bed. Out of the bed. Over the toilet. On all fours. On her side. Squatting.

I hold. I squat. I invoke the oak free and Strident until the images no longer produce the desired effect. “No more oak tree,” she says.

Clover’s temperature rises and falls. She steps out of the tub and we wrap her in towels. Moments later she throws them off.  She is like James Brown, hobbling off stage with a cape draped over him, then tossing it off and jumping into the splits. All except for the splits.

We laugh. All except Clover. She is somewhere else. Focused.

Not once does she say “I can’t.” Only, “this is taking so long.”

********************

clover and mayaIt is late afternoon and she begins to push. The midwives continue to keep her moving. Reminding her to keep her voice low in her body. She is in the tub. I am taking photographs, as she has asked me to do. The camera hides my tearing eyes.

I do not know if they are happy or sad tears. Perhaps both.

I put the camera down and kneel on the side of the tub so that Clover can grasp my hands as she has so many times now. She does, and then lets go, grabbing on to the handles on the side of the tub. It is her and her God alone in the tub. We are her chorus, surrounding her.

And the miracle emerges – all head and a shock of dark hair. Her tiny body tethered by the umbilical cord. Hilary shouts, “Catch your baby! Catch your baby!” And she does.

The pool is red. Clover is radiant. Energized.

Hilary pulls a cap on to Juniper Maya’s tiny head and wraps a towel around her. She lies on Clover’s chest. Andy cuts the umbilical cord.

 ********************

I feel the tears rise up inside of me. I want to leave.

I am sleep deprived. My body is full with food I wouldn’t normally eat. Spoonfuls of crunchy peanut butter. A chocolate energy bar. Chicken stew. A cold sweet potato. And yet I still feel hungry.

I am acutely aware that my long-distance love, Mr. 700 Miles – the one who slipped away without a word several weeks ago – is shockingly, frighteningly present.  That he has been for the last 17 hours, during which time I have told him, again and again – quietly, internally – “You gotta go.”  He is never gone for long.

I feel sad that I cannot, will not, be able to share this experience with him.

I feel sad that he will never meet Clover, Andy and Juniper Maya.

I feel sad because I recently had the thought, “I would have a baby with this man.” A thought I had never had before.  Not even with my ex-husband.

I begin cleaning. Picking up towels strewn across the floor, determining which can be laundered and which go in the trash. Emptying trash bins and putting in fresh bags. Scrubbing the slow cooker. Loading the dishwasher.

I watch Sarah drain the tub with a hose – siphoning the water mixed with blood and other fluids into the toilet.

I gather my things and greet the family in the bedroom.

Hilary is stitching Clover. Juniper Maya is nursing. I help Andy send a text to waiting friends and family.

Clover tells me the small box with ribbon is for me.

We hug. We kiss. We exchange words of gratitude. None of them quite capturing what we have shared.

I tell her I love her and that we will talk about it – all of it – later.

********************

2014-04-06 22.16.11I am barely out the door and I begin sobbing – heaving, convulsing, cannot catch my breath tears.

I arrive home and see my bag at the door. The one with my toothbrush and eyeglasses. I scramble some egg whites and pick up the phone, calling Sarah, Lynn, and Chase. I call Anne. And Kristina. Anyone but Mr. 700 Miles. I leave messages for each of them. And one by one, each calls me back.

I open the box from Clover. Inside is a delicate gold chain with the smallest hamsa (palm-shaped amulet) I have ever seen.

I fall into bed.

Tomorrow Clover will tell me the hamsa is the hand of God. That my hand was the hand of God.

I will recall telling Andy this is perhaps the most important thing I have ever done.

And I will be certain of it.

Thank You For Your Bad Behavior

Last Saturday I ran into R. at a party. We hadn’t seen one another in a while. And while she looked stunning at first glance, I intuitively knew something was wrong.

Her vibration was low. And she seemed less sparkly than usual.

She confessed she was in what I like to call a “come-here-go-away” relationship. She had become involved with someone who was not emotionally available.

I could only smile. Not for her pain. But because I know it so well.

