Artist Dates 91 and 92: Schooled

How do we know this is David?

I never thought about it. But here I am in front of him at Galleria dell’Accademia in Florence – Artist Date 91.

David is a boy and this is a man. David is a Jew and this man has a foreskin.  And what is he holding anyway?  And why do we have to walk around him to find out?

Paul, the tour guide from Walks of Italy, lobs the questions rapid fire until I feel like my brain might explode, but instead, cracks wide open.

I purchased my first walking tour – my first tour ever – last fall, in Dublin. It was my friend Steven’s idea.  And, much to my surprise, I enjoyed it.  Even looking like a tourist.  Which I was.

Which I am.

Paul takes me and 11 others to the Galleria dell’Accademia . To the Duomo.  To Piazza San Marco.  Ultimately dropping us at Ponte Vecchio.  Stringing us along with juicy bits of history.  Linking them together, telling a linear story.  Ultimately letting us know why we should care about these tourist attractions.

Ponte Vecchio
Ponte Vecchio

It is like Jeopardy – Italian style. Where everything comes in the form of a question.  Or at the very least, begins that way.

And it works. It is sticky in my grey matter.  Days later.  Weeks later, when I write this.

I learn that in religious art, the one wearing fur is always John the Baptist.

That Michelangelo considered himself a sculptor and was pissed off when asked to paint or to build.

That he never had sex, slept in his clothes – to save time – and thought art was for the people – and sculptures, the newspapers of the day. But that as a reporter with a chisel he was never neutral — a Michael Moore of Renaissance Art.

Outside the Duomo I learn why Renaissance Art was born here. A simple Maslow’s Hierarchy of Needs.  The temporary capital of Italy, Florence was flush.  Issues of survival were no longer issues here, so the people of Florence could turn their attention to things of intellect and beauty.  They could build the largest church known at that time, its dome an architectural quandary.

And it is at this basilica that christening changed from a dunk to a sprinkle.  Seems while no one was dying of the plague, newborns were dying in record numbers following baptism, and someone figured out that while the water might by holy, it wasn’t particularly sanitary.

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The Duomo, Santa Maria del Fiore Cathedral in Florence

I learn that families claimed turf by marking corners of buildings with the family crest. An early form of tagging.  And a series of balls is the sign of the Medici family.

That Ponte Vecchio survived World War II, while all the other bridges in Florence were bombed by Nazis upon their crossing, because of a Medici. That in 1565 Grand Duke Cosimo de’Medici had a private passageway built into the bridge for the occasions when communication with his estranged wife, living across the Arno River at Palazzo Pitti, was necessary.  He filled it with Renaissance Art – art that remained there.  Art that Hitler commanded be “saved,” along with Ponte Vecchio.

A few days later in Rome, Cecilia (also from Walks of Italy) similarly schools me on the Colosseum, the Pantheon and the Sistine Chapel, as well as Trevi Fountain, the Spanish Steps and a killer gelateria. Artist Date 92.

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Getting schooled at the Colosseum.

 

Suddenly I am a history nerd, walking at her hip, never losing sight of her umbrella – the raised symbol moving us forward as a group. I think about how much I missed in high school.  In college.  Because I was hung over, hanging out or just plain disinterested.

About how much I surely missed in Madrid and Barcelona, Amsterdam and Brussels, Paris and London. Because I didn’t believe I needed someone to school me in their city.

I receive my final lesson leaving Vatican City when I ask Cecilia the way back to Trastevere – the neighborhood where I am staying – either via foot or cab. She offers me another option, inviting me to take the bus with her instead.

On our ride, Cecilia tells me I am brave. That she noticed me traveling alone.  Heard me talk about volunteering in Umbria.  That for all of her education and seeming worldliness – she is terrified to travel alone.

I hear her.  I believe her – that I am brave. I own it.  And share the greatest lesson I have learned.  That I am terrified too.  Of getting lost.  Of looking stupid.   Of…insert fear du jour here.

That I am terrified…but do it anyway.

Artist Date 90: Full

Outside Mercato Sant'Ambrogio.
Outside Mercato Sant’Ambrogio.

There’s an empty space in front of me where a wine glass used to be. It was there just a few minutes before I got up.  But now it’s gone.

It’s a God thing. I’m sure of it.

