Artist Date 47: Holding On To That Bull For 8 Seconds

I drive a 13-year-old Honda Civic Hatch DX.  They don’t make my car anymore.  From time to time I find a note on the windshield, someone offering to buy it.

In the glove box, in the side pockets, and behind the cup holders are stacks of CDs.

I grabbed them, haphazardly, when I left Seattle.  Three Dog Night.  Basia.  Mazzy Star.  Those were my ex’s.  Donna Summer, Stevie Wonder and Torch Song Trilogy are mine.  As is a disco mix my friend DJ Andy T made for me.

basiaI can listen to them over and over again without growing bored.  Singing along.  The familiar words keep me awake while driving long stretches.  Keep me from my thoughts.

And then I hit a wall.  Pulling out disc after disc as I make my way down Lake Shore Drive, looking for something I want to hear.   I come up empty.  No more Bonnie Raitt.  Annie Lenox.  Crosby, Stills, Nash and Young.  No more Dire Straits.  No more Gipsy Kings.

My destination for this week’s Artist Date – 47 – was easy.  To Laurie’s Planet of Sound on Lincoln Avenue.

I pass by here almost daily.  There is a white board outside with new arrivals written in dry-erase magic marker.  There are t-shirts in the window.  And inside there are records, books and CDs.  I can tell from peeking in, but I’ve never been inside.  Until Friday.  And then, just for a moment.

There is a hipster man-boy at the register.  Big curly hair, plaid button-up shirt and chunky, nerd glasses.  We nod at one another.  I think John Cusack, High Fidelity.

elvis costello

I am holding The Best of Elvis Costello and the Attractions CD.  $6.99.  I used to have this on cassette.  I remember singing along with Elvis to “Alison,” “Pump it Up,” and “Every Day I Write the Book.”  I remember my high-school crush giving me grief for buying “best of” albums.

My phone rings.  It is a call I have been expecting from a friend and mentor.  I drop the CD back in the bin and walk outside.  I will return later for it.

But I don’t.  During the course of our call, I find out she is moving away.  The stars have aligned and a “not-to-be-missed” opportunity has been presented to her family.  I am the first person she has told.

I am delighted for her.  And I feel the loss inside of me too.  I am acutely aware that our relationship will change.  I am tired of change, I think.  And yet, when things stay the same, I am restless and bored.

We finish our call and I go to Paciugo for gelato.  I order a piccolo cup – toasted coconut, sea-salt caramel, and cinnamon – and eat it walking home.  The sun is shining and the air is cool.  I am wearing gloves.  I tell myself I will go back to Laurie’s later.

But I don’t.

A friend comes over, and later, when I drive her home, she asks if I am looking forward to my Friday night alone.  Sometimes I do.  Especially this time of year, when night comes early and my radiator-heated apartment feels toasty.

I do not feel this way tonight.  I tell her so, bursting into tears.  By the time I pull over to her apartment I am sobbing uncontrollably in her arms.

I am so lonely.  She holds me.

I have been on the verge of tears all week.  This is not entirely unexpected.

Perhaps it’s because my ex-boyfriend – the one I always sort of held out hope for and thought “maybe one day…”– got engaged.

Perhaps it is because my friend and mentor is moving.  Or because I have begun to look for work in earnest, for the first time in 12 years.

Perhaps it is because I chatted online with my ex-husband today and that always kind of throws me off my square.

Or maybe it is because it is the first week in November.  That it’s just that way right now.  I don’t know.  I’m not sure that it matters.

All I know is going home by myself, to myself, is a really bad idea.  I know I won’t cook or write or take a bath.  I am pretty certain I will do something not helpful, like look up old lovers on Facebook.

I don’t feel like going back to Laurie’s either.  I don’t want to hear the chatter in my head.  And I don’t want to talk about it.  There is nothing more to say.  And knowing that is really something of a miracle.

Dallas_Buyers_Club_posterDallas Buyers Club is playing at the Century Theatres.  If I drive fast I can make the 8:30 show.  I make a beeline and arrive with time to spare.

I buy a ticket and claim a seat on the end.  I lay my coat on the seat next to me, joining the one belonging to the man sitting two to my right.  He is also alone.