For the past two months Mr. 700 Miles (Away from Chicago) and I had been doing the same thing. Until two weeks ago, when – without a word – he went away. No text. No phone call. No Facebook message. Nothing.

A part of me felt sideswiped.

We had just Skyped the night before, before bed, as had become our ritual – enjoying all that technology allowed us to enjoy about one another. We blew a kiss goodnight. He said he would call me the next day.

Intellectually, I had no reason to believe he wouldn’t.

With Jo, the night he walked away.  I told her he wouldn't call.  She told me to let it unfold.
With Jo, the night he walked away. I told her he wouldn’t call. She told me to just let it unfold.

And yet all that day and the next I felt twisty and anxious. Something inside of me knew otherwise.

I was right.

What I didn’t realize was we wouldn’t speak again.

I don’t exactly understand what happened. And yet, I do. Clearly, he couldn’t do it. And for whatever reason, he couldn’t tell me he couldn’t do it.

At first I felt sad. Confused. Then I got angry — chucking magazines across the apartment, their glossy pages smacking and fanning out on the hardwood floors, and shouting into the universe, “You F**king Pussy,” choking on my sobs.

I beat the bed with a red spatula – the one my friend Kristen brought me the day I moved into my apartment – whacking it until I was exhausted.

I wrote a letter in red marker – one I will never send. It wasn’t kind or generous or understanding. It didn’t speak of my gratitude for him in my life, or that my heart would always be open to his friendship – even though this too was true.

I didn’t write it to garner a response, or to guarantee he would remember me a certain way.   I wrote it so I didn’t have to hold the pain myself. So I didn’t have to pretend it didn’t hurt when it did.

It felt good. And hard. And when I was done, I wiped the Alice Cooper mascara rings from under my eyes and went to sit in a church basement with the people who taught me I didn’t ever have to drink again – not even during times like this.

I miss him. Our friendship. Our deep connection – emotional, spiritual, creative, sexual.

But I do not miss what I saw in my friend Saturday night. The twisting. The anxious. The uncertainty.

The holding on to what was, what could be, rather than what is. The hearing only what I want to hear – what fits my story.

The trying to wedge myself into a sexy stiletto of a relationship – the one that gives me blisters.

Dressed up for the party...no date necessary.
Dressed up for the party…no date necessary.

And as R. told her story, I felt gratitude. Gratitude for his “bad behavior.” In walking away without a word, he made the choice for me. A choice I had made a month prior, in a moment of strength and clarity, when I told him I couldn’t do this. That I needed more. A choice I ultimately could not stick to it.

It all reminds me of when my girlfriend A. divorced me a couple of years back. When she told me I was “too much.”

“I am sorry you feel that way,” I said, rather than, “You are right. Please show me how to be strong like you” – which was, at the time, more my style.

At that moment our karmic contract was broken. We were done.

It has been more than four years since we had that conversation at her home in Long Beach. Over the years I have reached out just a handful of times. She never responded. And then I stopped trying.

I thought being told I was “too much,” was the worst thing that could happen. It wasn’t. And in the process, I learned that I wasn’t either.

I thought “being left without a word – abandoned,” was the worst thing that could happen. It wasn’t. And I learned that I wasn’t either. That that is an old adoptee fear. Old language. He simply chose a different path. And he chose not to tell me about it. It was never about me.

Perhaps that was our karmic contract. Or at least part of it.

R. left the party early. Perhaps to see her Mr. Come-Here-Go-Away. Perhaps to twist and perseverate.  I’m not certain.

But I stayed. I ate cake and talked with friends about the book proposal I am working on, the contract work I recently secured, and about dancing a master class with the Alvin Ailey American Dance Theater.   Anything but him. But us.

And on the way home, I thanked Mr. 700 Miles – for many, many things – among them, his “bad behavior.”

Rising Up Into Warrior

Drawings -- icedteaandlemonade.blogspot.com
Drawings — icedteaandlemonade.blogspot.com

When I was a child, my mother did yoga.

I have a vivid image of her in black tights and leotard, trotting off to our swim club – where lessons took place in the “party room,” in front of the fireplace.  She took a towel with her.  It was 1976.  There were no yoga mats.  She boasted that the teacher said she was doing well as she often fell asleep at the end, during Savasana – corpse pose.

