Real. With Most of Her Hair Loved Off

I’m sitting in a big upholstered chair at The Book Cellar, a stack of children’s books in my lap. Tears streaming down my cheeks – red from the warmth inside.

There is a discussion panel about the Arab Spring just a few feet away from me.  Every seat is filled – except for mine, tucked away at the end of the stacks.  A couple of people are standing.

friendsI’m supposed to be choosing a gift for my friend Clover’s yet-to-be-born baby.  Her friends are throwing her a shower this weekend.  And she and Andy have asked guests to bring a book for the baby’s library.  I’m pretty sure I’ve chosen hers – Friends, by Eric Carle’s.  The words are simple, the illustrations lush.  I think about our friendship.  That my wish for her child is to have a friendship like ours.

On the inside back cover is a photograph of Carle and his friend.  They are three-years old.  The month it is taken is written in German, by his mother.  Carle never saw his friend again.  “I often wonder what happened to him,” he writes.

Tears.

I think about people leaving and having no say in the matter.  Powerless.  My adoption shit is all stirred up.

I am reading The Velveteen Rabbit.  I sort of know the story – my friend Rachel used to reference it, talking about being real and having all the fur loved off of you.  But I don’t think I ever actually read it.  Or had it read to me.  Until now.

“ ‘What is REAL?’ asked the Rabbit one day…’Does it mean having things that buzz inside you and a stick-out handle?’ “

I smirk.

“ ‘Real isn’t how you are made,’ said the Skin Horse. (Named for his bald brown coat and missing hairs of his tail.)   ‘It’s a thing that happens to you.  When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.”

Loves you for a long, long time, not just to play with…I let the words wash over me.

“ ‘Does it hurt?’ asked the Rabbit.”

Yes, I whisper, to no one in particular.

Illustrations, William Nicholson
Illustrations, William Nicholson

“ ‘Sometimes,’ said the Skin Horse, for he was always truthful.  ‘When you are Real you don’t mind being hurt.’ “

Bullshit.

“ ‘Does it happen all at once, like being wound up,’ he asked, ‘or bit by bit?’ ”

All at once.  Wound up.  That is my history – mostly.  All in love.  Insanely inside one another’s skin.  Until now.   I’ve been getting to know some new someones, bit by bit.  It is new.

“ ‘It doesn’t happen all at once…You become.  It takes a long time.’ “

Amen.

“ ‘That’s why it doesn’t often happen to people who break easily or have sharp edges, or who have to be carefully kept.

So we don’t all become real?

Do I break easily?  Because I cry easily.  Because I hurt easily.  I decide that it is not the same thing.  Although pieces have certainly chipped off in transit.  I am soft, at times ridiculously so, free of sharp edges.  And despite my seemingly fragile nature, I do not have to be carefully kept.

“ ‘Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby.  But these things don’t matter at all because once you are Real you can’t be ugly, except to people who don’t understand.

“…but once you are Real you can’t become unreal again.  It lasts for always.’ ”

Yes.  I think so.

Except for when I am not.  Not Real.  Twisting myself inside out to be who I think you want me to be so that you will love me.  It is more infrequent now.  Subtle.  But it still happens.  Awful.

The way I make myself small, without even knowing it, so you won’t feel overwhelmed by me.  My desires.  My needs.  My emotions.  I found myself doing it today.  Unconscious.   Until I wasn’t.

“How sick to be small and to sit by and wait until you can accept more of me,” I wrote in my notebook.

The Skin Horse tells his story.  Illustrations, William Nicholson.
Skin Horse tells his story. Illustrations, William Nicholson.

“The Rabbit sighed.  He thought it would be a long time before this magic called Real happened to him.  He longed to become Real, to know what it felt like; and yet the idea of growing shabby and losing his eyes and whiskers was rather sad.  He wished that he could become it without these uncomfortable things happening to him.”

Me too.  But so far, these “uncomfortable things” have been the wellspring of change in my life.

I remember once saying to my girlfriend Julie, having again gained back all of the weight I had lost and then some, that if someone could wave a wand and make me a healthy weight, I was certain this time I would maintain it.

I doubt it.

The Rabbit does become Real.  Not just to the child who plays with him, but to everyone.  Real with real hind legs – no longer made from just a single piece of fabric – the kind that allow him to jump without the boy tossing him in the air.

And one day, when Autumn became Winter became Spring, the Rabbit saw the boy again – playing in the woods.

“ ‘Why, he looks just like my old Bunny that was lost when I had scarlet fever!’

