Alone Again…Naturally

A few weeks ago, over dinner, a woman I know asked me who traveled with me to Italy.

“No one,” I answered. “Myself.”

Silence.

Like the silence I heard when I was a we, and responded to the question “Do you have children?” with a simple “No.” The quiet, uncomfortable space while they waited for some sort of explanation.  Something to make them feel more comfortable with the answer that made them uncomfortable.

The same silence that often greets me when responding to the question, “Are you seeing anyone?” with “No.” The same quiet waiting, for “But I was…” or “Well there is this guy I just met.”  Or my friend Patsy’s genius answer, “I am seeing a lot of different men.”

For a while I acquiesced…talking about my not-quite-relationships. My Divorce Buddy.  The Southern Svengali.  The friendships, flirtations and occasional dalliances that made me feel like I had something going on.  The relationships that ended seemingly before they even started.  I think it made us both feel better.

This time was different. I felt no need to explain my solo voyage.  In fact, I was downright chuffed (to turn a British phrase), pleased with myself and the situation I consciously and happily put myself in – alone for 17 days in Italy.

A few days later, I was asked the same question about travel mates.  And I watched as the woman’s smile wrinkled into a pained frown.  “You were alone…on your birthday?”  The same question my mother asked me before I left.  The same question I had asked myself.

Happy on my birthday, in Paris.
Happy on my birthday, in Paris.

“Yes! It was awesome!”

I told her about my 15-hour layover in Paris. About walking along the Seine, seeing Notre Dame and the Eiffel Tower, laughing out loud, asking no one in particular, “Who goes to Paris for dinner on their birthday?” and replying, “I do.”

I told her about being present to the moment. About the real birthday present – of not wanting anything to be other than it was.  Not wishing for a man or a friend.  Not wishing I had worn something different, eaten something different, stayed in a different apartment.

She looked confused.

I’ve been thinking about why this trip was different. Why I was different.

I have traveled by myself before – on press trips and volunteer projects and meeting up with friends on the other end. But only truly “alone” once before – in the few days before and after participating in a volunteer project in the south of France.

I had longed to travel alone.  It represented who I wanted to be.  Adventurous.  Glamorous.  Strong.  A world traveler.  And yet, when I arrived in Paris alone in 2006 I only felt sad, scared and alone.

My answer, or at least part of it, came in an email from my friend Melinda.  In it, she mentioned going to a play reading – by herself – completely spur of the moment.

“It kind of reminded me of your Artist Dates.”

Artist Date. Balm to my soul.  Savior of my heart and mind.  The simple suggestion by Julia Cameron in the book The Artist’s Way of a once a week “walkabout” to fill one’s creative coffers.

I took on the challenge nearly two years ago. Newly divorced and painfully licking the wounds of my first forays “back out there.”   I had heard others talk about feeling free, having great sex, or at the very least, a lot of it, following the dissolution of their marriages.  My efforts and experiences only left me feeling scared, desperate and crazy.

In a moment of grace, I turned away from convention, from the promises of partnership, and toward myself through weekly Artist Dates. To the opera.  To the Art Institute.  To ethnic grocery stores and new neighborhoods.  To theatre and concerts.  Alone.

Reading Melinda’s email, it occurred to me that perhaps all of this “structured aloneness” had prepared me for this – a seeming marathon of solitude.

Arriving in Rome alone last month, I felt the same anxious fear that had accompanied me to Paris. But this time I didn’t try to act cool.  I didn’t try to pretend I was a local or that I even knew where I was.

I held a map in my hand, asked a lot of questions and opened myself to the possibility of getting lost, or worse, of looking stupid.

I challenged myself to not take cabs. To depend on trains, buses and trams.

On my feet. On myself.  And the time-tested kindness of strangers.

Strangers who reminded me I was never really alone. Leonardo, the 19-year-old man/boy, who saved me from boarding the wrong bus – twice – in Arezzo.

With Leonardo, who saved me from going to God-Knows-Where. Twice!
With Leonardo, who saved me from going to God-Knows-Where. Twice!

Delilah, another volunteer at Altrocioccolato – the fair trade chocolate festival in Umbria where I began my journey – who sent me to her brother, his wife and cousin in Florence for Aperitivo – the Italian version of happy hour, but with a much better buffet, and a drive through the city.

Who organized a dinner party – which became my birthday party, complete with candles, singing and gifts – among her English-speaking friends when I arrived in Rome a few days later.

Roman Birthday Party. Delilah, the hostess, is in black.
Roman Birthday Party. Delilah, the hostess, is in black.

Seems my Artist Dates, my time alone, prepared me to be alone. For long walks, shopping at flea markets and eating fatty pork sandwiches while sitting on the edge of a fountain in Campo De Fiore.

It also prepared me to be with people – with ideas and experiences to share.