I do not do yoga.

I have written about it before.  That I wear this like a badge of honor.  That I am the massage therapist who does not do yoga.  Who wears red lipstick, tailored clothing and heels.  Ever the contrarian.

Until last Thursday, at 6:30 a.m., when I am.

My friend Jeanette is to my left and a little bit forward, so I can watch her out of the corner of my eye.  She is tall to my short.  She knows what the poses are as they are called out.

I know many of them too.  It is untrue that I have never done yoga.  I have dabbled, and not liked it.

Sometimes because I wanted a more vigorous workout.  Sometimes because I felt intimidated.

Mostly, because it made me cry.

My last attempt at yoga was in Seattle.  One of my last efforts to bring my then-husband and I together.

He had found a studio on the top of Queen Anne Hill that he liked.  Small – with just enough room for six mats.  The students were fairly consistent each week, and none of them looked like “Western Yogis.”  Most came to heal a physical or emotional wound.  He liked the teacher.  And he thought I would too.

I did.

But every session I found myself on the verge of tears, wondering when class would end.

The poses were not terribly difficult.  But we held them for what seemed like forever.

I felt my chest rip open – my beating heart vulnerable and exposed.  Too much.  I told her that.  She said it was good.  Everyone said it was good.  That I needed more of it.

Savasana. Yogaflavoredlife.com
Savasana. Yogaflavoredlife.com

It did not feel good.  And while always one to push myself toward more growth, I did not feel like I needed more of it.

So it is a surprise to find myself here on the first day of spring, in the front row of a hot studio, not quite heated to Bikram temperatures, but more than warm.

I committed to it during a Weight Watchers meeting I was leading.  We were talking about accountability.  Partnering.  And stepping outside of our comfort zones.  Jeanette mentioned her class at Om on the Range.  I blurted out, “I will meet you there.”

It is snowing outside.  Big, fluffy flakes.  It is March 20 and the room smells like men’s body odor, which is different from women’s.

The room is darkish.  At times, even darker.  The music changes.  At moments verging on electronic dance.

We begin the session with a collective OM.  I feel the words resound in my ears and bounce off the walls around us.  I think of my synagogue in Seattle – the meditation congregation, Bet Alef.  Rabbi Olivier began each Friday night service with several collective ShalOMs.

The instructor’s name is Veronica.  I have shared my yoga trepidation with her before class, as I was the first to arrive.

She gets it.

The movements are faster, fluid — Vinyasa.  It feels better to me.  And I can mostly follow along.  Veronica makes adjustments to my body.  Uncurling my toes.  Instructing me to bring my feet closer together.  To lean into the edge of my foot for balance.

Warrior 2.  Yogaflavoredlife.com
Warrior 2. Yogaflavoredlife.com

My mat gets wet from sweat and I run a towel along it to keep from slipping.

And it all becomes too much.  Too hot.  Too fast.  Too challenging.

I am too open.

I drop into child’s pose and sob quietly.  Tears mixed with sweat.  Damn it.  My broken heart has seeped through the steely concentration of my mind and body.  And I allow myself to weep.

I stay in this position for what feels like a long time.  I remember Jeanette telling me about a man who lied on the floor with his legs on the wall for the entire hour.  I feel permission to do whatever it is that I have to do.  That I can stay in child’s pose for the entire session if I feel like it.

Veronica puts per fingers on my tailbone and gently pushes it towards my feet, curving down to the earth.  It feels good to be touched just a little.

But I do not stay in child’s pose for the whole session.  I rise up again, into Warrior.  Warrior II.  Warrior III.

We end class with a collective OM.  Jeanette high-fives me.  Veronica reminds me I have a week of unlimited classes.  I slip a schedule into my bag.  A calendar of possibilities.  A reminder.  I can do anything for an hour.  I will rise up again.

Surrender In A Box

My friend Cynthia has a God Can.  “Because God can,” she says.

I’m not quite that optimistic.

2014-02-25 15.36.44
My God Box.