It is 10 a.m. and I am at a wine shop – the first stop on a walking food and wine tour of Florence – Artist Date 90.

I was the first to arrive on the piazza, to meet our guide Ishmael.  I refrain from any The Old Man and The Sea references.

He is from Latin America, but has made Florence – or more accurately, its environs – his home for more than 30 years. He is bearded and handsome and gentle.  As is the case with so many men here, I cannot tell for certain whether he is straight or gay.  I decide not to worry about it.

We wait for 10 others to join us. They come in groups of twos, like animals on Noah’s Ark.  I feel wildly liberated, untethered and free.

We walk a few blocks to a wine shop, where a long table is set up with stools, glasses and a variety of bruschetta.

I have not had a drink in nearly seven years. It is strange to be here.

And yet, this used to be my life. Conversations about the dwindling availability of cork, comparing plastic versus screw top.  Stainless steel versus oak.  I was living just an hour from the Napa Valley and spent a considerable amount of time there – tasting, learning, drinking.

I fancied myself fancy because I knew just a little bit.  Until the day when a stranger said to me, “Wine aficionado is just a fancy name for a drunk.”  I was incensed.  But in regards to me, he was right.

About half-way through the tasting Ishmael notices I do not have a glass. He asks if I would like one.  I shake my head, smile and say no.

“Are you sure,” he asks. I am very sure.

At the wine shop...I focused on the bruschetta.
At the wine shop…I focused on the bruschetta.

We stop at a food cart – like the ones in Portland, San Francisco and New York, like the one made famous by a pre-teen’s Tweeting in the movie Chef.  Except there are no hipsters here.  Only work men.  And instead of hawking clever cupcakes or Asian-Latin fusion, this one sells tripe.  Just tripe.

Ishmael asks if any of us would like to try it. I raise my hand, along with the Greek painter from Lawrence, Kansas, and a few minutes later receive a white plastic container, along with a plastic fork and a hunk of bread.

I am a bit nervous, but tell myself “when in Rome”…or Florence. But, like Mikey in the 1970s Chex cereal commercial, I like it!  It is well-spiced, like a fiery, paper-thin calamari.

I ask the woman from New York traveling with her mother to take a photograph of me eating it, my MAC “Kiss Me Quick” lipstick staining the plastic fork – lest anyone question my story.

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Not many ladies eating tripe off a food cart…

I was a picky eater growing up.  My mother would serve me a silver-dollar size piece of steak that I would cut up, cover in ketchup and move around the plate for a quarter of an hour until my father, exasperated, would say, “Make her a grilled cheese sandwich.”  I lived on grilled cheese, hot dogs and Spaghetti-Os until I was about 14.

We wander over to Mercato Sant’Ambrogio. Outside vendors are selling grapes, carrots, herbs, mushrooms – truffles.  I recall the chef I briefly dated kissing me in his kitchen, and asking when I would be in Italy.

October.

“Mmm…truffle season…except you cannot afford them.”

I should have told him to fuck off.  Or how he was so certain what I could and could not afford.  But I said nothing.

I think he would enjoy this culinary tour of Florence.  And then decide not to think about him at all, but instead the cured meats, cheeses and olives that a butcher is serving us with toothpicks off of a polystyrene tray.  From the North, the South, Tuscany.  Aged six weeks, six months, 16 months.

We sit down on long benches and sample orecchiette with finely chopped broccoli, spaghetti with pancetta, olive oil and parmesan, pomodoro.  Once this was simply a place for market vendors to have a meal.  Today it is a restaurant.

I am generally not one to get too excited about pasta. Until now.  It is silky and warm on my tongue, along my cheek.  I taste every ingredient.  Minutes old.  I am silent.  I am, as my friend Stan says, “having a relationship with my food.”

Yes...I left a little bit.
Yes…I left a little bit.

We end with gelato from one of Ishmael’s favorite shops – Il Procopio. I pair carmelized figs with cream, almonds and pine nuts with the shop’s namesake of pistachios and orange peel.

I have eaten gelato every day since arriving in Italy more than a week ago, congratulating myself on always ordering a piccolo.  But today, grinning and completely conscious, I order a medio — and congratulate myself that it is not a grande.  It’s a God thing.  I’m sure of it.

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Il Procopio. Firenze, Tuscany. Enough said.