But mostly it prepared me for my life, the one I dreamed of not so many years ago in Paris— Adventurous. Glamorous.  Strong.  A world traveler.

 

 

Artist Date 36: The Happy Show

2013-08-22 17.12.37I am chewing on a piece of ginger candy and drawing a daisy – poorly – on a square of yellow paper, giggling to myself.  The enormous blow-up animal in the other room, the one with its ass cocked north, is dancing around in my head.  I am happy.  Not just in a general way.  But in this very-present, animal-ass-in-the-air, right-now moment.

I give it an 8.

2013-08-22 17.06.05I’m on the fourth floor of the Chicago Cultural Center, at The Happy Show – Artist Date 36.  Two people mentioned it to me within two days of one another.  I take it as a sign.

Walking in, I am asked to rate my happiness and to take a gumball from the large, plastic tube with its corresponding number.  I say 7.  Popular number.  This is the least filled cylinder, followed by 10.

2013-08-22 15.57.37Ten.  No greater happiness.  Unless it goes up to 11 in a This Is Spinal Tap sort of logic.  I have been at 10…in moments.  And I think that’s sort of the point – recognizing pure-bliss, happy, 10 moments when they happen.  And thanking your lucky stars.

Noticing the runny yellow and crisp white of a fried egg.  The chills up your spine every time you ride a scooter on a beautiful, windy road.  No helmet.  Listening to music you love, but don’t know well enough to have stories associated with it.  These are Stefan Sagmeister’s – the show’s creator – happy moments.

Mine is on my bike.  A vintage, Raleigh three-speed with a basket and a bell.  Except I wear a helmet.  And I don’t listen to music.  I sing.  Usually Rosemary Clooney’s “Do You Miss New York,” or Talking Heads’ “Road to Nowhere.”

“There’s a city in my mind, come along and take that ride and it’s all right.  Baby, it’s all right.”

Sagmeister designed album covers for Talking Heads, as well as my hero, Lou Reed.  I wonder if he designed Little Creatures, the album this song is from.

I am photographing every inch of the exhibit – Sagmeister’s 10-year exploration of happiness – literally.  The language is so spot-on.  I don’t want to forget a single word – all of it printed on yellow walls, in fonts that look like handwriting.  Some words are cleverly crossed out.  Perfectly imperfect.

Rules to live by, culled from Sagmeister’s diary, manifested in print, sculpture, video, and dance.

“Uselessness is gorgeous.”

Thousands of cigarette papers are taped to the wall with fans blowing on them.  I step away from them to see the words embedded in the paper.  It is gorgeous.  I think about my friend Pam noting that I wear a $2 shirt from the Salvation Army with $85 underwear.

Not quite –$35 is my max.

2013-08-22 16.18.54“Make the first step.”

I watch a video of a group of Balinese girls performing a dance, unrolling strips of yellow fabric, displaying these words.  Sagmeister recalls his mother approaching people, rather than waiting to be approached.

“I do this,” I think.  Almost always.

“Over time I get used to everything and start taking it for granted.”  Sagmeister writes the words with his finger – in the dirt on a car, in soapy suds on a man’s hairy chest.  With playing cards and with hotdogs.

Yep.  It’s true.  And, Sagmeister explains, even the words “I love you,” said by the same person, become boring.  I think about my ex-husband.  In the year since our divorce, he has often told me that he misses our life together.  And that I look really good.

I want to tell him he should have thought about that before he opted out, but I don’t.  I know there are reasons our marriage stopped working.  Among them, I am certain, that somewhere along the line we took one another, and our life together, for granted.

“Actually Doing the Things I Set Out to Do Increases My Overall Level of Satisfaction.” Agreed.

2013-08-22 16.55.16“Everybody Always Thinks They Are Right.”  ‘Nuff said.

“Drugs Are Fun in the Beginning But Become a Drag Later On.”  Ditto.

On my way out, I am asked to draw my symbol of happiness on a square of yellow paper.  No smiley faces allowed.  It is the second time I am asked to do this – the first time, on the way in, I draw a heart on one side, two stick figures holding hands on the other.  This time I draw a daisy.  I don’t know why.  It just makes me smile.  Like the flowers I buy for myself most every week at Trader Joes.

Hans – my favorite, morning check-out guy – once gave me sunflowers.  Pulling them from my basket, he asked if the blooms were for me.  When I told him that they were, he responded, “They are on me.  And pick up a second bunch on the way out.”  I think it made us both happy.

I walk through the exit, which has been made into art.  The words, “every” precede “exit,” and “is also an entrance” follow it.  As instructed, I push a button and take the card which shoots out.  It reads, “Find a reflection of yourself and tell it what you really think.”

On the way out, I stop in the bathroom.  I look in the mirror and whisper to myself, “You are lovely.”  My lips curl into a big smile.  And I am.

……………………………………………………………………………………………………………………..

And you?  What do you say to your own reflection?