I keep a God Box, instead – wooden and carved.  From Poland, I think.  My friend Patsy gave it to my ex and I as a wedding gift, stuffed with cards on which our guests might write their wishes for us.

I’ve used it as my God Box for a while now.  Long before my ex and I called it quits.

We moved the wishes into the bottom of a cherry-wood box holding black and white photographs of our big day.  Another gift from another friend.  I think I tossed the wishes in the recycle bin when I left Seattle a year and a half ago, but I’m not entirely certain.

Over the years I’ve stuffed the God Box with dreams, wishes and, perhaps most importantly, people and situations over which I have no control.  Which is pretty much everything and everyone…but in this case, those that caused me pain, anxiety, obsession.

Slips of paper and folded-over sticky notes with names.  Occasionally a few details.

My birth mother – she would have jumped into my skin if I would have let her.  In the early days of our reunion, she would call so often I didn’t have a chance to call back.

My mad crush in marriage – the one who bought me a whole smoked-salmon on my 39th birthday and nodded knowingly to seemingly every word I said.  My guru – the man who held space for everything that poured out of me.  Who saw me, was charmed by me, and knew how to hold a boundary.

I desperately wanted to keep each of them.  For each to fall into his or her proper place in my life.  That was my prayer.  To hold them near.  Available.  But without the pain of longing and attachment.

All that has come to pass...
All that has come to pass…

The Southern Svengali.  The man/boy who swept me off of my feet when my birth mom was dying in Charleston.  My divorce buddy – the one who spent long, intimate hours on the phone with me every night but insisted he did not have romantic feelings for me.

Orders to the universe.  For my condo, my apartment, my office.  Notes for a workshop I have yet to conduct.  Questions.  Who would drive back with me from Seattle to Chicago?  A dollar bill.   A prayer for prosperity.

I opened up the god box the other day and put a new slip of paper in it.

The name of a man 700 miles away.  Last week I told him I could no longer ponder the possibilities of a romantic relationship with him.   That he wasn’t available enough to me.  And I was no longer available for the knot in my stomach I called uncertainty.

That pain moved from my stomach to my heart.  I miss him.   I miss my heart leaping each time he calls or messages or just comments on my Facebook status – as if to say, “I see you.  I am here.”

What remains...God's work.
What remains…God’s work.

I wonder, will we be friends like we promised?  (I hope so.  We adore one another.)  But how?  How will he fall into his proper place in my life?While the box was open, I took out the mess of slips inside and read them.  I saw that most of these things had come to pass.  Had worked themselves out without my doing much of anything, other than writing words on slips of paper and stuffing them into a box.  And occasionally twisting, which I’ve learned is not essential to the process.

Most.  But some remained.  Unresolved.  Insistent questions about how I will support myself.  When, where and with whom I will have my next relationship, romantic encounter, date, sex, kiss.  Words cut out from a magazine, “dreams do come true…”  I left them in the box, along with the newest addition.

I’m not sure what to do with those that have come to pass.  Do I keep them as a reminder that things change — with or without me?  That new loves, losses and worries displace the old ones.  That more often than not, I receive some sort of version of what I want? Or do I burn them — as a prayer and an offering?

Meanwhile, there is a little more space in my God Box — room for my work, money and romantic possibilities to grow.  Room for God to work on them.  Room for me to act as if I believe that God is working on them — which is me doing my work.  Writing rather than worrying.  Right now.

Artist Date 62: Standing On…? Wondering Where I Am.

"Love is Pain." Artist, Judith Hladik-Voss.
“Love is Pain.” Artist, Judith Hladik-Voss.

Love is pain.

That is what the quilt says.  Right in the center on a big red heart.  All around it are stages, stops – like on a game board.  Candy Land or Risk.  Yeah, Risk.

Love.  Joy.  Desire.

Trust.  Faith.  Intimacy.

Jealousy.  Anger.  Betrayal.

Heartbreak.  Wound.

Anxiety.  Disillusion.  Despair.

Loss.  Grief.

It is Valentine’s Day.  I am at the Greenleaf Art Center for the exhibit – Be Mine.  I am meeting my girlfriends here, but they are stuck in traffic.  So I am alone.  Impromptu Artist Date 62.  My second this week.