I think about Tony, my first close friend diagnosed with AIDS.  I remember him cutting my hair in his kitchen and doing me up like a drag queen, full-well knowing I would never wear my hair like that.  But it makes him happy.  I remember smoking pot with him and eating empanadas in Detroit.  I remember that AZT made his mouth taste like metal and put him in a cranky mood.

But mostly, I get lost in the story unfolding in front of me.

I forget that Matthew McConaughey is Matthew McConaughey and not Ron Woodruff – a red-neck, homophobic, drug-addicted Texan diagnosed with AIDS.  I open my heart to this man who lived seven years instead of 30 days.

This man who befriended a card-shark, drag queen named Rayon.  Who smuggled non-FDA approved treatments into the United States for his Dallas Buyers Club.  Who in helping himself, helped others.

I cry watching him hold on to that bull for eight-seconds.  (See the movie.  You’ll understand.)  I cry when the screen goes black and silent white letters report his death.  Even though it isn’t a surprise.

I have gotten caught up in someone else’s story instead of my own.  It is what I had hoped for.

Driving home, I feel just a little bit better.  But I am still holding on by my fingernails.  Like a newly sober alcoholic counting the minutes before bed – congratulating himself and thanking God for making it through another day without drinking.

Holding on to that bull for eight seconds.  Holding on.

In The Weeds

2013-07-17 17.22.57I like to think I am aware of my surroundings.

I’m not.

Out on a morning walk, I wander into the native planting section of Winnemac Park.  There are wood chips on the ground, soft landing for my feet.  A low wooden fence.

I’ve been here before.  But it’s been a few weeks.  Months.  I’m not sure.  I lose track of time.

Today the planting is as tall as my head. Taller.  Green stalks, some with yellow flowers and brown centers.  Purple flowers and greenish centers.  What we used to call Queen Anne Lace when I was a child.  I have to push my way through it, clearing the way for my next step.  Jungle-like.

I am smiling.

I walk through it again on my way back home, as the morning grows hot and humid.  This time I pull out my ear buds.  Right after Labelle’s Lady Marmalade.

It is so quiet. Right here in the city.  I hear the birds.  The dogs.  The cars passing by on the perimeter merely a hushed vibration.  It immediately feels different.

I don’t know why I’m surprised.

My ex always had music playing.  And while I love it, I often found it overwhelming.  I craved the quiet.

And yet, now living on my own, music is very much a part of my background.  Perhaps the quiet frightens me now, alone with my thoughts.

But now it feels like a respite.  A great, big exhale.  As if I am on an entirely different walk.  As if the walk just moments before had never been.  The change is palpable.

I look to a weeping willow and think, “I need to come here every day.  Even just for 10 minutes.  To walk on the wood chips.  To get lost in this “forest” of native planting.”

Ah.  That still small voice.  I couldn’t hear it over the Donna Summer Pandora Channel (which, by the way, is excellent for walking…except when you are trying to hear that still small voice.)

I greet a big, black lab on the path.  He is off-leash.  I am afraid for a moment.  I peer around the corner looking for his owner.  “Is he friendly?”  I ask.  He is.

His owner had been lost in his own world –his nose tucked into one of the tall purple daisy-like flowers.

2013-07-17 17.23.53I feel a tinge of sadness leaving.   I always want more.

Walking home I admire the beautiful teak wood furniture on the porch of a brownstone.  Its pads noticeably missing.  The greenish brass elephants flanking it.

Wooden flower boxes hang off the window of a multi-unit brick building.  The only ones – obviously installed by the tenant.  His joy.  Her contribution to the neighborhood.

Tiny gardens are planted in the small open spaces outside of single-family homes and brown-stone three-flats.  Shady spaces, lush with green leaves and plantings, moist rocks and black earth.  A burgundy Japanese maple.

I smile, sort of wistfully, at the sad attempt at yarn bombing on the trees outside of the church across the street.

Arriving home, my mind is noticeably still.  I could hear Pandora playing in my bag, I had forgotten to turn it off – The Weather Girls, “It’s Raining Men.”  Miracle.  I hadn’t been thinking of them at all.