But he never knew that it really was his own Bunny, come back to look at the child who had first helped him to be Real.”

Come back to look at the child…yes, sometimes they come back.  High-school friends I never really knew.  Birth parents.  And old boyfriends – 18-plus years later – just to say they are sorry.

Sometimes.

I pick up both books and take them to the register.  I have one gift wrapped for Clover’s baby.  The other I keep for me – the one with most of her hair loved off.

Artist Date 53: You Don’t Say

I used to swear like a sailor.  It was part of my tough-talking, cigarette-smoking, don’t-mess-with-this-Jew personae – affectionately known by my newspaper colleagues as “Brooklyn Les.”

Until I got hired by Weight Watchers.  My friend, and mentor Stan told me I would need to watch my mouth.  That I might think people thin-skinned, but that not everyone cottons to the liberal and casual use of the word fuck.

I trusted him, and learned to curb my four-letter tongue.  I found the more I didn’t use those words in the workplace, the more they slipped away from my vocabulary entirely.

Don’t get me wrong.  I still like a well-placed fuck.  (Double entendre not intended, but appreciated.)   Especially the unexpected sort that shocks.

tribes

Like in Tribes.  Artist Date 53 at the Steppenwolf Theatre.

The word punctuates each breath of the play’s first lines, followed by cunt and a graphic, fairly vulgar description of the much-older object of Ruth’s affection.

Uproarious laughter covers a collective gasp.  There is a shared sense of ok-ness.  That we have chosen our mores.  That we have agreed upon this use of language.

I am a part of this conscious collective too.  But I don’t feel that way.  I am self-consciously aware of feeling “not a part of.”  Disconnected.  The word rattling in my head since I lost Internet connectivity minutes before leaving the house.

It is exacerbated by the series of phone calls I make while driving that dump me into voicemail.  And even more so by the conversation to my right, once in my seat.  Flanked by two couples, I listen as they share highlights of their collective creative genius.  She leads workshops teaching artists how to write grants.  He is a photographer.  The other she is an actress.

I am envious.  Irritated.  It does not occur to me that I am a writer.  That I too have a creative genius.  One that connects me to others every time I engage it.  I am, as my friends like to say, looking for the differences.  All of the places where I don’t measure up.  At least in my mind.  I have been all day.

This afternoon, interviewing with a recruiting firm — really more of a temp-to-permanent staffing agency.

I went in worried about not wearing a suit.

I haven’t owned one in more than 12 years.  Ever since I traded prestige for peace of mind and left a nearly six-figure job to answer phones at a massage school for $12/hour and 50 percent off future classes – supplementing my new cobbled-together career as a massage therapist and Weight Watchers leader.

It had not occurred to me that my plaid, Pendlelton coat and patterned spectators might be the least of my concerns.

All around me – on both sides of employment table – are “kids.”  They appear to be born the same year I graduated from high school.

I lose myself in self-conscious concern.  About my age, my appearance, that I have not looked for work in 12 years.  And when the questions come about desired salary, and ideal work environment, I stammer.

Photo by Sandro. Steppenwolf Theatre.
Photo by Sandro. Steppenwolf Theatre.

Like Daniel in Tribes, when his sense of security – false or not – is taken from him and he reverts to old patterns.

The old tendency to try to be what you need me rushes in.  People pleasing.  Like Billy, learning to read lips rather than pushing his family to learn to sign – which seems selfish, at the least inconvenient, and might make them uncomfortable.

It is an old behavior and yet it sneaks back in as effortlessly as the fucks that can still fly from my mouth.  I feel tired and small.  And sort of stupid.  Even though I know that none of that is true.

But suddenly not so separate.  I see myself in bits of the universal dysfunction unraveling on stage.

I am like Beth.  A tentative, later-in-life writer.  Like Christopher.  Using bluster and swagger to cover up my own not knowing.  Like Ruth.  Looking for love.  Except I no longer ask “What is wrong with me?” while sobbing in my mother’s arms.

Nor do I succumb to the urge to call a boy I know while driving home, when the separateness has returned to me.  A boy fighting demons far greater than my own right now.  A boy who could never give me what I want – which right now is nothing more than to be held.  I know that this is beyond his capabilities – so I think better than to ask for it.

Age, experience – it is grace.

Once home, I write a note to my friend Melinda, as I do most nights – sharing an inventory of my day via email.  I will receive hers in the morning.

Connectivity has been restored.  To the Internet.  To my friend.  To my truth.