I step back and look at the quilt that greets me as I walk in the door, wondering where I am on it.

Joy.  Desire.

I met a man.  Or perhaps I should say, re-met.  We knew each other once upon a time.  Kind of.   We are getting to know one another – not quite again – but now, for the very first time.

He is smart and funny, creative, sensitive and sexy.  I’m pretty sure he feels the same way about me.  We can talk for hours about anything and everything.  We laugh a lot.  And I find myself smiling a lot.  Friends have noticed this.

There are about a thousand reasons why this will likely not work out and I will land on the square marked Heartbreak.  I occasionally visit Anxiety already.  I hate uncertainty.  But I can’t not see this through.  I want to find out about us.

Trust.  Faith.  I am trying to practice both in my life.  Not so much with him, but with the universe, my higher power.  Intimacy.  Yes.  We are building that — slowly.  He lives several states away, so we are forced to go at this pace.  Although the recent addition of Skype dates – we have one tonight – have added a heat to the flame.

I have not told him every single thing about me – emotionally vomiting, as if to say, “So can you handle that?”  And, obviously, I have not slept with him.  I haven’t led with my sexuality – my one-time calling card – either.  Refraining from saying things like, “I think about you bending me over the butcher block and hiking up my dress around my waist.”  I think them instead.

"Ungentlemanly Behavior."  Artist, Cathi Schwalbe.
“Ungentlemanly Behavior.” Artist, Cathi Schwalbe.

Loss.  Grief.  I still find myself here sometimes too.  Not as deeply entrenched as I once was.  I am no longer up to my knees in it.  I am standing in the sun, my feet wet, in a puddle left from the storm.

Post-divorce, grieving the loss of the fantasy, that that one person will be there no matter what.  Always.  That this love will quiet that part of me that silently screams “Don’t leave me.”  It is a lie.

Day one of my life on the planet.  Separated from my mother.  I do not recall a second of it.  Yet I know a part of my work here is to heal it.

I watch it get kicked up and manifest in unconscious, desperate attempts for control and certainty.  As if that will heal me.  But it doesn’t.  Neither did a husband.  Nor meeting my biological parents.  The work is mine alone.

I move on to a series of men’s shirt collars embroidered with real messages from the artist’s experiences with online dating.  “What kind of underwear girl are u?”  “Every young man want to get laid by a gray hair lady.” “You want a naughty pic?”  It reminds me I have not finished my Match.com profile.  And that I probably won’t.

There are maps covered with pins and handwritten notes.  Heart-shaped boxes filled with broken glass and newspaper clippings. A video of a woman covered in striped fabric dancing with a bee.

I return for a third time to a piece titled, “Love Letter.”  It is long and tall, like a body.  With hair at the top, words winding down the center, like buttons, and rocks circling the bottom.  The artist, Sherry Antonini writes, “Love Letter is a meditation on listening inward and noticing outward; on persistence and on beginning again with what is left over.”

I read the poem running down her torso again.  It is still too much to take in.  So I photograph it – in pieces.

“Keep time.  But throw away most other things, including reasons to worry…Watch for signs, however small.  Push through with ideas, envisioning them as even bigger than you think they deserve to be.  Do this until you can once again see yourself shine…

"Love Letter."  Artist, Sherry Antonini.
“Love Letter.” Artist, Sherry Antonini.

“Make a list of the things you hold at core.  Those essences nearly forgotten, cast aside for too long…Months or years it is that you have been bound tight and stilled, silenced in some darkness.  But the beauty of light is insistent…

“First, you fill up a room, then you empty it, one piece at a time and all in its right time.  No one can tell you not to.  Or that you can’t.  That you never will.  Or won’t ever again.

“When you rotate the stones point them in line with your heart’s desire, you put your hands once again on your own gleam of power and touch possibility.”

I head toward the front door as my friends are entering.  Unplanned.  Serendipity.  I meet them, filled, spilling over.  Love.  Joy.  And later, this man who makes me smile big, on Skype.  He notices my grin and tells me he likes it.  I read him the poem, still trying to sort my way through it.  Intimacy.  Faith.  Desire.

Artist Date 59: Waiting. On The Journey To Becoming

I am waiting on some news.  Both personal and professional.  Nothing scary or life-threatening…as a loving friend of mine recently asked.  But all in G-d’s time, or at the very least, not mine.

The chime on my phone notifies me of messages received and my response is purely Pavlovian.  Hope rises.  And when I check my phone and discover I still have no news, hope falls.  I feel my heart literally sink just a little bit.  Awful.

Radio silence.  My friend Michael says it is normal.  Winter.  “‘Tis the season.”  His words, literally.

I want to punch him.

He sends me photographs of the shore of Lake Michigan, taken from the Indiana Dunes.  This is what quiet looks like.  It is at once both sad and beautiful.

lonely beach

He is right though.  It is in the silence that I find my center, that I soothe myself…even though it is the silence, the not knowing, that has me so uncomfortable.

I turn off my phone at dinner with friends.  No ringing.  No vibrating.  No notifying.  Silence.

I am completely present with the people about me.  I am not thinking about what I do not know.  I am happy and serene…until I turn it back on and watch hope rise and fall again.  And watch myself respond with a level of emotion that does not feel at all congruent.

Next day, at work, I turn the phone off again.  And when I power it back on later, I ignore the notifications alerting me to the messages waiting.  Instead, I bring my attention to my friend Nora, who is sitting across from me.  I am again happy and serene.

I feel empowered.

It feels a little bit like when I quit smoking, nearly 15 years ago.  That first week, I was high on not smoking.  That feeling of “I can’t believe I’m doing this…”

The weeks that followed, sans cigarettes, were not filled with that same awe and wonder.  But that is a different story.  And a different lesson.  Fifteen years later I am grateful for a different identity – one of a non-smoker.  And the absence of the yellow stain on my second finger that I could not scrub off – my personal breaking point, my bottom.

My bottom here is that I fundamentally understand I am powerless over people, places and things, and yet, I sometimes still find myself allowing the actions of others to determine my sense of happiness, security and well-being.  I watch myself hand over my serenity.  It is painful.

And it is in this painful awareness that I recognize I have a modicum of control over the anxiety I perpetuate.  That I can dial down my discomfort by simply turning off my phone, or ignoring its messages until I am in time and space to better receive them.

That I can receive the same relief by staying busy, and by pointing my attention to what is right in front of me.

Like Nora.  Like the Artist Date penciled in my calendar.  Number 59.  Chicago Cultural Center for the “Wright Before the Lloyd,” exhibit.

2014-01-30 15.17.11

I am here just a short time – about 45 minutes.  Just long enough to feel the fog in my brain clear, making way for new information, and for my whole body to exhale.

The show is small – photographs, sketches and placards covering either side of a long hallway.  It is a journey of becoming.  The transition from Frank L. Wright, to Frank Lloyd Wright.  A seemingly subtle, but significant, metamorphosis.

I read about his mother, determined that her son should become an architect, placing engravings of cathedrals in his bedroom for inspiration.  His uncle with wild long hair, unconventional fashion sense, and a memorable three-part name who served as role model.  His work with Adler and Sullivan and the “mistakes” he made on the way to creating his signature style.

I notice that many of the buildings shown on this trajectory from Wright to Lloyd Wright are no longer standing.  Either burned down or destroyed.  Gone.  Like the yellow stain on my second finger.

I think about my own trajectory, and the people and experiences that influenced my becoming the woman I always wanted to be.

The one who dances on red soil in Rwanda and glossed, wood floors in Chicago.  Who has been invited in to the intimacy of rooms where life begins and life ends.  The one who listens with her hands and her heart.

The one with her own signature style – cropped hair, second-hand clothes and super-fabulous shoes – the kind that strangers inquire about.  Who takes herself to museums, operas and lectures – comfortably alone.  And out for strong coffee and a really good piece of cake.

The one who has learned to soothe herself.  To quiet her own crazy.  To be responsible for her own wellbeing.

Post Script:  I got a call on some of the news I’d been waiting on.  It was positive and it made me smile.  But it didn’t change anything.  Not my thoughts.  My mood.  My beliefs.  It didn’t make me feel “ok.”  It couldn’t.  Because in my heart I already was.

Falling Into My Feet

Healthy pelvis.  Not mine.
Healthy pelvis. Not mine.

I’m standing in the dark looking at my x-rays with Stephanie, my new chiropractor.

Tears stream down my face.  I see my body.  All of it.  Even the IUD I had put in just before my trip to Rwanda because I vowed I would not have my period in Africa.

I can no longer turn away from the physical pain I so rarely mention or acknowledge.  The pain that has been with me, moving but constant, for so many years.

Suddenly, I understand.   As a bodyworker and massage therapist, it’s hard not to.  But the dysfunction is so obvious a 4-year-old could point it out – kind of like “one of these things is not like the other.”

My left hip is significantly raised.  Several inches significantly raised.  I laugh and explain that I have a really bad case of what my friend Brian used to call “bus leg” – the stance he would take while waiting for one of four different buses that ran up and down Haight Street in San Francisco, one knee bent, leaning into the opposite hip.  He would light a cigarette in the hope that this would hasten its arrival.

My body is telling my stories.

Stephanie laughs and points out that not only is my left hip raised, but my right hip is rotated forward.  I step into this position – exaggerating the rise of my lift hip and the twist of my right – and I immediately feel the pain.

Stephanie shows me my cervical spine, my neck.  It is devoid of any curve and tilted to the right.  Cocked like a dog considering what his master is saying and whether or not to ignore it.

cervical spine
Healthy cervical spine. Not mine.

I tell her the tilt makes sense.  That this movement, right ear dipped to the right shoulder is the motion I associate with my mugging in 2007.

Just two months sober and back in California, I am held up at gunpoint on a Sunday morning in Oakland.  Blocks from where I attended massage school, where I taught, and where I treat clients each quarter, returning “home” for a busman’s holiday.

I pick up a coffee from Carerras and am talking on the phone with my friend Robyn when I feel a flurry of activity around me – circling, swirling energy, like a cartoon Tasmanian Devil.  And then a gun inches from my nose.

“Give us your shit and we won’t shoot.”

“They are kidding,” I think.  “In about 30 seconds they are going to say ‘We’re just fucking with you, lady,’ and I’m going to tell them this is not funny.”  But they never say that.  I think I am dreaming but I don’t wake up.  And then I slip back through the rabbit hole of reality and scream a scream I didn’t know I had in me.

They just look at me.

I think about everything in my bag.  My passport and how my husband and I are supposed to leave in five days for Mexico.  The flash drive that has all of my files on it and has not been backed up.  My keys.  But I am frozen.  I cannot say a word.  I cannot push out a logical sentence like, “Let me give you the money but I keep the rest, ok?”  Because this is not logical.

Instead, I cock my head to the right, opening up my shoulder and allowing them to take the bag I am wearing across my body.  They pluck my metallic-pink cell phone from my hand and are gone.

I scream and piss myself running back toward the school.  I have attracted attention and people who were not there just a moment ago are asking, “Are you ok?”  I do not realize they are talking to me until one grabs hold of me.  I tell her my story and she calls the police while a man takes my arm and walks me back to the school.

My friend Tim picks me up that afternoon.  I get a new passport and go to Mexico.  And when I return to Chicago, I engage in EMDR work – trauma therapy.  I get relief.  But the story is still in my body.

The story is my body.  They all are.

The car accident on New Year’s Eve day when a Ford F-250 with a horse trailer goes through the back of my Honda Civic Hatchback.  When my husband takes the car to the shop on January 2 and they ask, “Did everyone live?”

The piece of my cervix I have removed when I am 24 – ridding my body of its pre-cancerous cells.  And the doctor in California who, upon examining me for the first time, says, “If anyone asks, this is not what an ordinary cervix looks like.”

My breast reduction when I am 40 and the shame and depression that follows me for years like an ex-boyfriend who won’t let go.  Faint memory now, like the scars that run vertically from breast fold to nipple.

foot
Healthy foot. Not mine. But what I imagine it looks like now.

My body has held on to each of these and made them its own – painting over experience with a broad brush stroke of pain.  Not unlike the stories I repeat so often that they become my pained reality – whether or not they are completely accurate.  My skewed perception becomes truth.

I come home from my treatment, take my boots off and place my naked feet on the hardwood floor.  I feel the ground beneath me.  Supporting me.  As if for the first time.  Whereas before I seem to have been standing on only a part of my feet, tottering.

I have fallen into my feet.  Into my body.  Into truth, and the possibility of a new story.

Pajamas of One’s Own, With Apologies to Virginia Woolf

I threw away my ex-husband’s pajama bottoms.

I know…why did I have them in the first place?

The night before I left Seattle, I asked if I might take them with me.  The thin cotton ones, navy, with a drawstring.  Somewhere there is a matching top.  Somewhere.

I turned my ex on to men’s pajamas years ago, as I had been turned on by the man I dated before him.  Mornings I would pad around his house in Berkeley, wearing his pjs while he made us French-press coffee.  I liked to wear his overalls too.

a room of one's ownHe often remarked that I should get my own – of both.  That year for Hanukkah, I bought him a pair of silk pajamas.  Inside the card I wrote, “A room of one’s own.  Pajamas of one’s own.  I promise I won’t touch these.”  Then I opened his gift to me – my own pair of overalls.

We laughed. A sort-of modern twist on O. Henry’s Christmas tale, The Gift of the Magi.  Except neither of us had to give something away something we loved, to give something to someone we loved.

I stopped wearing men’s pj bottoms some time ago and had taken to wearing short, boy-short underwear and a wife beater – which was fine when it was just the two of us.  But I was about to go on the road, traveling with my divorce buddy – a man – and staying with friends along the way.  And when I arrived in Chicago, I would be living with a male friend of mine, temporarily.

Modesty, not something I usually subscribe to, grabbed hold of me, and I asked my ex if I could take his bottoms.

He looked at me sorts of sideways and said yes.

gift of the magiI have slept in them every night since.  Loosely tied and rolled down twice at the waist so I don’t trip on them.  They remind me of the pants my friend Tim’s roommate wore when he returned from Thailand, when he cranked the heat to 80 degrees and blasted the soundtrack to The King and I nonstop.

My mom attempted to buy me a new pair when I visited her in Tennessee in the spring.  We picked some up at Target, just bottoms, but I didn’t like how they fit.  Too much bunchy elastic at the waist.  So she returned them for me.  But we agreed I had to stop sleeping in my ex’s.  My best girlfriend Julie and I had the same conversation when I stayed with her this summer.

I’m sure I would have had this conversation many times over if I had shared this with anyone else.  But I didn’t.  I was too ashamed.  I knew it was kind of odd.  Palpably and painfully so, pulling them on after sleeping with someone else.

Ten days ago, I threw them out.  Crumpled them into the kitchen garbage bin, covering them with food scraps so I couldn’t pull them back out – fearful of a George Castanza-éclair-at-the-top-of-the-trash lapse.

A few days later I began sleeping for the first time in more than a year and a half.  Really sleeping.  Through the night, uninterrupted, for more than six hours.  Waking up with the alarm, and longing for more.

Not long after I found myself crush-less, and for the first time in my life, not looking to conjure up a love interest.

I told a friend of mine I didn’t want to talk about the boy I slept with – the one with whom I pulled on the pajamas in question.  The one who isn’t the one, but still takes up some residency in my head and in my heart from time to time.  I told her that talking about him wasn’t helpful.  In fact, it was painful.   So I’d rather not do it.

And then I said no to being fixed up with a man who was recently divorced.  I believe my exact words were, “Are you out of your mind?”  I know the desperate crazy that is his life right now and I don’t want to be a part of it.

My words surprised me.  But they felt like ridiculously good, albeit not-so-sexy, self-care too.  Like sleeping.  Like throwing away pajamas that belonged to my ex-husband.

I’ve returned to sleeping in the short, boy-shorts, but am on the lookout for a new pair of loose, drawstring bottoms.  The kind that feel lived in, or have the potential to, and that are not flannel.  Pajamas devoid of history.  Pajamas of one’s own.